She’s woken up in a life she doesn’t recognize—with a daughter she doesn’t remember.

When Charlotte McKay wakes up in a hospital bed with no memory of how she got there, all she wants is to go back to the perfect London flat she shares with her husband, and the impressive career she’s worked so hard to build. But something’s not right. Her husband David is at her bedside—but so is a three-year-old girl, and she’s calling Charlotte ‘Mummy’…

Charlotte’s first instinct is panic. When—why—did she have a child? What about her promotion, her independence, her romantic weekends with David? She loved being that woman: how can she have turned into the stay-at-home mother she swore she’d never be?

Back at home, she dives into her unfamiliar world, hoping to piece together the mystery of her transformation. But faced with so much that feels foreign and unnatural, will she ever be happy in a life she can’t remember having—or wanting to have?

Leah can't remember a time when she didn't love writing. From creating fake newspapers to writing letters to the editor, scribbling something was always on the agenda. Even the rejections she received after completing her first novel at age 13 didn't dent her enthusiasm.So it makes sense, then, that she pursued a career in anything but writing. Public relations, teaching, recruitment, editing medical journals -- even a stint painting houses -- until she finally succumbed once more to the lure of the blank page. Whe she's not being jumped on by her young son or burning supper while thinking of plotlines, Leah can be found furiously tapping away on her laptop, trying not to check Twitter or Facebook. Leah also writes romantic comedies under the name Talli Roland.

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