Took all this time to actually in fact bite our own tail to learn that that hurts; I guess it was worth it. / Developed a taste for tails. The prose poems of Ganymede's Dog startle myths back to life, whether Ganymede's abduction by Zeus in the form of an eagle, his abduction by a century's worth of Budweiser labels, Sophocles's boozy boy-chasing, or the dancing plague of 1518. John Emil Vincent teases his materials into surreal, joyous, dirty, sometimes gruesome animation. His revelations arrive in the guise of other characters, and throughout, there are dogs. Dog-themed philosophy, dog-headed saints, dog-worshipping island rituals, and just plain dogs invite the reader to puppy-pile with Petronius, Catherine the Great, and Saint Christopher in a sapiosexual orgy with autocorrect handling the towels. Deeply infused with gay culture and mythology, Ganymede's Dog is a collection of smart, knowing, allusive, often ironic poems that ponder the boundaries of legend and the privileges of youth and beauty.
About the author
JOHN EMIL VINCENT is a Montreal-based poet, editor, and archivist. He's taught literature, queer theory, and poetry writing at Concordia and Queen's in Canada and at Wesleyan, Haverford, and University of Miami in the US. He and his partner, Luis Loya Garcia, emigrated to Montreal in 2010 to get married and escape anti-immigrant laws and sentiment in the US. Vincent earned his BA in Religion and Literary Studies (French) from Williams College where he worked with Louise Glück. We went on to earn an MFA from Warren Wilson College (in North Carolina) where he worked with Heather McHugh and Larry Levis among others. Toward the end of his MFA he started his PhD in English across the state at Duke University where he studied under Eve Kosofsky Sedgwick and Michael Moon. He was among the earliest cohort to graduate specializing in Queer Theory. While at Duke he published an essay on Swinburne and whipping in Eve's collection Novel Gazing and co-authored an article on Latinamericanism and My Own Private Idaho with Josè Estaban Muñoz. He recently earned his Masters Degree in Library Science (Archives) from Simmons College (in Boston). He has worked doing preservation work for John Ashbery in his home in Hudson, New York, and has worked helping organize James Tate's papers and books after his recent death. He served as Editor-at-Large for the Massachusetts Review, where he edited a double 'especially queer issue' packed with queer literary luminaries and a special issue celebrating the 50th anniversary of the UMass-Amherst Program for Poets and Writers. He's served as poetry editor for the now-defunct Swink magazine and issue editor for tinywords (a web-based haiku journal). He has published poems in jubilat, Denver Quarterly, BlazeVOX, Slope, Spork, failbetter, Drunkenboat, and many other journals. A number of his poems appeared in an anthology of new gay poets, entitled This New Breed, edited by Rudy Kikel (Windstorm Creative 2003). He recently published a chapbook Cheshirization-- containing 9 poems from 'Excitement Tax' with Factory Hollow Press.
"John Emil Vincent put my favorite things, all the things that matter, in something like a cosmic clothes dryer. Myth, history, rumor, rumor as myth as history as sex as rumor as proclamation as history as myth as myth as history as song as words—he spun them, heated them, folded them into order. And yes—dogs came—because dogs love clean laundry and dogs love what's elegantly made so that they can come with their paws and noses, tip it over, look at you." Lucy Corin, author of One Hundred Apocalypses and Other Apocalypses
"A contemporary context coincides with a diverse cast of characters in these prose poems. Alongside Zeus's cohort, we bang heads with Pinocchio, Draco, and Santa Anna, to roll call but a few. This is not a writing against received versions of myth or history so much as it is subjecting them to an entirely new treatment." Arc Poetry Magazine