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About

Margery Fee

Margery Fee teaches postcolonial literatures, Canadian literature, and First Nations writing at the University of British Columbia. Her recent publications include “Aboriginal Writing in Canada and the Anthology as Commodity” (Native North America: Critical and Cultural Perspectives, ed. Renée Hulan, ECW Press, 1999), and “Who Can Write as Other?” (The Postcolonial Studies Reader, eds. Bill Ashcroft, Gareth Griffiths, and Helen Tiffin, Routledge, 1995). She has published on Indigenous writers Jeannette Armstrong, Beatrice Culleton, Keri Hulme, and Mudrooroo Narogin, and has just completed editing a special double issue of Canadian Literature on Thomas King.

Books by Margery Fee

All the Feels / Tous les sens

Affect and Writing in Canada / Affect et écriture au Canada

edited by Marie Carrière, Ursula Mathis-Moser & Kit Dobson
contributions by Nicole Brossard, Matthew Cormier, Nicoletta Dolce, Louise Dupré, Margery Fee, Ana María Fraile-Marcos, Smaro Kamboureli, Aaron Kreuter, Daniel Laforest, Carmen Mata Barreiro, Heather Milne, Eric Schmaltz, Maïté Snauwaert & Jeanette Toonder

On the Cusp of Contact

Gender, Space and Race in the Colonization of British Columbia

by (author) Jean Barman
introduction by Margery Fee

Tekahionwake: E. Pauline Johnson's Writings on Native North America

by (author) E. Pauline Johnson
edited by Margery Fee & Dory Nason

Literary Land Claims

The “Indian Land Question” from Pontiac’s War to Attawapiskat

by (author) Margery Fee

Guide to Canadian English Usage (eBook)

Reissue

by (author) Margery Fee & Janice McAlpine

Guide to Canadian English Usage (Kobo)

Reissue

by (author) Margery Fee & Janice McAlpine

Guide to Canadian English Usage

Reissue

by (author) Margery Fee & Janice McAlpine

Canadian Guide to English Usage

edited by Margery Fee & Janice McAlpine

The Fat Lady Dances

Margaret Atwood's Lady Oracle

by (author) Margery Fee

Silence Made Visible

Howard O'Hagan and Tay John

edited by Margery Fee