Skip to main content Skip to search Skip to search

Literary Collections Essays

A Crowbar in the Buddhist Garden

by (author) Stephen Reid

Publisher
Thistledown Press
Initial publish date
Oct 2012
Category
Essays
  • Paperback / softback

    ISBN
    9781927068038
    Publish Date
    Oct 2012
    List Price
    $18.95
  • eBook

    ISBN
    9781927068366
    Publish Date
    Oct 2012
    List Price
    $11.95

Add it to your shelf

Where to buy it

Description

Stephen Reid has grown old in prison and seen more than his share of its solitude, its vicious cycles, and its subculture relationships. He has participated in the economics of contraband, the incredible escapes, the intimacies of torture, the miscarriages of justice, and witnessed the innocent souls whose childhood destinies doomed them to prison life. He has learned that everything is bearable, that the painful separation of family, children, and friend is tolerable, and that sorrow must be kept close, buried in a secret garden of the self, if one is to survive and give others who love you hope. Within his writing runs the motif that his prison life has never been far from his drug additions, but the junkie or drunk who has some straight time and means to stay that way knows a lot about the way we really live, think, feel, hope, and desire in this country. Each of the essays in this collection is a recognition of how Reid’s imprisonment has shaped his life. Some describe his fractured boyhood and the escalation in crimes that led to his imprisonment, others detail the seductive rush and notoriety of the criminal life. There are the regrets too of how his choices have impacted the lives of his daughters, wife and family. But in each essay the refrain is “prison life”, whether it is measuring the integrity of the books in the prison library, the violence and primal intimidation inherent in all-male communities, or the torment and solace of solitary confinement.

About the author

Stephen Reid began writing in 1984 while serving a twenty-one-year prison sentence for his role as a member of the “Stopwatch Gang”, so named for their ability to rob banks and armoured cars in less than two minutes. During his sentence, he submitted a manuscript to Susan Musgrave, then writer-in-residence at the University of Waterloo. This developed into an ongoing correspondence, and Reid and Musgrave were married in 1986 at Kent Institution. Reid also published his novel, Jackrabbit Parole, that year. His articles and essays have been published in Playboy, Vice, Vancouver Magazine, Writers’ Digest, Prison Journal, Monday, and the Globe & Mail. He has taught creative writing, worked as a youth counsellor, and served on boards such as the John Howard Society and PEN Canada. Reid lived with Musgrave and his two daughters in Sidney, BC until 1999, when he was sentenced to 18 years in prison for a bank robbery in Victoria, after a prolonged bout with heroin and cocaine addiction.

Stephen Reid's profile page

Excerpt: A Crowbar in the Buddhist Garden (by (author) Stephen Reid)

My hands are broken, my ribs are broken, and I’m dope sick beyond belief, but I know the real pain is in the mail, deeper than broken bones. It’s about broken promises, broken hearts, and broken lives. The headlines in the newspapers are as black and bold as gunpowder. The Jackrabbit Stumbles: after thirteen years of freedom, thirteen years of a publicly redeemed life, I have gotten myself wired, robbed a bank, shot at policemen, and held two people hostage. A nightmare I can’t imagine away or hide from in sleep.I collapse on my bunk and try to shut out the glare of the twenty-four hour light. Behind my eyelids life has become everything I can’t get back.I’m forty-nine years old, married to one of the most interesting and beautiful women on the planet, and parent to two incredible pieces of magic, Sophie, who is ten, and Charlotte, seventeen. The forfeiture is unbearable. I see a clear plastic laundry bag lying in one corner of my cell. If I could only get it over my head, wind it tight, airtight, at the neck.I keep the garbage bag clutched in my hand for five days, as I lie fetal, curled around that cavity that others call the centre of their being. I lie down with the pain and I sweat and I weep. Every five minutes I gather enough strength to do it, to place that bag over my head, and every five minutes and one second I gather enough strength not to do it.By the weekend I can sit up. Another inmate brings me a plate of congealed stew with a biscuit. I manage to swallow a few plastic forkfuls of the stew, but I don’t manage for long. I charge for the toilet bowel and sell a Buick all over the corner of my cell.The guy who brought me my dinner also helps me change clothes and clean up. That evening I sit on the edge of my bunk, sip a cup of water, and this time keep the biscuit down. I glance over at the plastic bag, now filled with sweaty socks and underwear. Who’d want to be sticking their head into that?Susan visits. She’s been here on previous days but this is our first contact; I couldn’t get up to see her the other times. I measure the two guards assigned to escort me to the visiting area. The top of my head comes level with the epaulets on their cannon ball shoulders. I step carefully. I know I am in ‘roid country; nobody grows that big eating homemade bread.They place me in a security booth and it is all Susan and I can do just to sit there, so numb and so saddened, and watch each other weep through that scratched-up sheet of plexiglass. And when we pick up those black forty-five pound telephones and hold them to our ears, all we can do is listen to that weeping until the hour has passed and the guards come for me.Susan begins to visit every day. Our words come slowly, the trembling of my face, of my hands, lessens. Soon thereafter my lawyer, a good and kind friend, begins to show up for a series of consultations. Each time he comes I am led out to the interview room, and he is waiting, yellow legal pad in one hand, pen in the other, poised to take notes. Just the facts, ma’am. With my bones back in my body, my will to live barely restored, it is already time for me to help him to form a narrative of the crime, to gain an understanding of the facts. Good luck.As I walk through it with him, recollecting the carnage, it is the faces that emerge most clearly. Bank employees, unfortunate customers, the innocent bystander, the elderly couple in their apartment: the fright in their eyes, the bewildered expressions. And finally, the masked and goggled Emergency Response Team. I didn’t ever see the actual faces of the ERT officers, but their feet left a lasting impression.

Other titles by