About the Author

Joanne Vannicola

Joanne Vannicola is an Emmy Award-winning actor. She has worked extensively in film and television, with roles in Love and Human Remains, Stardom, Stonewall, Being Erica, Rookie Blue, Girlfriends' Guide to Divorce, PSI Factor: Chronicles of the Paranormal, Crash Canyon, and My Dad The Rockstar. Joanne lives in Toronto.

Books by this Author
All We Knew But Couldn't Say

2002 — Princess Margaret Hospital

I never know what condition she’ll be in when I arrive at the hospital — if she’ll be lucid, rambling, awake, sleeping, in an altered state, or maybe even gone. Dead.

I wait, though, finishing my cigarette outside, squatting on the ground. My fingertips yellowed with nicotine. The skin chewed. The sky scattered and uncertain as if the spring sun might disappear and a storm might crash in. I exhale and stroke an exposed patch of grass as if it were the fur of a sleeping cat.

“Are you okay?” asks a woman.

I squint, shield my eyes, and look up from her stiletto heels to her bold red lips. Everything perfect and in place.

“My mother is dying,” I say.

“I’m sorry,” she says softly before walking away.

I stand up, squash my cigarette with my shoe, cross the street, and go through the revolving glass doors of Princess Margaret, Toronto’s renowned cancer hospital. I wait for the elevator, pop peppermint gum into my mouth, fish my shades from my pocket, and push them on, covering the dark circles around my eyes.

The elevator is crammed with gowned patients clutching their IV poles, hospital staff, and fellow visitors. Some are here for those in the beginning stages of the disease, the newly diagnosed who are in treatment or having surgery. Then there are people like me, the dishevelled and overtired, the ones on constant duty, hurrying to the bathroom or stealing away for a quick smoke, afraid to miss the end.

It takes forever to get to the seventeenth floor: the palliative care ward. My sisters are outside our mother’s room talking in whispers. My brother, Diego, is at home sleeping. We’re on rotating shifts. My sisters, Sadie and Lou, have travelled from Montreal and Vancouver to say their goodbyes; yes, even Sadie, who was taken by the Children’s Aid so many years ago, the day the rest of us were inexplicably left behind.

Mother slips in and out of consciousness, almost in a coma, her body bruised from multiple needles and the morphine drip. Her eyes are glassy, hollow. She is uncommunicative, the way my sisters like it. They don’t want to talk or listen; they have never believed a word she said anyway. Lou refused to even come to Toronto unless I was certain Mother was dying.

It was winter when my mother was admitted. I didn’t know then how long was left. Weeks? Months? I only knew she was declining, and unlike my sisters, I had questions that needed answering. I walk into her room. Her bare feet are exposed, the skin like cracked mud under a hot sun. I should apply cream but am afraid to touch them. I am thirty-three years old, but my insides still revolt when I get close to her. The need to feel separate is so big, so old. So immediate.

I ignore her parched feet, busying myself with the messy counter beside her bed while I formulate the first question.

“Do you want to finally talk?” I stare at her.

“Not yet,” she says and stares back.

I wipe the counter and rearrange the clutter: the box of Kleenex, the water jug, three Styrofoam cups, juice from breakfast. I throw out used tissues. I try again.

“Why did you marry him?” I ask. “Why Dad?”

“Because I had to,” she answers. She grabs the remote and turns on the extendable tiny television that stretches out from the wall like the arm of a crane. “The new kids are so good,” she says after finding a figure-skating competition. “That boy Sandhu, he can dance too.…”

“But why? Was it because you were pregnant with Sadie?”

She pauses as if the answer is lost to her. I’ve seen it before, this vacancy, how she fumbles, makes things up she doesn’t know, avoids reality.

“I think so.…” Mother says, her voice stuck somewhere in her throat.

“You think so or you know so?”

“I don’t know.… I … well, your grandfather wanted me to marry your father.” She turns off the television and shoves it away from her bed.

I actually know the real story, but not from my mother. From Diego, who told me years ago, after he had gone with Mother to a therapy session.

Mother was the youngest girl out of seven children: the “chosen” one, raped by her father. She told people, but no one believed her. I did. The moment Diego told me, I knew it was true. It was the only thing that made sense. A piece of her was broken long before any of us came along.

“And I loved your father,” she interjects before I can say anything more. “I loved him. Isn’t that enough?” She covers herself with the thin green hospital blanket.

It isn’t. Because it isn’t true. It can’t be. He was a brute; she was a girl. What was to love?

When I was young, I obsessively asked her why she married my dad. He was terrifying, and even at the age of eight, I couldn’t understand why she’d married him.

She would always say the same thing: “Because I loved him.” Then she would throw up her arms to shut me up, as if she thought I could believe her. It was the most insane thing I had ever heard.

She interrupts my thoughts. “I want to speak with all my children.” Her demeanour is imperious. “I forgive you all.”

“What did you say?” I turn to her, feeling nauseous, dizzy almost. After everything she has done, she forgives us?

“And what do you forgive your children for? What have your children done to you that requires your forgiveness?” My voice is low, measured.

She stares at me without answering, fidgets with her bedding. Her voice changes, becomes childlike. “Do you forgive me?”

“I don’t really know, but I know I won’t forget.”

I leave then, rush out, trying to stop the flood of memories. The dam breaks and I spend the night spinning backward, through my father’s violence and my mother’s collusion. And through something else, something hard to accept or talk about even now: how my mother touched me, and how I knew, even when I was a little girl, that it was wrong.

But I go back the next day, and she stares at me vulnerably from her bed. “I’m afraid of losing my hair.”

I am sitting as far away from her as I can. The hospital room isn’t big enough for the two of us. No room is big enough for the two of us.

“I don’t know if I can handle seeing it fall out in chunks. I’m scared.”

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