Nonprofit Organizations & Charities

Showing 1-8 of 68 books
Sort by:
View Mode:
Building Unity


“Express your stress”
Like I said, I was a quiet kid. Even to this day, when I’m angry, I want to beat up the floor. But stress provides a creative opportunity for me: it fuels my dance. The biggest challenges in my life have given rise to new angles and perspectives to fuel my creativity. It's when I have the most to share, something to say, but words can’t express the story. It’s the raw expression birthed from experiences translated through movement. I express, create and heal in order to better understand my experiences. I turn pain into power.


In 2003, I had an idea. I wanted to share Hip Hop as a tool to create social change. Hip Hop was such a powerful tool in my life. Hip Hop was an expression, an outlet, a voice, a platform, a community. In grade 11, as part of a group project in my entrepreneurship class, our teacher, Mr. Izumi, gave us a practical real-world assignment. We had to write a business plan for an entrepreneurial venture that we would have to execute to raise money for a local charity of our choice. Our group ran an event we called “Hip Hop Away From Violence.” We donated the proceeds from the event to the charity Leave Out ViolencE (LOVE), a charity that worked with youth in underserved communities, providing them outlets and alternatives to violence through photojournalism.


The first event was a miserable failure. Everything that could go wrong, went wrong. We needed to sell enough tickets to fill the school gym which held up to four hundred students. A few days before the event, we had only sold around 30 tickets. We decided to move to a smaller venue. The only venue we could get permission from the principal to use last minute was the cafeteria during lunch hour. This changed the entire dynamic of the event. It was terrible. No one paid attention. All the performers felt disrespected. Luckily, the charity we were working with cancelled their guest speaker, because it would have been an embarrassment. On top of everything else, a few of our best performers dropped out last minute. It was a disaster. We went through the motions and ran the event the best we could. I knew we could do better, we had to give it another shot. I still believed.


In grade 12, I was elected president of the student council and decided our big event that year would be Hip Hop Away From Violence. This time, we started preparing almost six months before the event date, getting students engaged in both planning and selling tickets to the event. We also secured a much stronger roster of performers to headline the show. In the end we ended up selling over three hundred tickets and raised a bunch of money for LOVE. Over three hundred of my peers respectfully listened to real stories of youth who had experienced violence. We had engaged a room full of young people with a message that was truly important, using Hip Hop as the hook. It was youth led and youth driven. We were onto something. 


close this panel
Health Advocacy, Inc.

Health Advocacy, Inc.

How Pharmaceutical Funding Changed the Breast Cancer Movement
also available: eBook Hardcover
More Info
Democratic Rules of Order

Democratic Rules of Order

Easy-to-Use Rules for Meetings of Any Size
More Info
Design Works

Design Works

A Guide to Creating and Sustaining Value through Business Design, Revised and Expanded Edition
More Info



When I wrote the first edition of this book in 2012, enterprises around the world were wrestling with how to awaken their capacity to innovate. A lot has transpired since then. Increasingly, innovation is no longer seen as a stream of activity but rather the nature of business itself. To thrive and survive, an enterprise must be continually searching for new ways to create and sustain value to the market and capture value to fuel the enterprise.


To help unlock enterprise potential, many enterprises have evolved their ideology and practices. Design thinking has become all the rage, and innovation labs and incubators have popped up everywhere. Yet, despite these well-intended efforts to ignite innovation, some fundamentals are often missing in building an enterprise’s capacity to continually innovate and to more seamlessly integrate “business” and “design”:


• Embedding design thinking takes more than a few short boot camps and playbooks that oversimplify the complexities of turning ideas into business.
• New ideas must be explicitly linked to the enterprise strategy and integrated into the running of an enterprise.
• Integration of data analysis and validation is key to building a business case. Numbers matter when it comes to making a business investment. Fact-based reasons to believe build confidence in the innovation pathway.
• Innovation is a shared quest. It calls for engagement throughout the enterprise and of leadership at all levels.
• Innovation is much more than an application of methods. It calls for the right mindset and regulation of thinking modes.


These are the critical factors that have inspired this second edition. This book is intended to bring Business Design into the current context and reflect work in this discipline since the first edition and a broader view of how to create value, based on my thirty-nine-year career and the learning of others. My precept is that business is a very creative act, and that everyone in an organization can and should contribute to creating and delivering new value. I continue to believe that there is an opportunity to inject more “design” into business and more “business” into design.




