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Fiction Suspense

The Lost Kings

A Novel

by (author) Tyrell Johnson

Publisher
Knopf Doubleday Publishing Group
Initial publish date
Aug 2022
Category
Suspense, Family Life, Psychological
  • Hardback

    ISBN
    9780593466865
    Publish Date
    Aug 2022
    List Price
    $36.00
  • Paperback / softback

    ISBN
    9780593466889
    Publish Date
    Jun 2023
    List Price
    $24.95

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Description

A NEW YORK TIMES BEST CRIME NOVEL OF THE YEAR

“The plot folds into a brilliant twist.”—The New York Times

“A novel in disguise. You could easily (and happily) mistake it for a stellar psychological thriller, bristling with surprises and packed with secrets; but listen closely and you’ll hear the beat of a dark, full heart, strong and loud. This is deeply moving fiction.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window

Twins Jeanie and Jamie King are inseparable. Stuck in a cabin in rural Washington with their alcoholic father, they cling to one another for safety and companionship. Until one night, when their father comes home covered in blood. The next day, he is gone ... and so is Jamie. Jeanie’s whole world is turned upside down. Not only has she lost her beloved brother, but with no family left in Washington, she is ripped from everything she knows, including Maddox, the boy she could be learning to love.

Twenty years later, Jeanie is in England. She keeps her demons at bay by drinking too much, sleeping with a married man, and speaking to a therapist she doesn’t respect. But her old life catches up to her when Maddox reappears, claiming to have tracked down her dad. Stunned, Jeanie must decide whether to continue running from her past or to confront her father and finally find out what really happened that night, where her brother is, and why she was the one left behind.

At once a propulsive, heart-pounding mystery and an affecting exploration of love and the familial ties that bind us, The Lost Kings will transport, move, and shock you.

About the author

Tyrell Johnson is a writer and editor. He received his MFA from the University of California, Riverside, where he studied fiction and poetry. Originally from Bellingham, Washington, he currently lives in Kelowna, British Columbia, with his wife, two kids, and a Siberian husky. His debut novel, The Wolves of Winter, was an instant national bestseller that remained on the list for over two months. Connect with him on Twitter @tjohnso14.

Tyrell Johnson's profile page

Excerpt: The Lost Kings: A Novel (by (author) Tyrell Johnson)

Chapter 1

NOW

The elevator doors open and an old lady enters.

As she shuffles in, she doesn’t see me leaning against the back wall. She’s wearing a scratchy-looking purple sweater, purple sweatpants, and glasses with lenses as thick as my thumb. She turns to face the doors as they slide closed. I watch, waiting for her to press the button to her floor. As the elevator begins to move, I feel obliged to say something.

“Fifth floor?” I ask, nodding to the small white 5 on the panel, lit with golden light.

She turns, her eyes wide as if surprised to see me. “What’s that?”

“Are you going to the fifth floor?” I ask a little louder.

“No, no, fourth,” she says, turning back around. She still hasn’t pressed a button, and now I have a social obligation. I don’t know how to do this without making her feel stupid, so I lean forward and press the button for her. She says nothing. I look over at her white hair, which is sticking up at all angles as if she’s just been electrocuted. She’s got way too much hair spray on. It’s pungent. Suffocating. A single flame in here and she’d light up like a Christmas tree. She’s the type of old that doesn’t really notice the world around her—I’m pretty sure she’s already forgotten that I’m in the elevator. I could give her a heart attack if I wanted. Grab her shoulder, scream, and watch her drop like a fainting goat. That image shouldn’t be funny to me, I know that, but I can’t help myself. Bad thoughts find me; I don’t go looking. The elevator stops and the doors open to the fourth floor. The woman gets off, and I have the small space, still fragrant with her hair spray, to myself.

Suddenly I feel the weight of all the decisions I’ve made leading to this point. It sits in my throat like bad acid reflux. My therapist tells me that we are the products of all the choices we’ve made in our lives, and each day is a new choice, a chance to reshape who and what we are. I will myself to step out of the elevator, to be someone different, to not do what I’ve come there for. Maybe I could join the old lady for a cup of tea, spray my own head with copious amounts of flammable chemicals. We could play bridge, become best friends. I’d call William, tell him it’s over.

The doors begin to close, and I reach out a hand to press the open button, my finger hovering over the plastic as I wait for myself to push forward, to watch the golden light fill the small white circle. But I don’t. I lower my hand. The doors hum shut.

I knock on the door of flat 502. After a few seconds of silence, it snaps open. And there he is, William, smile on his face, slight stubble gracing his angular chin, eyebrows straight over pale blue eyes. His hair is unkempt and slightly graying around the ears, and he’s wearing a white dress shirt tucked into jeans. On anyone else it would look ridiculous, but because he’s attractive, because he’s a brilliant professor, somehow it’s endearing.

