This fantastical historical novel, narrated by a child yet to be born, traces the lives of three generations of a Parsi family in India from the late 1800s to present day. The narrative follows the family from the intricacies of village life in the jungles of central India to the complications of urban life in turbulent pre- and post-independence struggles to contemporary diasporic realities in the United Kingdom and North America.

The novel begins in 1899 with the birth of a boy named Jamshed to a rural Parsi family in central India. As he comes of age, Jamshed feels he is faced with the choice between spirituality and materiality: he has the opportunity to train to become a Parsi priest, or may follow family connections to a business opportunity as a distillery manager. Jamshed, who will become the family patriarch as a result of his choice, quickly becomes obsessed with the question of free will, and he passes on this obsession to his descendants. His preoccupations, however, are complicated by frequent, often disturbing, visitations by his as-yet-unborn grandchildren, who may or may not come into existence based on the choices he makes. After much soul-searching (and fantastical communications), Jamshed decides to take on the management of the distillery where he discovers the almost-magical properties of its main product, a much sought-after rum called Asha. This curious liquor becomes a leit-motif, reappearing in various forms and incarnations throughout the generations of the family.

This beautifully told, engaging novel, by the author of the Commonwealth Writers' Prize finalist The Short, Happy Life of Harry Kumar, humanizes the politics of ethnicity, culture, and colonial rule.

Ashok Mathur was born in Bhopal, India, and immigrated to Canada with his family in 1962 when he was one year old. Journalism school followed high school, and by 1981 Ashok was working as a photojournalist with small Alberta dailies and freelancing for magazines and wire services. "I was interested in how the visual image told a story," he says.
In 1985 Ashok returned to school, completing bachelor and master of arts degrees at the University of Calgary, after which he started teaching at the University and the Alberta College of Art. "It was then that I became involved in community activism," he recalls. Ashok sat on the board of the New Gallery, an artist-run centre, and joined the editorial board of the literary magazine absinthe.
"All the while I was fascinated by the process of literature and publishing," remembers Ashok. So he and co-founder Nicole Markotic started disOrientation chapbooks with the intent "to publish relatively unheard voices in a chapbook format."

Ashok also became active in Minquon Panchayat, an activist artist collective comprised of First Nations artists and artists of colour that addressed racism in the arts on a national level.
Currently, he is the Director of the Centre for Innovation in Culture and the Arts in Canada at Thompson Rivers University in Kamloops, British Columbia.
He is the author of three novels published by Arsenal Pulp Press: Once Upon an Elephant , now in its second printing; The Short, Happy Life of Harry Kumar, shortlisted for the Commonwealth Writers Prize; and A Little Distillery in Nowgong, published in 2009. He also authored the poetry book Loveruage: a dance in three parts, published by Wolsak and Wynn.

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I really enjoyed this book, following three generations of the headstrong and intelligent Khargats. The voice of Sunny ties it all together; he is the glue that holds the Khargats together and offers sound advice during difficult times. This is the story about what it means to be a family.
-The Book Chick (book-chic.blogspot.com)

Book Chick

A heady blend of subtle, tricksterish wit and trenchant social commentary.
-Nalo Hopkinson, author of The Salt Roads

Nalo Hopkinson

One of the finest novels of the year. A Little Distillery in Nowgong is a welter of contradictions: It is at once a sweeping historical epic, spanning 100 years and three continents, and an intimate, character-based story. It is gritty and realistic while embracing a graceful magic; it is emotionally resonant and very often hilarious.... A Little Distillery is note-perfect, a compulsively readable work that unfolds naturally but surprises at every turn. I'm so glad I didn't miss it, and you shouldn't, either.
-Vancouver Sun

Vancouver Sun

A brilliant and gripping tale.
-Lester's Army

Lester's Army

This is a compulsively readable work that unfolds naturally but surprises at every turn.
-Robert Wiersma, The National Post

The National Post

An engaging read.
-Gremolata.com

Gremolata.com

The novel maintains a sense of whimsy that builds into an unpredictable finish.... As a storyteller, what Mathur tells us is that the vectors of personal identity-gender, faith, ethnicity, nationality-may be in constant flux, but do not disrupt powerful familial connections that sustain the passage of time.
-Canadian Literature

Canadian Literature

Ashok Mathur has always exhibited a peculiar genius for re-imagining what fiction can represent and make us feel, but never before on such a grand scale. A Little Distillery in Nowgong is about the riddle of genealogy and the past's hydraulic drag upon the present. It is an elaborate portrayal of a family's closeness and disconnection strung out over time and space. Most compellingly, it is a novel about novel writing itself, and a subtle reflection upon that essential and difficult question: how do we tell the stories that matter to us most?
-David Chariandy, author of Soucouyant

David Chariandy

Pure delight.... having recently read Arvind Agoda's Booker Prize-winning novel, The WhiteTiger, I have to say that while it's an amusing satire of contemporary Indian life, in my opinion A Little Distillery in Nowgong is bothbetter written and a more perceptive book. That B.C. publishers continue to publish fiction of thiscalibre, when the brutal economics of the trade and the hostility of government suggest they'd all be better off just publishing cookbooks and self-help manuals, is something we shouldall be grateful for.
-BC Bookworld

BC Bookworld