David Zieroth's Albrecht Dürer and me, an autobiographical travelogue spanning the author's journeys through central Europe, explores the transformative effect of dislocation. Inspired by and responding to art and music, history and war, architecture and place, this collection unearths knowledge that can only be realized by leaving home.

Throughout the book, the observant eye of a visitor witnesses the layering of history and the contemporary, and contemplates the juxtaposition of the practical aspects of travelling ("travelling without earplugs") with emotional and spiritual evolution ("Self-portrait Nude"). Responding to greats such as W.H. Auden, James Joyce and Albrecht Dürer, the speaker expresses how viewing foreign artwork or hearing unfamiliar music can spark a new awareness, not only of international culture, but of the expression of life and the human condition.

The poems temper the high with the low, reflecting the many dualities of wanderlust. Stately homes are contrasted with war-scarred architecture, and sleepless nights, crowded trains and missed connections offset literature and symphony. "train ride" is one of many poems that reflect on the contrast between subtle signs of recent violence and horror and the otherwise calm and curated tourist experience: "I turn away from humans close at hand / to look again at boxcars and wonder / what they were filled with, carried / and left behind." "on first hearing Mahler's Fifth" echoes that musical composition to mirror and evoke life's song, and "weeds grew while I was away" describes the shock of returning home with the expectation of stasis only to find that things have changed.

Attentive, humble and expertly crafted, Albrecht Dürer and me is a travel diary rife with evocative image, sensory detail and eloquent reflection, narrated with an honest, mature voice.

David Zieroth’s The Fly in Autumn (Harbour, 2009) won the Governor General’s Literary Award and was nominated for the Dorothy Livesay Poetry Prize and the Acorn-Plantos Award for People’s Poetry in 2010. Zieroth also won The Dorothy Livesay Poetry Award for How I Joined Humanity at Last (Harbour, 1998). Other publications include the trick of staying and leaving (Harbour, 2023), watching for life (McGill-Queen’s, 2022), the bridge from day to night (Harbour, 2018), Zoo and Crowbar (Guernica Editions, 2015), Albrecht Dürer and me (Harbour, 2014), The November Optimist (Gaspereau, 2013), The Village of Sliding Time (Harbour, 2006), The Education of Mr. Whippoorwill: A Country Boyhood (Macfarlane Walter & Ross, 2002) and Crows Do Not Have Retirement (Harbour, 2001). His poems have been included in the Best Canadian Poetry series, shortlisted for National Magazine and Relit Awards and featured on Vancouver buses three times as part of Poetry in Transit. He watches urban life from his third-floor balcony in North Vancouver, BC, where he runs The Alfred Gustav Press and produces handmade poetry chapbooks twice per year.

David Zieroth's profile page