About the Author

Christine Kim

Christine Kim is an assistant professor of English at Simon Fraser University. Her teaching and research focus on Asian North American literature and theory, contemporary Canadian literature, and diasporic writing. She has recently published articles in Open Letter, Studies in Canadian Literature, and Asian Canadian Writing beyond Autoethnography (WLU Press, 2008). She is currently working on a book-length project titled From Multiculturalism to Globalization: The Cultural Politics of Asian Canadian Writing.

Sophie McCall teaches contemporary First Nations and Canadian literatures in the English Department at Simon Fraser University. She is the author of First Person Plural: Aboriginal Storytelling and the Ethics of Collaborative Authorship (2011).

Melina Baum Singer is a doctoral candidate in the Department of English at the University of Western Ontario. Her research explores transnational and diasporic literatures in English Canada. She has co-edited, with Lily Cho, two special issues of Open Letter, “Poetics and Public Culture” and “Dialogues on Poetics and Public Culture”.

Books by this Author
Cultural Grammars of Nation, Diaspora, and Indigeneity in Canada
Excerpt

Excerpt from Cultural Grammars of Nation, Diaspora and Indigeneity in Canada edited by Christine Kim, Sophie McCall, and Melina Baum Singer

From the first chapter Diaspora and Nation in Métis Writing by Sophie McCall

For the past several years, a growing split has become increasingly evident in critical studies of diasporic and Aboriginal literatures in North America: while most critics of diasporic literatures engage with questions of migrancy in an era of transnational corporatization, the majority of critics of Aboriginal literatures have turned to the language of sovereignty and nationhood in an era of land claims, self-government agreements, and modern-day treaties. On the surface, this gap may seem appropriate. Theories of diaspora may be best suited to address immigrant experiences of displacement, while sovereignty, nationhood, and cultural autonomy are key terms to address current trends in Native politics. Many Aboriginal literary critics, such as Lee Maracle (1996), Craig Womack (1999), and Lisa Brooks (2006), directly link their arguments for “intellectual sovereignty” to current political negotiations over land and governance. Meanwhile, in the work of critics engaged with studies of diaspora—such as James Clifford (1997), Diana Brydon (2000), and Lily Cho (2006)—the language of nation is an unresolved tension, as these critics attempt to grapple with complex transnational formations of identity, labour, technology, and security. It is possible, as Brydon has argued, that “concepts of diaspora reach their limits in the claims to indigeneity” (23), especially in light of current decolonization movements in Aboriginal communities.

However, in this chapter I argue that a diasporic-Indigenous-sovereigntist critical approach may be best suited to address Métis writing, which paradoxically enacts national (i. e. , the Métis nation) and diasporic (i. e. , Métis-sage) identifications. 1 The work of Gregory Scofield, a Métis poet and writer whose ancestry can be traced back five generations to the Red River Settlement, and whose father he recently discovered was Polish-Jewish and German, underlines the necessity to articulate a flexible critical framework that explores both diasporic and national imaginings. Reading the poetry collections Native Canadiana: Songs from the Urban Rez (1996), I Knew Two Métis Women (1999), and Singing Home the Bones (2005), as well as his memoir Thunder through My Veins: Memories of a Métis Childhood (1999), I argue that nation and diaspora cannot be understood as binary opposites, but rather should be viewed as interdependent and mutually constitutive. More pressingly, I argue in favour of bringing in conversation discussions of diaspora, Aboriginal literary nationalism, and Métis subjectivity for the following reasons. Theories of diaspora may offer some vital insights into the history of displacement of Aboriginal peoples in Canada (i. e., the creation of reserves, the forced relocation of Aboriginal communities, and the scattering of Aboriginal communities and families through residential schools and foster care). By countering the tendency to look at specific diasporas separately, and to hierarchize them according to unspecified criteria, as Lily Cho warns against, we have an opportunity to build coalitions between disparate minority histories and to produce a model for relational history writing (Cho 13). Diaspora may also help address experiences of mixed-race, urban, or off-reserve Native peoples, who may or may not maintain strong ties to a sovereigntist nation based on a defined territory. We might garner a better understanding of sovereignties-in-motion, or confederacies, and develop new ways of conceptualizing Native nationalisms that address the wide range of relationships that Aboriginal peoples have to their ancestral territories. 2 By the same token, theories of Aboriginal nationhood have much to contribute to conversations about diaspora. Indigenous sovereigntist perspectives may help articulate community-based processes of participatory citizenship. Diasporic and Indigenous-sovereigntist standpoints share the desire to challenge settler nationalisms and expose the exclusions that have produced Canadian citizenship, even as they grapple with the often devastating effects of a highly mobile, neo-liberal, global capitalism. And theories of diaspora, in conjunction with theories of Indigenous sovereignties, potently acknowledge the underlying maps of Native North America and how First Nations territories traverse the 49th parallel.

It is my hope that the very awkwardness of a cobbled-together diasporic-Indigenous-sovereigntist critical perspective will produce a critical jostling that will question both Nativist and neo-colonial leanings that sometimes surface in these critical debates. In Scandalous Bodies: Diasporic Literatures in Canada (2000), Smaro Kamboureli states that her efforts to “trace the possibilities of diaspora” is reflective of her “desire to release [herself] from the hold that Nativism has on Canadian literature”(8). What she means by Nativism here is a false claim to belonging in settler-nationalist discourses, based on a manufactured one-to-one relationship between land, language, literature, and community. 3 Nativism produces a fairly high degree of anxiety in the work of other theorists of diaspora, most notably in the work of Paul Gilroy, who argues that diaspora furnishes an alternative to “primordial kinship and rooted belonging,” as well as a principled critique of “the disabling assumptions of automatic solidarity based on either blood or land” (Gilroy 123, 133, qtd. in Chariandy, “Postcolonial” par. 4). Similarly, in Nations without Nationalism (1993), Julia Kristeva speaks forcefully against Romantic-nationalist constructions, arguing that the “cult of origins” creates “a weird primal paradise family, ethnicity, nation, race” which, combined with “the soil, the blood, and the genius of the language,” are the roots of a xenophobic national idea (Kristeva, qtd. in Hoy 127). Yet as much as I support these critiques of Nativism, the question must be asked: What are the ramifications of the portrayals of claims to Indigenous belonging in light of Native peoples’ current struggles over land, resources, and development in Canada? Though none of these critics is talking about Indigenous populations in their hopes that diaspora as a critical tool may critique “a positivistic image of the ethnic imaginary” (Kamboureli xii), or offer a way to think “against race” (Gilroy), or imagine “nations without nationalism” (Kristeva), this silent space between Indigenous and diasporic theories demonstrates that bringing into conversation theories of diaspora, Aboriginal sovereignty, and Métis subjectivity is highly contentious; I need to proceed with caution in moving within and between these overlapping yet explosive discourses.

 

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Tracing the Lines

Tracing the Lines

Reflections on Contemporary Poetics and Cultural Politics in Honour of Roy Miki
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