WINNER of the Kerry Schooley Book Award
A story as magical as it is real, that asks, if you could stop and restart time for a second chance, would you?
Boy’s final year of high school is unraveling. Fast. He had it all worked out, from crushing his final exams to military school to a career in the air force. But his family’s tragic past and its complicated present have caught up to him, and his marks are slipping, jeopardizing all of his plans.
When Boy befriends Mara, a homeless man who can seemingly stop and restart time at will, he has to weigh his family’s needs and his own conscience against the potential contained within Mara’s mysterious and powerful gift. And he soon realizes the hardest truths about time: the past can’t be undone, memories are as fragile as moments, and the future rarely turns out like we think it will.
About the author
Brent van Staalduinen lives, works, and writes in Hamilton, Ontario. He is the recipient of both the 2015 Bristol Short Story Prize and the 2015 Short Works Prize, his work appears in The Sycamore Review, The Bristol Prize Short Story Anthology 8, EVENT Magazine, The Dalhousie Review, The New Quarterly, and The New Guard Literary Review. A graduate of the Humber School of Writers, he also holds an MFA in Creative Writing from the University of British Columbia and teaches writing at Redeemer University College.
- Winner, Hamilton Literary Awards, the Kerry Schooley Book Award
Excerpt: Boy (by (author) Brent van Staalduinen)
The unopened envelope in Boy’s hands is thin and light. He’s not surprised. Lesser schools often pad their acceptance packages with welcome materials and pamphlets, a hopeful, last-minute attempt to sway undecided students. The best simply fold their letters twice, slide them into expensive envelopes, mail them to their selected few, and wait for the acceptances to find their inevitable way home. He turns it over a few times, inspecting every edge and seam, his eyes moving between the embossed Royal Military College seal and his laser-engraved name and address on the front. No question about what’s inside. One envelope, one offer of ROTP admission — the full ride, as they say — one acceptance form. Good news.
Should be, anyhow.
He draws out the consonants at both ends of the word, soft and hard, trying to savour it. But as soon it passes between his lips and teeth it feels wrong, painful, like hot coffee sipped too soon. A scalded aftertaste. He never swears — it’s too much like giving in. His voice, along with the whisper of traffic on the Queen Elizabeth Way behind him, drops the short distance to the water and disappears.
Feels better, doesn’t it?
— Not really.
A half-hearted response to Charlie’s question, but not a lie. He won’t lie to her. She came back after her death eight years ago to watch over him — the least he can do for her is find the truth. A measure of it, anyhow.
So what now?
He doesn’t know. His grades have been in a steady decline over the past few months, sinking like a plane that has lost an engine. Soon, RMC will find out and the letter in his hand will become no more than a broken promise to himself. Lukewarm reality poured into the excitement he should be feeling. It’s impossible to savour the tepid. All you can do is spit it out. He lays the envelope on the stone beside him and watches it a few moments, waiting for the wind to carry the bright paper towards the water. If it goes, so does the dream, right? A sign from heaven or wherever. But there’s no movement, not even a flutter.
How can a single #10 envelope holding two printed pieces of paper contain the best and worst of everything? The letter was waiting for him when he got home from school, sticking out from the mailbox like an obscene gesture. He knew it was coming, knew that the board would have moved his application to the top of the pile for early selection. Impressed by the grades he carried at the deadline, the excellent essay he wrote on leadership and dreams, his exemplary volunteer and air cadet service over the past five years, and the numerous accolades and recommendations from the officers at the squadron and his teachers at school. He lined everything up just so, sending it all off with dreams of the full ride. He crushed the deadline. No one had doubted.
And it should be simple today, too. Complete the form, sign the declaration on the requisite line — I, Boy Cornelius McVeigh, accept the offer of entry to RMC — and send it back. Next, complete this school year, collect a high school diploma with honours, start training in July and classes in September, and sail through university towards a career in the air force. As a pilot, of course — he secured his private licence through cadets to streamline that requirement — although his six-foot-two frame will limit him to the larger, heavy-lift aircraft.
Would limit him. If only.
He looks out at the water. Lake Ontario is calm, a slate canvas under a cloudy, late-winter sky. He sits at the edge of a stone outcropping at its highest point, his pale, skinny legs dangling like an afterthought. Here, the QEW swings close to the shore, bent around the orchards and vineyards that once filled the ground between the Niagara Escarpment and the lake. His rocks — he likes to think of the knuckle of exposed dolostone as his — are part of a forgotten length of shoreline pinched between highway and lake and fringed on both sides by low trees and brush. His favourite place. No one comes here.
— What do you think I should do?
From her customary spot a few paces farther down the rocks, Charlie, too, faces the lake. Boy waits for her to speak again, but she remains silent, her expression as resolute as the stone itself. In life, even to her annoying brother two years her junior, she was the spectre of pre-teen chattiness; in death, she often drapes herself in wise, patient silence. Boy is almost grateful — it’s up to him, after all. One hand on the control stick, the other on the throttle. Still, he wonders what advice she might offer. Surely she’d supply more than the common sense nuggets he’ll get from everyone else when they find out. Work harder. Keep up the grades. Chin up. Et cetera.
No response, just the same unchanging gaze out over the lake; the same defiant, folded arms; the same feet set shoulder-width apart, challenging. The same clothes she was wearing when she was killed eight years ago, a cream sweater and hip-hugger jeans both a size too large, as though she was hoping to fill them out someday. Hair in a perfect bun to impress the squadron officers and NCOs she never had the chance to meet. Their parents, Corny and Misty, had been shocked at Charlie’s declaration to join the air cadets. ,I want to do something different, she said. Misty said no, but Corny talked her into it, even offering to drive Charlie every week. Fine, Misty said, but you’re responsible. They never made it to the first parade — Corny swerved and flipped the car in front of a Niagara-bound truck. Charlie died. He lived.
Boy’s phone thrums in his pocket. A text from Mark, a former squadron mate and his best friend, asking if the RMC letter has come through. Boy glances down at the envelope, noting the expensive weave of the heavyweight paper. Elegant. Understated. Woven through with a million expectations. He taps out a response.
— nada. maybe tmw
He lays the phone on the letter as a paperweight, moves his backpack behind him, and eases back into a recline against it. He feels the beginnings of a chill.
Sensitive and unusual book
Hamilton Review of Books
Exquisite … Boy is a perfectly compelling protagonist.
Miriam Toews, author of Women Talking
The reflective writing is well matched to a protagonist who is so shocked by life that his story seems surreal ... Anyone who is struggling to cope with family traumas or is grieving the loss of a sibling or best friend will find solace in this deeply nuanced story about a teenager who strives to succeed and be kind, no matter what.
Boy is evocative and heartfelt, containing a spark of magic and an achingly real protagonist.
Ellen Keith, author of The Dutch Wife
Powerful and moving, it engages the reader with the challenge of ideas, expressed through character, choice and action.
Depicts the city of Hamilton as an inherently mystical place… Boy offers readers a poignant and powerful story that captures a transformative glimpse of this city through the lens of both tragedy and mystery.
The novel is inarguably well written... the characters, complex.
A mesmerizing coming of age story that manages to be both magical and intensely real. Boy takes readers on a journey of personal growth in the face of at-times frightening and mysterious obstacles. Pressures in Boy’s life multiply. His family and friends aren’t always there to be relied upon. His plans for the future are darkened with doubt. But for all the very real challenges — as well as those that seem to emerge from a shadowy world beyond — Boy finds always the dignity, the essential decency he needs to continue.
Timothy Taylor, author of The Rule of Stephens