From the bestselling author of Firewater comes a moving tribute to an older brother that traverses the thresholds of memoir, fiction, and fantasy and reimagines what could have been.

When Harold Johnson returns to his childhood home in a northern Indigenous community for his brother Clifford’s funeral, the first thing his eyes fall on is a chair. It stands on three legs, the fourth broken off and missing. So begins a journey through the past, a retrieval of recollections of his silent, powerful Swedish father; his formidable Cree mother; and his brother Clifford, a precocious young boy who is drawn to the mysterious workings of the universe. As the night unfolds, memories of Clifford surface in Harold’s mind’s eye. Memory, fiction, and fantasy collide, and Clifford comes to life as the scientist he was meant to be, culminating in his discovery of the Grand Unified Theory.

Exquisitely crafted, funny, visionary, and wholly moving, Clifford is an extraordinary work that embraces myriad forms of storytelling. To read it is to be immersed in a home, a family, a community, the wider world, the entire cosmos.

HAROLD R. JOHNSON is the author of five works of fiction and five works of nonfiction, including Firewater: How Alcohol Is Killing My People (and Yours), which was a finalist for the Governor General’s Literary Award for Nonfiction. Born and raised in northern Saskatchewan to a Swedish father and a Cree mother, Johnson served in the Canadian Navy and has been a miner, logger, mechanic, trapper, fisherman, tree planter, and heavy-equipment operator. He is a graduate of Harvard Law School and managed a private practice for several years before becoming a Crown prosecutor. Johnson is a member of the Montreal Lake Cree Nation. He is now retired from the practice of law and writes full time.

Harold R. Johnson's profile page

• Winner, Saskatchewan Book Awards: University of Saskatchewan Non-Fiction Award
• Short-listed, Saskatchewan Book Awards: Rasmussen, Rasmussen & Charowsky Indigenous Peoples’ Writing Award

A brilliant mix of realism and fantasy.

London Free Press

The story’s meditations on loss, family, and fateful actions prove absorbing from the opening page.

Toronto Star