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Fiction Literary

God's Zoo

by (author) Pablo Urbanyi

translated by Natalia Hero

Guernica Editions
Initial publish date
Oct 2020
Literary, World War II
  • Paperback / softback

    Publish Date
    Oct 2020
    List Price

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God's Zoo captures the brutality of the Second World War in Eastern Europe, told through the eyes of young Fenix, a boy who lives in the small Hungarian-Czechoslovak city of Ipolyság. Fenix lives in a loveless world, abused by his cold, materialistic mother, and neglected by his often absent father. He seeks refuge in the care of Judit, a young woman who works as a nanny and servant in the family home. Judit and Fenix form a deep and complex bond that is at once familial and erotic, embodying friendship, kinship, motherhood, romantic love, and sexuality. Together, they bear witness to the city's successive occupation first by troops from Hungary, followed by the German army, and, finally, the Russians. As the devastating events of the war unfold around them, their love perseveres and grows stronger--until its surprising end.

About the authors

Pablo Urbanyi is a prolific and acclaimed Argentinean-Canadian writer. He immigrated to Canada in 1977 due to political chaos in Argentina. He taught Spanish at the University of Ottawa while pursuing his career as a writer. Although he writes exclusively in Spanish, his books have been translated to English, French, and Hungarian. In 2004, Urbanyi received the Latin American Achievement Award for literary expression. Silver was a finalist for the Argentinean Premio Planeta literary award in 1993.

Pablo Urbanyi's profile page

Writer and translator Natalia Heroux is the author of the novella Hum (2018). Her short fiction and translations have appeared in numerous publications. She lives in Montreal.


Natalia Hero's profile page

Editorial Reviews

Eroticism permeates the narrative, fleetingly yet profoundly, and the nimbus of poetry. God’s Zoo is ultimately a beautiful coming-of-age love story, one written in a deeply personal style (is it even possible to write otherwise?), but in which the reader may nevertheless find a sense of familiarity.


Caroline De Liever

The challenge, taken up here with fervent nostalgia, is to blend a satirical, ironic tone with a childish depiction of events, an irony that confronts the figures of oppression, whether Communist or Nazi, and the adult world. The result is a lucid phantasmagoria: onboard his electric train, Fenix recounts the tragedies that, one after another, carry away his loved ones. Like many writers, recounting the events of his life allows him to shed its cruelties … As Baudelaire once wrote: “Genius is childhood rediscovered by an act of will.”

Magazine Littéraire

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