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Fiction Historical

A Match Made for Murder

A Lane Winslow Mystery

by (author) Iona Whishaw

Publisher
TouchWood Editions
Initial publish date
Apr 2020
Category
Historical, Cozy, Amateur Sleuth, Women Sleuths
  • Paperback / softback

    ISBN
    9781771513265
    Publish Date
    Apr 2020
    List Price
    $16.95
  • eBook

    ISBN
    9781771513272
    Publish Date
    Apr 2020
    List Price
    $8.99
  • Downloadable audio file

    ISBN
    9781771513821
    Publish Date
    Oct 2022
    List Price
    $25.99

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Description

Winner of the 2021 Bony Blithe Light Mystery Award

“An intriguing mix of character, plot, time, and place. Highly recommended.” —Ian Hamilton, author of the bestselling Ava Lee novels

Lane and Darling's Arizona honeymoon is interrupted by gunshots in the newest instalment in a series Kirkus Reviews calls "relentlessly exciting."

It’s November, and Lane and Darling have escaped the chilly autumn in the Kootenays for a honeymoon at the posh and romantic Santa Cruz Inn in sunny Tucson, Arizona. But despite her very best intentions to relax, soon after their arrival Lane’s plans to spend the holiday poolside with a good mystery are interrupted by gunfire. One of the hotel’s wealthy guests has been shot point blank and Lane is second on the scene.

Though Lane and Darling attempt to distance themselves from the investigation, the longer they stay at the Santa Cruz Inn, the deeper they are drawn into a web of suspects and bystanders, and a collection of seemingly perfect marriages fraught with jealousy and violence. The situation threatens first their honeymoon and then their lives when Lane puts herself directly in the sights of local criminals who will stop at nothing to get what they want.

Back in Nelson, Sergeant Ames has been left in charge of the department during Darling’s absence. As he investigates a case of vandalism at the Van Eyck garage, it seems to lead directly to the death of the suspected vandal himself. Working with Constable Terrell, the new recruit, to piece together what happened in this strange and unsettling murder, Ames finds his romantic interest in mechanic Tina Van Eyck creates complications that are more than awkward; they could be deadly.

Fans of Maisie Dobbs and the Kopp sisters will delight in the latest Lane Winslow, a study of matrimony and mirage in the American Southwest.

About the author

Iona Whishaw was born in British Columbia. After living her early years in the Kootenays, she spent her formative years living and learning in Mexico, Nicaragua, and the US. She travelled extensively for pleasure and education before settling in the Vancouver area. Throughout her roles as youth worker, social worker, teacher, and award-winning high school principal, her love of writing remained consistent, and compelled her to obtain her master’s in creative writing from the University of British Columbia. Iona has published short fiction, poetry, poetry translation, and one children’s book, Henry and the Cow Problem. A Killer in King’s Cove was her first adult novel. Her heroine, Lane Winslow, was inspired by Iona’s mother who, like her father before her, was a wartime spy. Visit ionawhishaw.com to find out more.

Iona Whishaw's profile page

Awards

  • Winner, Bony Blithe Light Mystery Award

Excerpt: A Match Made for Murder: A Lane Winslow Mystery (by (author) Iona Whishaw)

CHAPTER ONE
November 1947

Lane’s first impression was of the whiteness. The mid-afternoon sun, which she had always thought of as golden, bleached everything here to the purity of bones. The endless desert had given way to adobe and wood houses that seemed to lie low away from the sun, and then to the white of the station they were approaching.

Her honeymoon. It was ridiculous and wonderful. A year and a half before, she had arrived at King’s Cove, a tiny hamlet an hour outside of the city of Nelson, in the middle of British Columbia, and moved into her beautiful house among her eccentric neighbours with no other object than to lose herself, and her memories, and put the war behind her. The danger of dropping out of airplanes into occupied France carrying weapons and encrypted messages began to seem more and more like a life that had happened to someone else. The misery of her first love affair had been swept away, almost against her own better judgement, by Frederick Darling, inspector of the Nelson Police.

