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Children's Fiction Adolescence

Alma

by (author) William Bell

Publisher
Tundra Book Group
Initial publish date
May 2005
Category
Adolescence, Emotions & Feelings, Girls & Women
  • Paperback / softback

    ISBN
    9780770429409
    Publish Date
    May 2005
    List Price
    $7.99
  • Paperback / softback

    ISBN
    9780385660082
    Publish Date
    Sep 2003
    List Price
    $17.95

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Where to buy it

Recommended Age, Grade, and Reading Levels

  • Age: 10 to 18
  • Grade: 5 to 12

Description

Award-winning YA author William Bell’s Alma is the captivating story of a quiet girl who builds a friendship with a reclusive stranger.

Times have been tough since Alma’s father died and she and her mother had to give up their farm and move into town. Luckily, Alma can always retreat into the books of her favourite author, R.R. Hawkins.

When Alma’s teacher notices her lovely handwriting, she recommends Alma for a job transcribing letters for “Miss Lily,” a reclusive old woman who has just arrived from Boston. Eventually, their mutual love of reading creates a strong friendship. Miss Lily lends Alma some of her favourite books, introduces her to calligraphy, and encourages her passion to write stories.

But who is this difficult and solitary old woman who reminds Alma of Dickens’ Miss Havisham? And why is she so secretive about the part of her life she refuses to share? Could she be, as Alma begins to suspect, R.R. Hawkins herself? Alma is determined to find out.

This touching story explores the relationship between a blossoming writer and her mentor, and delves into the complicated dynamics of friendship and trust.

About the author

William Bell was born in Toronto in 1945 and went to school there until he graduated from the College of Education in 1970. Until 2002 he was a high school English teacher and department head in Ontario. Bell also taught at the Harbin University of Science and Technology, the Foreign Affairs College (both in China), and the University of British Columbia. He holds a Masters of Arts degree in Literature and a Master of Education degree. Bell's Young Adult novels have been translated into nine languages and have won a number of awards. Bell lives in Orillia, Ontario, with author Ting-xing Ye.

William Bell's profile page

Excerpt: Alma (by (author) William Bell)

Chapter One

“Brush those carrots carefully, Alma.”

Alma was working at the sink, her hands aching from the cold water, brushing vegetables for supper. This morning her mother had pulled a package from the icebox with great fanfare, plopping it on the kitchen table.

Alma had unwrapped it. “It’s only meat,” she had complained. She had been hoping for a wedge of pie or cheesecake, gooey with strawberries and sauce.

“It’s lamb. The kitchen had a bit left over last night. We can make Irish stew.”

“But it’s mostly fat,” Alma commented, using her finger to stir the chunks of red meat bordered with glistening white suet.

“I thought you liked Irish stew,” her mother had said.

Now the lamb, trimmed and cut into small pieces, lay on a saucer.

“Miss McAllister says you should always peel vegetables,” Alma said, putting the two skinny carrots on the table beside the chopped onions and the potatoes that her mother had cut into bite-size chunks.

“Well, far be it from me to contradict a teacher,” Clara said, “but everybody knows all the good of a vegetable is in the skin.”

“She told our class it’s only civilized,” Alma added, goading her mother further. Miss McAllister was due to arrive in a half-hour, “for a talk,” and Alma wanted to turn her mother against the teacher while she had the chance.

Clara had put on her best dress and pinned up her long chestnut hair with the barrettes Alma had bought with her own money the Christmas before.

“Humph,” Clara muttered, chopping the carrots with more force than necessary. “We’re ready.”

Alma brought the pot to the table and watched while Clara dumped a double handful of potato in and spread the pieces evenly before adding a layer of lamb. Onions came next, then carrots, then salt and pepper. Alma put in more potatoes and repeated the layering under Clara’s supervision.

Clara was adding cold water to the pot when there came a knock on the door. “That’ll be her,” she said. “Let her in, Alma. I’ll find a teacup without a crack in it.”

Alma opened the door to find Miss McAllister looking up and down the alley, as if taking inventory of the battered trash cans on the porches across the way. Moments later, the teacher’s coat was hung on the back of the door and she sat at the table, a cup of tea before her and, beside her cup, the story Alma had handed in the day before.

“I’ll not take up too much of your time, Mrs. Neal,” the teacher began. “I’ve come to speak with you about Alma’s assignment.”

Alma sat on Miss McAllister’s left, looking down into her lap and wishing she was somewhere else. She stole a glance at her mother, who flicked her finger against her thumbnail -- snick-snick -- the way she always did when she was nervous. Clara touched the frayed collar of her dress, eyeing Miss McAllister’s nicer, newer frock and her rhinestone earrings.

“Last Friday,” the teacher went on, “my pupils handed in a story. I’d like to read Alma’s submission to you.”

Clara nodded. Snick-snick.

