The men and women in these stories, and perhaps most of all the children, make their own sense of a world where &quotThere are forces at play so simple, natural, and accidental that nobody can figure them out and see them coming.&quot It is a world, too, in which &quotthere’s lots more sorrow flying around people’s heads than there is joy.&quot That sorrow may be heartbreaking, occasionally it is horrific; but the reader is constantly reminded, with the quiet, clear-eyed and sometimes mischievous irony of Harriet Richards’ voice, that in this world and – in the least likely places – we may entertain angels unawares.

Harriet Richards's creative reality was as a visual artist until an obstinate painting, based on a recurrent dream, insisted on becoming a short story. She has since published three books of fiction. The Lavender Child was nominated for the Fiction Award and won the First Book Award at the Saskatchewan Book Awards in 1998. Waiting for the Piano Tuner to Die was nominated for Book of the Year at the 2003 Saskatchewan Book Awards, and in 2003, The Pious Robber was nominated for Book of the Year and won the Fiction Award. Her short fiction has been published in literary journals in Canada and Wales, and her paintings have appeared on book covers in both countries. She has mentored emerging writers through the Saskatchewan Writers' Guild, and has edited numerous books of fiction and literary essays for writers across Canada.

Harriet Richards' profile page