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Reading Christina Baillie, I find myself thinking of experimental Canadian writers like Daphne Marlatt, Erín Moure, Gail Scott. I also think of Mary Dalton's Hooking, a "book of centos . . . made of lines which occur at the same point in the linear structure of the poems they are excised from." None of these women writes like any other, nor is their writing all the same, but their styles are often no less demanding than the Baillie style.
Settling Down and Settling Up
The Second Generation in Black Canadian and Black British Women's Writing
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