My personal background includes a decade at Procter & Gamble, where I listened to consumers, made prototypes to get executive input to product and marketing ideas early on, and crafted bulletproof business plans. Working across disciplines at P&G was always rewarding, because people across all functions in that company had something insightful and clever to contribute. Wondering what it would be like to be creative all the time, I decided to jump the fence and go into advertising and design.


In the next fifteen years, I learned a lot about the magic of imagination and the value of making ideas tangible. I also learned that strategy is often inspired by a novel idea. While I initially resisted that notion because I was a strategist, I came to appreciate the truth in that notion. As humans, we naturally begin with insights and ideas, not strategies, though we absolutely need to have a clear strategy to optimize our way forward.


I then met Roger Martin, the visionary dean of the Rotman School of Business with an ambition to transform business education. He offered me the opportunity to bring those two worlds together and contribute to an experiment in business education, centered on the notion of Business Design. The idea behind Business Design: to integrate the best practices of business with design-inspired mindsets and methods to help organizations tackle their innovation challenges. In collaboration with David Kelley (co-founder of innovation consultancy IDEO and Stanford’s and Patrick Whitney (dean of the Institute of Design, Illinois Institute of Technology), we set off to design a fresh approach to education and business innovation. Our approach would focus on how to best meet customer needs, generate breakthrough solutions for customers, and translate those big ideas into focused and actionable business strategies that would greatly increase the chances of innovation success. This was the inspiration for the 3 Gears of Business Design: Empathy and Deep Human Understanding, Concept Visualization, and Strategic Business Design, as you will read about in chapter 1.


In 2005, Roger brought an exciting opportunity to this group. One of the world’s most admired companies believed that design thinking could play a key role in unlocking innovation, defining more competitive strategies, and ultimately delivering greater value to the market and the enterprise. That company was my alma mater, Procter & Gamble. A.G. Lafley, P&G’s CEO at the time, wanted to propel P&G’s level of innovation and growth into the future by pushing the value of design beyond its current application in product and packaging. To lead this quest, he appointed Claudia Kotchka, a P&G business leader with a strong track record for results and a passion for design as the company’s first vice-president of Design Innovation and Strategy. Our integrated approach was first put to the test with the Global Hair Care Team in December 2005 and subsequently refined and rolled out to the enterprise globally to fortify P&G’s reputation as one of the most innovative companies in the world. Part 1 of this book ends with an interview with Claudia on her tips to lead such a massive global enterprise transformation.


Concurrent with scaling the P&G program, we launched a full-scale initiative to advance the practice of Business Design and formed a strategy innovation lab called DesignWorks at Rotman. Our ambition was to turn this design-inspired approach into a methodology that could be applied in a deliberate, rigorous manner to full-scale innovation projects. Over the next seven years, we engaged in a combination of teaching, research, experimentation, and practice activities aimed at advancing the discipline.


We worked with top industry executives and business teams across a,variety of sectors and companies, including P&G, Nestlé, Pfizer, Medtronic, Whirlpool, Frito-Lay and SAP, as well as public institutions and government teams. We applied Business Design to many sectors and countries, including extensive work in Singapore. There our program entailed a broad-scale program for business executives commissioned by the Singapore government agency, SPRING, an organization dedicated to developing a productive, innovative, and competitive small-to-medium-enterprise sector to create meaningful jobs for Singaporeans. We developed and delivered a comprehensive “teach the teachers” certification program to transfer Business Design knowledge and skills to the faculty of Singapore Polytechnic. Their ambition was to play an important role in Singapore’s national agenda to embed design broadly into their workforce. They have achieved remarkable results, as told in chapter 7 of this book.


All of these activities enabled us to build out our methodologies and test the value of Business Design with many different organizations and types of challenges. This work culminated in the first edition of the book, which captured the learning from those years at Rotman and the mounting evidence that Business Design


• is a learnable innovation discipline that can transform the way enterprise teams create new value, shape strategies, and mobilize support;
• has the potential to bring out the creative side of everyone without compromising the rigor required to make a meaningful market impact;
• helps get to bigger ideas faster by engaging teams in a common ambition, with the buy-in and know-how required to make important things happen; and
• brings a valuable balance to conventional business planning by expanding opportunities and devising breakthrough business strategies.


To test this premise outside the academic realm, I established a practice in 2012 called Vuka Innovation, to put Business Design to work, do research into what helps and hinders enterprise-wide innovation, and advance the discipline of Business Design. Some of that work is shared in this second edition to further demonstrate how Business Design can help create and sustain new value.

close this panel
Show editions


User Activity

more >
Contacting facebook
Please wait...