“Jeanie,” he says. “There’s my girl.” He doesn’t mind that I’m ten minutes late; he’s just happy to see me. And his happiness is like measles—it’s airborne, highly contagious.

“How’s the conference?” I ask, stepping through the doorway. The room has a small living area, TV, kitchenette, and bedroom behind a partially closed door. From the window on the far side of the room, I can see the Thames and Saint Paul’s Cathedral—I make a mental note to visit the latter. I’m not religious, but I like the small inward feeling I get when standing beneath those stone pillars, the ancient holy art, and the great dome, which seems to rise endlessly toward the heavens.

“Oh, you know,” William says. “If you’ve been to one . . .” He waves a hand. He doesn’t want to talk about the conference, or business, even though I know he presented an important paper to important people. He doesn’t want to talk at all, actually. But I like to chitchat with him first, watch him squirm, wait for that moment when his patience is just tipping toward annoyance before I take my clothes off.

“Presentation went well?” I ask.

“It usually does,” he says in that confident way he has, like he doesn’t even know he’s being confident, like it’s this gut reaction he has to the world around him. Oddly enough, it’s part of what attracted me to him in the first place. The way he looks at you over the top of his glasses. How his gaze travels to the pit of your stomach and tells you that you are not, in fact, better than him. We’ve been doing this for fifteen years now, and that gaze still gets me. I need it like a fix.

“So,” he says, starting to move toward the bedroom.

“Tea?” I ask.

He pauses, deciding whether to force the issue or play my game. “Sure,” he says, going along with it. He goes to the small kitchenette and fills the kettle with tap water and sets the lid down with a satisfying tick. I was never a tea drinker before moving to the UK. Now, God, that little tick—it’s the sound of satisfaction, joy, hope.

“How long are you in London this time?” I ask.

He turns away from the kettle. He’s got a weird little smile on his face, like he’s copped to what I’m doing and won’t let me play any longer.

“Does it matter?” he asks.

“I’d like to know when you’ll be back home. Is there something wrong with that?”

“I don’t think you give a fuck,” he says. He’s trying to bait me. To excite me.

“Maybe I don’t,” I say. Well, shit, I’ve lost my modicum of power; now we’re playing his game. He has that skill. The ability to subvert expectations, to make you think you want one thing before revealing this other thing that, yes, oh, this other thing that you want so much more. Damn him. He reaches out and grabs my hand. I notice his wedding ring, and for the hundredth time—well, maybe not the hundredth—I picture his wife, Holly. I’ve met her a few times. She’s blonde and beautiful and pristine like a porcelain figurine. She makes me wonder why he bothers with me. That damn ring. I wish he’d take the stupid thing off. How hard could it be to slip it somewhere I can’t see before I arrive? But he never does. It’s another power play. He thinks he can do anything he wants.

But what does it matter? I let myself be led, don’t I? I’m even unzipping my jacket as we enter his bedroom. He closes the door and there’s another tick as the metal tongue of the latch slides into place. It’s a different sound this time, one with a more nefarious meaning. My sweater is up over my head now. Now his hands are on the back of my neck. Now my hands are on the brown belt holding up his light blue jeans. Before sliding into bed, I reach out and grab his hand and carefully slip the wedding ring off his ring finger. He looks at me, suspicious, but doesn’t say a word. I heft the weight of it in my palm for half a second, feeling his nerves radiate from his pores. The room feels gravy-heavy. Then I slide the ring over my thumb, a near-perfect fit.

I’m in control now.

The bed creaks beneath us.

In the kitchenette, the kettle begins to scream.

That evening for dinner, I buy myself fish and chips and a pint of Guinness at the nearest pub. The fries are extra greasy, and I make a mental note to do some burpees in my hotel room that night to make up for the calories. I’d go for a run, but my hotel isn’t near any parks and I don’t like running in the city. I’m eating in silence while checking out the waiter. He’s got a nice smile but is definitely shorter than me. It wouldn’t be a deal breaker if not for his sideburns. Who has sideburns anymore? I astonish myself with the realization that I’m actually considering taking him back to my hotel room. But why not? William will be at some fancy party tonight celebrating his paper with his fellow professors. Why do I have to spend my evening alone? I take my time, drinking two more pints, listening to the Proclaimers bang away in the overhead speakers—five hundred miles plus five hundred miles equals one thousand miles. I decide not to sleep with the waiter. I can still feel William’s body pressed against me, like his skin cells are commingling with mine in a microscopic dance: keratinocytes, melanocytes, Merkel cells, and Langerhans cells all having a party beneath a thin layer of cotton.

By the time I’m done eating, the city is suffocated in twilight. Traffic along the Thames has slowed to a steady crawl of serious drinkers, partiers, and the homeless. Most of the tourists are at shows or restaurants, or they’ve retired for the evening. I’m not a big-city person generally, but I do prefer the feel of European cities to American. It’s the sound of heels on cobbled streets. The old stone, old wood, Gothic architecture, and history saturating every square inch. In old cities like London, especially at night, you feel as though you’re walking with a horde of ghosts.

