Artist and writer Judith Williams gathered material on the settling of Kingcome Inlet by homsteaders and the copper/cow pictograph's relation to the potlatch ban during ten years of visits to the inlet. She is the author of two previous books, High Slack and Dynamite Stories. Williams's work has been shown at the Vancouver Art Gallery, UBC's Museum of Anthropology and the Art Gallery of Greater Victoria. She splits her time and mind between Vancouver and Refuge Cove on West Redonda Island in Desolation Sound.