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Art Museum Studies

Curationism

How Curating Took Over the Art World and Everything Else

by (author) David Balzer

Publisher
Coach House Books
Initial publish date
Sep 2014
Category
Museum Studies, Criticism & Theory, Business Aspects
  • Paperback / softback

    ISBN
    9781552452998
    Publish Date
    Sep 2014
    List Price
    $13.95
  • eBook

    ISBN
    9781770563872
    Publish Date
    Sep 2014
    List Price
    $6.99

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Description

Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture?

‘Curate’ is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. Curatorial-studies programs continue to grow, and the business world is adopting curation as a means of adding value to content. Everyone, it seems, is a curator.

But what is a curator, exactly? And what does the explosive popularity of curating say about our culture’s relationship with taste, labour and the avant-garde? In this vibrant, revelatory and original study, David Balzer travels through art history and around the globe to explore the cult of curation, from superstar curator Hans Ulrich Obrist’s war with sleep to Subway’s ‘sandwich artists.’ Recalling such landmark works of cultural criticism as Tom Wolfe’s The Painted Word and John Berger’s Ways of Seeing, Curationism will change the way you look at art – and maybe even the way you see yourself.

‘This is an unusual art book. It is a book you should read and one that you can. Balzer traces the history and current hegemony of curationism, a practice of jumped-up interior decorators who double as priests explaining the gospel to the unlettered masses. A good read, if you don’t mind reading things that you don’t want to know.’

– Dave Hickey

About the author

David Balzer has contributed to publications including The Believer, Modern Painters, Artforum.com and The Globe and MailContrivances, a short-fiction collection. He is currently Associate Editor at Canadian Art magazine. Balzer was born in Winnipeg and currently resides in Toronto, where he makes a living as a critic, editor and teacher.

David Balzer's profile page

Editorial Reviews

‘A smart, stimulating book.’

‘[Balzer] makes a convincing case for the idea that the proliferation of curation can actually tell us something important about the state of contemporary culture.’

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