She looked at him now, his dark hair slightly tousled from leaning against the window, and her heart skipped. They’d had a bad start, she had to admit; he had arrested her over the death of a man on her property. He was extraordinarily reserved, not to say impenetrable, but he had come, very slowly and most reluctantly, to accept that she had some skills that were invaluable in some of his other cases.  And she in turn had come to appreciate his profound sense of justice, and his philosophical turn of mind, perhaps a product of his surprisingly academic background. She had not expected a degree in literature from a policeman.  She wondered if either of them had realized how completely they were falling in love. She smiled. She was pretty sure his sidekick, Sergeant Ames, had. She wouldn’t have been surprised to learn it was he who had pointed it out to Darling.

“Not terribly punctual. It’s gone two forty-five,” she said, consulting her watch. The train screeched, as if protesting at having to slow down, and then stopped and hissed. People began to stand up, stretch, and reach for their bags. It had been a long day’s ride from Los Angeles.

“You want precision on a honeymoon. How delightful!” Darling said. “It’s hotter than blazes. I’m overdressed.” He took his hat off the seat and fanned himself. “Well, shall we?”

A porter appeared as they stepped off the train. Lane paused and took a deep breath. She loved arriving in a place she’d never been. Warmth emanated from the tiles of the platform and off the white walls of the station, but a breeze made the movement of air almost sensual on her face.

“Can I get your bags, sir, ma’am?”

“That would be lovely, thank you,” Lane said. “What is the temperature today?”

“A balmy seventy-eight, ma’am.” The porter touched his cap briefly and led the way to baggage car, pushing a trolley.

 

“You see, darling, a perfect summer day at home. My husband thinks it is too hot,” she continued to the porter, following him, her handbag over her arm.

“Oh, no, ma’am. This is just how we like it. Summertime? Now that’s a punishing time in Arizona. It can get up over a hundred. You just wanna crawl under a rock like a lizard. Vacation?”

“Honeymoon,” Lane said, and was slightly embarrassed to feel her cheeks flushing.

“Well now, that’s something! Congratulations and welcome to Tucson. Will you be needing a taxi?”

“Yes,” said Darling, “thank you.” He reached into his jacket for some coins.

The station platform felt almost ghostly in the white afternoon despite chattering travellers getting on and off the train. Lane and Darling followed the porter into the station, where it took her a moment to adjust to the darkness. Inside, the shade contrasted sharply with the blinding light of the street visible through the windows. Sharp, she decided was the operative word. Sharp shadows, sharp light, sharp lines.

“Where shall I tell the driver y’all are headed?”

“The Santa Cruz Inn,” Darling said. He produced the coins and the porter tipped his hat, turning a beaming smile on Lane.

“You have a wonderful honeymoon, you hear?”

“You made a conquest there,” Darling remarked, settling in the back seat of the cab after asking to be conveyed to the Santa Cruz Inn. “I wonder how Ames is getting on?”

“Don’t be silly. We’ve only been gone four days. This is a complete vacation from mayhem. We’re going to get along like a house on fire because I won’t be interfering in anything. I plan to lie by the pool with an edifying book during the day and make up for it by swilling cocktails in the evening. I hope they have cocktails.”

“They got cocktails, ma’am,” the driver said suddenly from the front seat. “You got the best there. All the actors go there. Very swanky. Pretty new, too. My sister Consuela works there, cleaning.”

“Oh, is it far?” she asked—the driver looked Mexican, and Lane had expected him to speak with an accent. She gave herself a stern mental correction.

The driver took a moment to honk at someone, slowed down to wait for a tram to go by, and then turned onto Sixth Avenue. “It’s a few miles out of town, just east, but I could drive you just a couple of blocks near here to see the old part of town.”

“Why not?” Darling asked, when Lane gave him a nod.

Lane looked at the town outside the car windows. They passed a massive pink building with a red-tiled roof and a huge mosaic green and yellow dome. A row of columns connected by arches provided a long, shaded walkway. She could just see the courtyard beyond the arches.

“What is that wonderful looking place?” Lane asked.

“That’s the county courthouse. This here is the old part of the city, called the Presidio. The Spanish came here first, and you’ve got some very fine houses in here. I’ll just drive you along Fourth Avenue so you can see. It won’t take a minute.”

