From Man Booker International Prize finalist Josip Novakovich comes a satiric novel with teeth—a tale of Russia in the early aughts, perfect for fans of Dostoevsky and Gary Shteyngart.

In this picaresque novel set in the early 2000s, David, an investment banker with Eastern European roots, goes bankrupt from the Enron fiasco, and moves to Russia to do some soul-searching. In the shadow of the Khazan cathedral, he’s arrested for the murder of two Georgian wine-importers. David is imprisoned at Kresty, bewildered and alone. One day, Putin himself visits, with a modest proposal for David: to travel to Georgia and slip plutonium into the president’s wine. This is the price of freedom: to assassinate a president.

Told with Josip Novakovich's signature skill and satiric wit, Rubble of Rubles delves into the absurdity and menace of totalitarianism. At the crossroads of literary fiction, satire, and crime, this is a novel for modern fans of Notes from Underground and Absurdistan.

Josip Novakovich moved from Croatia to the U.S. at the age of twenty. He has published a novel, April Fool`s Day, three story collections (Infidelities: Stories of War and Lust, Yolk, and Salvation and Other Disasters) and two collections of narrative essays as well as two books of practical criticism, including Fiction Writers Workshop. His work was anthologized in Best American Poetry, the Pushcart Prize collection, and O. Henry Prize Stories. He has received the Whiting Writer`s Award, a Guggenheim fellowship, two National Endowment for the Arts fellowships, the Ingram Merrill Award, and an American Book Award, and he has been a writing fellow of the New York Public Library. He has taught at Bard, Die Freie Universitaet in Berlin, Penn State, and now, Concordia University in Montreal.

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“Throughout the madcap plotting, a pervasive sense of menace never dissipates. An international comedy of errors that ventures to knowingly bleak places.” —Kirkus starred review

“In vertiginous scenes that evoke Kafka, Dostoyevsky, and Alice in Wonderland, the police and prison officials subject David to extortion, drugging, and interrogation, and even Putin himself gets a cartoonish and nightmarish cameo. Not only is this sickeningly surreal, it’s a hell of a ride.” —Publishers Weekly starred review

“Josip Novakovich’s latest novel is a tour de force that exposes the complete corruption of the Russian police and legal system under Putin. David Dvornik is an insomniac, former investment banker, Russophile, amateur historian, and ex graduate student from Yale, who uses sarcasm and farce to describe the absurdity of his daily life in Saint Petersburg. Novakovich turns the idea of Crime and Punishment on its head. Rather than the inevitable capture of the guilty, we see the inevitable punishment of the innocent.”

--Josh Barkan, author of Mexico: Stories

“Crime and the lack of punishment—Josip Novakovich conjures up a picture of Saint Petersburg that would terrify Dostoevsky.” —Tibor Fischer, author of Under the Frog

“Rubble of Rubbles shows Josip Novakovich at his best. I know of no other writer who knows how to ridicule the ridiculous and find meaning in the seemingly meaningless. This is a comic novel with serious content, rich in dark humor and startling cultural insights.” —Jim Heynen, author of The One-Room Schoolhouse

“This novel took hold of me from the beginning and never let go. Kafkaesque for the first two-thirds, and then something else. I am not sure what: maybe a bit of the Wizard of Oz, and a bit Hitchcock, with a happy ending. I shall never think of Russia the same way, or of Georgian wine. A timely book filled with humor and twists and turns.” —Robert Appelbaum, author of Terrorism Before the Letter: Mythography and Political Violence in England, Scotland, and France 1559-1642

“In a thrilling mix of an adventure novel and satire, Novakovich provides us with a fresh glimpse into that horrifying and mysterious Russian soul. So relevant that it’s scary!” —Lara Vapnyar, author of Divide Me By Zero

“Josip Novakovich's narrative style—powerfully direct, crisply precise, bluntly confident without arrogance—is instantly recognizable and entirely sui generis. No single sentence goes to waste in his texts, no word a throwaway one. His prose resonates with distant rhythms of faraway histories. He is one of the preeminent storytellers of our time—and one of the very best we have. In this remarkable, highly immersive novel, set in early-aughts Russia poised on the cusp of becoming the moral catastrophe of a state it is today, his satire is cutting and unswerving, his gaze steadfast and uncommonly, uncannily observant.” —Mikhail Iossel, author of Every Hunter Wants to Know