The violence of life in Gaza which has taken on immense proportions for the whole world to see is intimately rendered here in a human story of resistance and resilience.

In the tradition of Palestinian women writers, Asmaa Alatawna has gifted us a novel that is both personal and political, that exposes both the occupation and the patriarchy. A Long Walk from Gaza is a coming-of-age story that follows its teenage protagonist through her battles with a strict and abusive father, the exhilaration of her first crush, confrontations with occupation soldiers, and the heartbreak of leaving her home Gaza for a new life in Europe. Beginning in Europe and working backward to her own birth and early childhood, Alatawna’s creative narration mirrors the traumas of her life and her people.

A Long Walk from Gaza not only exposes the harshness of both male authority and the stifling of the dreams of girls in parallel with the devastating conditions Palestinians endure under a brutal Israeli occupation, but also the challenges of fleeing these for a cold, alienating life in Europe. Alatawna lays these bare within a story that also showcases moments of humor, joy, and the human capacity to survive and thrive at all costs. She skillfully weaves together the challenges of growing up in occupied Palestine while exposing the many intersections of violence, patriarchy, and growing up in a society that offers girls little to no compassion. Her teenage protagonist’s feminist point of view is fresh and honest, powerfully conveying the heartbreaking truths of her life.

At heart, A Long Walk from Gaza is a tale of freedom. Each of the characters is psychically wounded by their circumstances and each resists in their own way. Gaza comes to life in Alatawna's novel, showing a rich and diverse society—its flaws along with its beauty, showing us worlds, which are being destroyed and some of which no longer exist today.

Born in Gaza in 1978, Asmaa Alatawna is a Palestinian Bedouin from the desert of Al Naqb, and a French citizen and resident of Toulouse since 2001. A graduate of English literature from the University of Al Azhar, she then obtained her masters in geopolitics from Sciences Po. While in Gaza, Asmaa worked at the Spanish press agency EFE. Today, she is a member of the Institute for Experimental Arts La Petite board in the cinema domain. Alatawna is known for her involvement in art and gender issues.

Asmaa Alatawna's profile page

Caline Nasrallah is a literary translator, editor, and researcher with a focus on language as a feminist tool. She has co-translated two novels, A Long Walk from Gaza being her third. Her editing and translation work spans fiction and non-fiction. She endeavors to put language at the service of liberation in each of her projects.

Caline Nasrallah's profile page

Michelle Hartman is a professor of Arabic Literature at McGill University and literary translator of fiction, based in Montreal. She has written extensively on women’s writing and the politics of language use and translation and literary solidarities. She is the translator of several works from Arabic, including Radwa Ashour’s memoir The Journey, Iman Humaydan’s novels Wild Mulberries and Other Lives, Jana Elhassan’s IPAF shortlisted novels The Ninety-Ninth Floor and All the Women Inside Me as well as Alexandra Chreiteh’s novels Always Coca Cola and Ali and His Russian Mother.

Michelle Hartman's profile page

“A tale of trauma [and] a stirring book debut with a coming-of-age novel set amid Middle East turmoil … Most of the novel recounts a past from which the narrator can never escape: humiliation at the hands of the occupiers, feuds and racism within the Afro-Palestinian community, loss and betrayals, and unremitting violence … Sadly, a timely look at a brutal reality.”

— Kirkus Reviews

“[The novel] recounts the individual struggle of a woman carving out a path to create a free life for herself. This woman is completely absorbed by finding freedom from all authority—the Israeli occupation, her father, and society alike. It is a novel written with honesty, courage, and a willingness to be confrontational, without fear of judgment. It is as if the writer is using her own words to say what the protagonist says to an Israeli soldier who tells her to get off the bus, ‘I’m not getting off and I’m not moving from here. Stab me if you want!’”

— Maha Hassan