Winner, 2017 ReLit Award
Katherine Leyton's fresh and vibrant debut collection takes on the sexual politics of the twenty-first century, boldly holding up a mirror to the male gaze and interrogating the nature of images and illusions.
Confronting the forces of mass communication — whether television, movies, or the Internet — Leyton explores the subtle effects of the media on our perceptions and interactions, including the pain of alienation and the threat of violence simmering just below the surface.
And yet, for all its unflinching and raw lyricism, the poetry of All the Gold Hurts My Mouth is warm and searching, full of humour and hope. Engaging her readers with lush vocabulary and spare, tightly controlled forms, Leyton's poems become a rich quest for identity, authenticity, and nature uncorrupted. Reaching gloriously from isolation and pain to connection with love, Leyton channels the wit of feminists past to create a manifesto for our time, an affirmation of what might be possible.
"In this fierce debut, Leyton explores women as palaces and grand pianos, gleaming objects admired and shattered. Through her lyrically exuberant voice, whirring with musicality and subversive jabs, art becomes a looking glass. Just as 'women hum to drown their hunger,' these poems bring the salve of self-creation to their reader."
"An outstanding debut, filled with complicated yet still vivid imagery. Leyton's lines lift off the page to throttle you."
"Katherine Leyton debuts with a brash, provocative collection centred around how women are seen by men, as expressed in popular culture, and how women internalize that male gaze."
"Leyton's voice is both enigmatic and unabashed, delving into the mysteries of selfhood while offering a vivid meditation on what it means to be a woman alive today. A fearless, urgent, and beautifully wrought debut."