 

Lane threw herself on the bed of their suite. “This is heavenly! We were right to pick this. All this lovely adobe. It could almost be Mexico. I feel like I have been transported to a completely foreign place. And this weather! It is hard to imagine that somewhere in the world it is this warm on the ninth of November. We’d be in our wool shirts at home.”

Lane had seen the travel brochures for Tucson at the travel agency on Baker Street and had been attracted to the sunny desert landscape, perfect for a honeymoon as November ushered in the damp cold of a British Columbia winter. “We could go to a dude ranch,” she’d said, spreading the brochures across the table one evening.

“Are we dudes, do you think? I have decidedly negative views on dressing up in chaps,” Darling had said. “You know, I have an ex colleague who moved there in ’37. He might have an idea for a less energetic holiday. I’ll write to him.” And indeed, his ex-colleague, now the assistant chief of police in Tucson, Paul Galloway, had recommended the Santa Cruz Inn, adding that it was a favourite of Hollywood movie stars.

“You have been transported to a foreign place,” Darling pointed out. While not of a demonstrative turn, he was quietly relishing the sunny warmth, not to mention a completely new sensation to him; the feeling of truly being on holiday, with no responsibilities and nothing to do but enjoy the company of his new and beautiful wife. He hung his jacket in the closet and rolled up his shirtsleeves. His tie was already discarded on the dresser. He looked at the suitcases.

Lane smiled. “Let’s not unpack now. Let’s just get out the things we need for tea. I’m astonished they have a good old English tea here, and,” she glanced at her watch, “it’s on in fifteen minutes, and I don’t want to miss it. We can see who our neighbours are.”

Darling kicked off his brogues and lay down on the bed, scooping her into his arms. “I don’t care who the neighbours are.” He kissed her in a way that suggested they stay put awhile, which Lane found almost irresistible.

“We should see if we can find Consuela, the cabbie’s sister,” she said through his kiss.

“I’ve never met a woman with less sense of occasion. You are not easy to love.”

“I’m sure you knew that when you married me. Come, up you get! We didn’t come here to while away our time in bed.”

“I should have thought that was exactly why we came,” Darling protested, swinging his legs onto the floor.

They walked along the brick path past neat rows of flowers and green lawns, to where a fountain splashed in the centre of a large lawn surrounded by palms and other trees Lane couldn’t identify.

She clutched Darling’s arm. “Oh, listen!” she exclaimed, holding up a finger.

He duly tilted his head. “To what, in particular?”

“That cooing . . . mourning doves! One of my favourite birds . . . we had them in England.” They stood together in companionable silence and became aware of several types of birdsong, the soft cooing predominating. Lane sighed happily. “They always sound so peaceful. I feel as if nothing bad could happen in a place where they are.”

The library, modelled, Lane decided, on some fantasy European manorial room with dark ceiling beams and a long wall of books, was abuzz with quiet chatter and the clinking of cups. The women were in bright summer dresses, some sporting wide-brimmed straw hats and others pert little numbers with wisps of veil set at becoming angles. A couple of younger men in pale linen trousers stood by the massive unlit hearth with their elbows on the mantel, smoking pipes. The place had the confident, quiet feel of money.

“Those two by the fireplace look just like the brochure,” Lane whispered. “Do you think they stay there permanently on the off-chance they’ll be photographed? Oh. What have you got? I missed those.” She pointed at a pair of tiny scones on his plate.

“They’re over there. You’re not having mine.”

Lane left the little round table they had managed to get and went to where the scones were laid out, wondering if it would be greedy to take two.

“This is gorgeous, sweetie. I don’t think I’ve ever seen nothing . . . anything like this. You’re spoiling me, you know that?”

Lane turned with her scones and saw a woman, possibly in her mid-thirties with frizzy, nearly white bleached-blond hair in a pre-war Bette Davis style. She was wearing a deep ruby shade of lipstick that Lane wasn’t sure about for the time of day. The man she giggled at, the man she held up her china cup to toast, was considerably older. Lane would have said he was into his seventies. He was slight and perfectly dressed in white slacks and a blue blazer, and his full head of white hair was brushed and Brilliantined into a side part. She could see a heavy embossed gold ring on his right hand and a simple wedding band on his left.