I buy one of the last tickets of the day for the London Eye and ride the giant Ferris wheel in its lazy circle. I do this almost every time I visit London. There’s something relaxing about it. About watching the city descend beneath your feet, the Thames growing thin and the people small. I sit on the bench as, beside me, a beautiful East Indian couple snaps pictures, takes selfies, and records a video for their vlog, or Instagram, or Snapchat, or whatever people are using these days. Something about them annoys me. I think maybe it’s the mere fact of their presence in a space I’d rather have to myself. As we’re reaching the zenith of our circuit, they approach me and ask if I’d take their picture for them and I shake my head no as if punishing them for intruding on my solitude. At first they seem confused. Is it possible? they think. Can people actually deny this simple social nicety? I give them a smile to show I wish them no ill will, but the smile seems to confuse them even more. Eventually they walk away and ask a young man in a puffy vest, and he obliges them.

The carriage begins its slow descent, the moon rising as a counterbalance, cold and sharp and crescent. I reach inside my jacket, pull out a Snickers bar—drinking Guinness always makes me crave chocolate—and begin to eat in slow, methodical bites. Twenty more burpees when I get back to my hotel, I think. But I don’t care; the sugar is luminescent on my tongue, as if I can taste in color.

Editorial Reviews

A NEW YORK TIMES BEST CRIME NOVEL OF THE YEAR • A New York Times Editors’ Choice

“Absence and loss permeate Tyrell Johnson’s THE LOST KINGS in a way that surprised and moved me multiple times over the course of the novel. . . . I loved how the twists felt psychologically true, a reflection of the way buried trauma always resurfaces, inflicting damage and then lancing the wounds.”
—Sarah Weinman, The New York Times

“Excellent. . . . As the chapters shift back and forth in time, the tone switches from lyrical and atmospheric in the past to spiky and acidic in the present. . . . Both her therapist and her father are complicated, slippery characters, and through Jeanie’s relationships with them, and her relationships with her married lover and her missing twin brother, the plot folds into a brilliant twist.”
The New York Times Book Review

“Johnson channels a bit of Tana French for a decidedly American story that starts on a high note and never falters as it reaches an intriguing finale. . . . The Lost Kings is a real find.”
The South Florida Sun-Sentinel

The Lost Kings is a novel in disguise. You could easily (and happily) mistake it for a stellar psychological thriller, bristling with surprises and packed with secrets; but listen closely and you’ll hear the beat of a dark, full heart, strong and loud. This is deeply moving fiction, humane and affecting – the sort of book that few writers dare attempt, and fewer still manage to achieve. And while plenty of heroines in plenty of novels have pivoted to the past in order to salvage their futures, few have done so with the force and guile of Jeanie King, whom I’ll remember years from now. The Lost Kings will enrich you even as it excites you. Read it and weep.”
—A.J. Finn, #1 New York Times bestselling author of The Woman in the Window

The Lost Kings is one of those wonderful novels that defies categorization: part psychological thriller, part coming of age tale, part exploration of the demons that dog some of the most damaged among us. It’s smart, haunting, and rich with surprise.”
—Chris Bohjalian, #1 Bestselling Author of The Flight Attendant and The Lioness

The Lost Kings is one of those rare books that leaves you feeling conflicted: I couldn't put it down, but at the same time, I didn't want it to end. With writing that pulls you in and a story and characters that make you want to stay, it's compulsively readable from the first page to the last.”
—Stacy Willingham, New York Times bestselling author of A Flicker in the Dark

“Tyrell Johnson has written a gripping journey of one woman's profound loss. The Lost Kings is raw and unflinching, a reminder of the people who shape us.”
—Catherine Dang, author of Nice Girls

“Johnson’s writing proves to be brilliant. . . . Johnson’s use of psychological terminology and his personal love of poetry are sprinkled throughout the story, and the realistic characters are emotional and imperfect, which will leave readers feeling empathy and surprise at the same time.”
—Library Journal

“A twisty masterpiece of a thriller.”
—PopSugar

"The Lost Kings is a harrowing story with a start that will deliver a quick punch to the gut. . . . Johnson lets the suspense unfold slowly, with a strong undercurrent of dread that pushes the story forward toward a chilling conclusion."
Crime Reads

“Suspenseful, surprising. . . . Tana French fans will find a lot to like.”
Publishers Weekly

“A sense of foreboding and unspecified menace hang over Jeanie’s narration; we sense that something is distinctly off here, but we aren't sure whether Jeanie is simply withholding information or whether she is as uncertain as we are about her past. . . . The genuinely stunning twist at the end, as the chasm between internal and external worlds narrows, will leave readers reeling.”
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