Diary of a Compost Hotline Operator
Edible Essays on City Farming
- Publisher
- New Society Publishers
- Initial publish date
- Oct 2003
- Category
- Techniques
-
Paperback / softback
- ISBN
- 9780865714922
- Publish Date
- Oct 2003
- List Price
- $22.95
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Where to buy it
Out of print
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Description
What do you do with Doggy-Doo? Can I put corks in my compost bin? Do worms have lungs? Why is my compost full of thousands of tiny white flies?
Vital questions such as these are the lot of a Compost Hotline Operator, as Spring Gillard knows only too well. That really is her job description, and she fields calls like this all day long. She also meets a cast of characters curiously crazed by the garden bug. Like Ellen who wears worm earrings and belts out the "Compost Rap" to unsuspecting participants in her vermicomposting class. Or Laurel, worm bin mural artist, Wet Coast Wes the Scarecrow, Scissor-happy Sally, and Mike their fearless leader, prone to tai-chi fits...
The Diary of a Compost Hotline Operator began in 1996 as a series of entries on the web site of City Farmer, Vancouver's non-profit urban agriculture group that has been thriving for 25 years. It is packed with barely credible real-life tales from the trenches of the urban horticulture avant-garde, dealing with all manner of gardening lore-such as: * the essentials of composting * alternatives to pesticides * organic and edible landscapes * garden tours and compost teas * green buildings and drug-free lawns * rainwater harvesting, and even * urban ag in New York and Cuba.
It is also a mine of useful resources-perfect reading for garden fanatics, gift-givers, ag-academics and environmentalists, and all who like to laugh while they learn.
About the authors
Spring Gillard abandoned a successful advertising career 12 years ago, and stumbled into City Farmer's garden in Vancouver. She never left. Her diary entries have been published widely, and - as editor of the Compost Hotline News - she does widespread research into urban agriculture worldwide. An avid storyteller, she believes in the power of humor to convey serious messages.