The Diary of a Nobody, the spoof diary of Charles Pooter, a London clerk, first appeared as a book in 1892 and has never been out of print since. The hilariously trivial doings of the accident-prone Pooter, his wife Carrie and their troublesome son Lupin have inspired many writers since, including the authors of Bridget Jones’s Diary and The Secret Diary of Adrian Mole. The satirical novelist Evelyn Waugh called it “the funniest book in the world.” This enduring classic of Victorian social comedy is now available in a newly edited Broadview edition.

This edition includes a critical introduction, comprehensive notes on the many historical allusions in the text, and a wide selection of relevant contemporary materials on the clerk’s life, suburbia, spiritualism, and domestic economy. A selection of Weedon Grossmith’s original illustrations also accompanies the novel.

George Grossmith's profile page

Weedon Grossmith's profile page

Peter A. Morton teaches in the Department of Humanities at Mount Royal College, Calgary. He is the author of A Historical Introduction to the Philosophy of Mind (Broadview Press, 1997).

Peter Morton's profile page

“Although The Diary of a Nobody has never been out of print for over the last hundred years, it has, until now, failed to attract an edition capable of really illuminating its lost social and literary contexts. Peter Morton’s Broadview edition remedies this lack with its excellent introduction, incisive textual annotation, and its comprehensive selection of extracts from background material. This extensive scholarly apparatus, rather than overwhelming the Diary’s comedy, succeeds in breathing new life into an established classic of its genre.” — Jonathan Wild, University Edinburgh

“Finally the Grossmith’s The Diary of a Nobody has an edition worth of its importance. Peter Morton’s introduction, like the secondary materials he has wisely chosen, pays attention to the aesthetic and cultural aspects of readers to see that the Diary for all its notoriety was not a singular phenomenon, but rather part of a flourishing of interest in the lives of clerks and other lower-middle-class figures. This is another fine Broadview edition that will find its home on the bookshelves of scholars, students, and readers of nineteenth-century literature.” — Scott Banville, University of Nevada Reno