Fallout embraces the darkness of the 20th century in poems that inhabit both the fear and wonder of that time. On the surface Fallout appears to be about the legacy of the nuclear age yet Ridley writes with a subversive humour that counters the fierceness of her subject. In her world madness intrudes upon the mundane as a Nevada casino shakes during a "test", a white train rumbles through the night transporting nuclear weapons and a couple takes up residence in a vacant nuclear weapons silo.Ridley's poems veer from the terrifying to the tender, the comic and the apocalyptic, the ironic to the philosophical, and the cosmic to the domestic-- often within the same poem. This is an energetic and entertaining new voice in Canadian poetry both insightful and playful by turns. At the heart of the book is an elegiac tone that points to a more hopeful future. The book ends with an award winning sequence of ghazals written about the death of a young sister that leaves the reader breathless.

Sandra Ridley’s first full-length collection of poetry, Fallout, won the 2010 Saskatchewan Book Award for publishing, the Alfred G. Bailey prize, and was a finalist for the Ottawa Book Award. Her second book, Post-Apothecary, was short-listed for the 2012 ReLit and Archibald Lampman Awards. Also in 2012, Ridley won the international festival Of Authors’ Battle of the Bards and was featured in The University of Toronto’s Influency Salon. Twice a finalist for the Robert Kroetsch Award for innovative poetry, Ridley is the author of two chapbooks, Rest Cure – and Lift, for which she was co-recipient of the bpNichol Chapbook Award.

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