Charts underexamined genealogies of minoritarian aesthetic responses to the multiple crises of the long 1970s.

Avant-Gardes in Crisis claims that the avant-gardes of the late twentieth and early twenty-first centuries are in crisis, in that artmaking both responds to political, economic, and social crises and reveals a crisis of confidence regarding resistance's very possibility. Specifically, this collection casts contemporary avant-gardes as a reaction to a crisis in the reproduction of life that accelerated in the 1970s-a crisis that encompasses living-wage rarity, deadly epidemics, and other aspects of an uneven management of vitality indexed by race, citizenship, gender, sexual orientation, class, and disability. The contributors collectively argue that a minoritarian concept of the avant-garde, one attuned to uneven patterns of resource depletion and infrastructural failure (broadly conceived), clarifies the interplay between art and politics as it has played out, for instance, in discussions of art's autonomy or institutionality. Writ large, this book seeks to restore the historical and political context for the debates on the avant-garde that have raged since the 1970s.

Jean-Thomas Tremblay's profile page

Andrew Strombeck's profile page

Jean-Thomas Tremblay is Assistant Professor of English at New Mexico State University. They are currently completing a monograph titled Breathing Aesthetics. Andrew Strombeck is Professor of English at Wright State University. He is the author of DIY on the Lower East Side: Books, Buildings, and Art after the 1975 Fiscal Crisis, also published by SUNY Press.

"This is an excellent collection of essays. It will serve as an important resource for scholars interested in the idea of the avant-garde as it figures in contemporary literary studies, art history, and poetics. Taken individually, the essays are all smart and engaging and, collectively, they hang together especially well, thanks in part to the exemplary introductory and closing essays." — Brian Glavey, author of The Wallflower Avant-Garde: Modernism, Sexuality, and Queer Ekphrasis