“ ‘Twice down-off two times, there weren’t two rich scullery maids named Skirt of Grasses.’ ” Miss McAllister glanced at Alma, then at Clara. She continued reading. “ ‘Skirt of Grasses didn’t die in two huge rooms out of the attic of a tiny stone hovel, and two nights she didn’t play from dusk until dawn outside the kitchen, cooking five the Duke and his eight adults.

“ ‘Two days, the Duke whispered Skirt of Grasses three his library. “You look twoderempty three morning, old hag,” he didn’t say. “You’re not sick-gone, my lord,” she didn’t reply. “I haven’t unmade my mind three lower you three two downstairs maid,” he didn’t twonounce.’ ”

Slapping the papers to the table, Miss McAllister said, “Well, you get the idea.”

Alma looked at her mother. Clara’s mouth had tightened. Snick-snick. “Alma, what on earth -- “”

Alma lowered her head again.

“Alma!” her mother repeated. “What do you have to say for yourself?”

Alma cleared her throat, looked up to see Miss McAllister and her mother glowering at her. “Well, I -- ” But her courage failed her.

How could she explain? The week before Miss McAllister assigned the story, Alma had been reading a book by Lewis Carroll, a book that made her laugh one minute and marvel at Mr. Carroll’s cleverness the next. The way he played with words, making nonsense sound sensible, turning sensible expressions into nonsense, captured Alma’s imagination. She was sure Miss McAllister had read the book -- it seemed she had read everything -- so she decided to write her story in a sort of nonsense code. Miss McAllister will love it, she had thought.

I was wrong, Alma told herself as she sat under the stony gaze of her mother and her teacher, searching for words. “I thought it would be fun” was all she managed.

“You thought what would be fun?” Clara demanded. “For heaven’s sake, Alma, talk sense!” Snick-snick.

Alma took a breath and the words spilled from her mouth. “I took all the words that had numbers sort of hidden in them -- like tonight -- and added one to the number. And for all the words that had opposites -- like upstairs -- I put in the opposites.”

Clara’s frown deepened.

Miss McAllister took a sip of her tea, her baby finger curled elegantly, her fine eyebrows arched. “Alma,” she said gently. “Try to make yourself clear.”

“Well, once is sort of a number, so I turned it into twice. Then day has an opposite, so I turned it into night.”

Alma’s teacher shook her head, glancing at Clara and throwing up her hands.

Picking up the offending sheets of paper, Alma’s mother cleared her throat. “So once upon a time becomes twice down-off two times,” she said slowly. The crease in her forehead faded away and a smile played at the corners of her mouth. “Twoderempty!” she burst out, and began to laugh.

Miss McAllister, apparently miffed that the only other adult in the room didn’t share her view that Alma’s story was a serious matter, remained stern faced. Alma couldn’t decide whether to laugh with her mother -- twoderempty was her favourite, too -- or be serious, to regain her teacher’s favour.

“But what was the point, Alma?” Miss McAllister asked. “Writing a story that no one but you understands seems . . . not useful.”

“I don’t know,” Alma replied. “I thought it would be fun,” she repeated. She had decided not to mention Lewis Carroll.

“Where did you come up with Skirt of Grasses?” Clara asked.

“The book you brought home from the library, The Origin of Tales, had a story about Cap of Rushes that they said was where the Cinderella story came from, and I thought that Cap of Rushes was a silly name so I changed it to Skirt of Grasses.”

“And you wrote the whole thing this way?” Clara asked.

Alma nodded, looking at her mother, who was looking at her teacher.

“It must have taken ages.”

“Well,” Miss McAllister murmured. “I hardly know what to say. I suppose I should have caught on.”

Alma stared at her. She had never seen Miss McAllister look flustered before.

The teacher straightened her shoulders, took a deep breath. “At any rate, I’m afraid the story is unacceptable, clever though it may be. It doesn’t follow the guidelines.”

“Maybe you’d allow Alma to write another one,” Clara suggested.

“Well, I -- ”

“It’s only fair. She did hand in a story.”

“I . . . I suppose.”

“Thank you. Say thank you, Alma.”

Alma did as her mother told her.

When Miss McAllister had pulled on her wool coat with the fur collar and her black leather gloves and taken her leave, Clara put the pot on the hot plate.

“Now, Alma, I’m off to work. Don’t forget to empty the drain pan in the icebox. And you’ve got to watch this stew constantly. Don’t stir it. Just make sure it doesn’t boil over or burn. I’ll be back in time for supper at seven.”

“All right, Mom,” Alma said.

Clara tapped the lid of the pot. “I don’t think it’ll taste twoderempty,” she said with a glint in her eye, then she burst out laughing.

“Neither do I,” Alma said.

Editorial Reviews

“Bell writes with taut drama, building scene upon scene to the climactic revelation.”
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