CANADA READS 2020 FINALIST
NATIONAL BESTSELLER
More than ten years after her Giller-shortlisted title Monkey Beach, Eden Robinson returns with a striking and precise coming-of-age novel, in which everyday teen existence meets Indigenous beliefs, crazy family dynamics and cannibalistic river otters.

Meet Jared Martin: sixteen-year-old pot cookie dealer, smoker, drinker and son with the scariest mom ever. But Jared's the pot dealer with a heart of gold--really. Compassionate, caring, and nurturing by nature, Jared's determined to help hold his family together--whether that means supporting his dad's new family with the proceeds from his baking or caring for his elderly neighbours. But when it comes to being cared and loved, Jared knows he can't rely on his family. His only source of love and support was his flatulent pit bull Baby, but she's dead. And then there's the talking ravens and the black outs and his grandmother's perpetual suspicion that he is not human, but the son of a trickster.

Eden Robinson is the internationally acclaimed author of Traplines, Monkey Beach, and Blood Sports. Traplines was the winner of the New York Times Notable Book of the Year and Britain's Winifred Holtby Memorial Prize. Monkey Beach was nominated for the Giller Prize, the 2000 Governor General's Award for Fiction, and was selected as the Globe and Mail's Editor's Choice. Robinson is a member of the Haisla and Heiltsuk First Nations.

Eden Robinson's profile page

• Short-listed, Canada Reads
• Long-listed, International IMPAC Dublin Literary Award
• Nominated, OLA Evergreen Award
• Short-listed, Sunburst Award
• Short-listed, BC Book Prize's Ethel Wilson Fiction Prize
• Short-listed, Scotiabank Giller Prize

2020 Canada Reads Finalist
Longlisted for the 2019 International Dublin Literary Award
Finalist for the 2018 BC Book Prize's Ethel Wilson Fiction Prize
Shortlisted for the 2017 Scotiabank Giller Prize
“Eden Robinson’s Son of a Trickster is a novel that shimmers with magic and vitality, featuring a compelling narrator, somewhere between Holden Caulfield and Harry Potter. Just when you think Jared’s teenage journey couldn’t be more grounded in gritty, grinding reality, his addled perceptions take us into a realm beyond his small town life, somewhere both seductive and dangerous. Energetic, often darkly funny, sometimes poignant, this is a book that will resonate long after the reader has devoured the final page.” —2017 Scotiabank Giller Prize jury (André Alexis, Anita Rau Badami, Lynn Coady and Richard Beard)

“Robinson has a gift for making disparate elements come together into a convincing narrative, breathing myth, lore and magic into otherwise harsh realities. . . . Jared offers readers, particularly First Nations Youth, a comrade in the angst and alienation of their experience. Eden Robinson does much to enhance the growing body of Indigenous Canadian literature, but we need even more—at least a trilogy’s worth.” —Maclean’s
“Only Eden Robinson could make a reader fall in love with a smart-ass, alcoholic, drug-dealing sixteen-year-old. Through protagonist Jared and his dysfunctional family, Robinson teaches us about a kind of love outside of the norm of greeting cards and family sitcoms. Son of a Trickster is a ribald narrative, irreverent and surreal and hilarious and messy. But don’t let the unruly humour fool you—the book also offers a serious contribution to current conversations about decolonization.” —Quill & Quire

“If Raven and Trickster got a show on Netflix, no one could write it but Eden Robinson. Talking ravens, party drugs, deadbeat dads, murderous otters, Doctor Who—nobody brings together pop culture, indigenous culture and myth with more ferocity and humour. Son of a Trickster is my favourite book this year.” —Annabel Lyon, author of The Sweet Girl and The Golden Mean

“Eden Robinson is a writer with a magical touch. Crisp prose, taut dialogue, and a cast of maniacal characters you sure as hell don’t want living next door.” —Thomas King, author of The Back of the Turtle and The Inconvenient Indian
“Son of a Trickster is filled with darkness and squalor and obscenity. And yet, startlingly, it brings the reader to a place of wonder and mystery and magic. It is a story of a boy born into a violent history. It is a story of a boy born into a magnificent culture. Robinson bravely reconciles these oppositions in a story that is equal parts irreverent humour and astute wisdom.” —Heather O’Neill, author of The Girl Who Was Saturday Night and Lullabies for Little Criminals

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