“A bit spring–winter, that couple, wouldn’t you say?” she whispered to Darling, pointing surreptitiously with her buttered scone a few moments later.

“I would. But would it be any of my business?”

“Perhaps not, but we were interested in finding out who our fellow denizens are. I think it’s rather sweet, really.”

“I believe it was you who was interested in our neighbours,” he said. “I bet he’s being taken for everything he’s worth.”

“Or he’s taking her for everything she’s worth,” Lane said.

“She doesn’t look like she’s the one with the money,” Darling countered.

“Are you telling me the only thing women value is money?”

“I wouldn’t dream of it,” Darling said, selecting a petit four. They chewed contentedly for a few moments, and then a young couple came up to them smiling. The woman was lovely, Lane thought. Tall and slender with golden hair twisted into an elaborate knot. She was wearing a simple, graceful, cap-sleeved linen dress with pale blue stripes.

“I think you folks are our neighbours. I saw you come in earlier. We were just leaving to go have a dip. Isn’t this grand?”

Darling and Lane stood up. “I’m Lane, and this is my husband, Frederick Darling. How do you do?”

“I’m Ivy Renwick, and this is Jack. We’re from Wisconsin. We don’t get anything like this back home! We just came yesterday.”

Darling nodded and shook hands with them. “We don’t much either. We’re from a little town in British Columbia.”

“Oh, my! Canadians. You’re a long way from home. What brings you out this way?”

Jack Renwick had pale, straw-coloured hair and very genuine blue eyes. Darling liked him at once.

“Honeymoon,” he said with a slight touch of apology.

 

“Hey! Us too. We got hitched just before I shipped out in ’44, and we never got a chance to have a honeymoon, so we’re having it now,” Jack Renwick said.

“We should meet for cocktails and then have dinner one night. I saw Clark Gable just checking out as we were arriving. He was staying in one of the villas!” Ivy Renwick said. “What about tomorrow?”

 

Ambling through the garden later, Darling said, “I can’t think when I’ve met a more perfect couple. I suppose we will have to follow through and have dinner with them tomorrow?”

They stopped by a little planting of cactus. “You say ‘perfect’ as if they were boring.”

“I’m not saying that, but they do seem almost too good to be true and are probably regretting the impulse to socialize already. I know I am,” Darling said. “Apparently the Native people in this part of the world could peel and eat these things.” He was pointing at a cactus helpfully labelled nopal. “Which reminds me, should we go and have a swim before we have to get ready to go to Galloway’s for dinner? I have a feeling the temperature starts to go down smartly when it gets dark.”

 

 

—From A Match Made for Murder

Editorial Reviews

A Match Made for Murder (#7)

Winner of the 2021 Bony Blithe Light Mystery Award

An April 2020 Loan Stars Adult Top 10

“Excellent pacing, good use of local colour, nice repartee between the protagonists, and plenty of high-stakes action make this a winner.” —Publishers Weekly

“A nice romance in a good setting with a decent puzzle plot to keep the pages flipping – that’s the recipe for this excellent light mystery . . . charming . . . with solid characters and nice puzzle plots. It’s perfect for a mental getaway.” —Globe and Mail

“Think a young Katharine Hepburn—beautiful, smart and beyond capable. Winslow is an example of the kind of woman who emerged after the war, a confident female who had worked in factories building tanks and guns, a woman who hadn’t yet been suffocated by the 1950s’-perfect housewife ideal.” —Vancouver Sun

“Lane Winslow fans will find much to enjoy in this instalment. The playfulness and love for each other between Darling and Lane is there, and for the mysteries, how Whishaw ties everything together in the end always makes for a delightful read.” —Literary Hoarders blog

"Set in the historical context of women trying to find a new role for themselves after the war, [A Match Made for Murder] explores a narrative other than that of the happy suburban homemaker. Whishaw challenges the idea of the sanctity and security of marriage and explores the outcomes of marriages made by women as avenues to adventure, or financial security, or professional power. . . Whishaw also illustrates the importance of the white characters recognizing their own privilege and the need to change their behaviour to become more inclusive. . . In this way Whishaw illustrates how the murder mystery genre can challenge societal constructions of gender norms and race relations." —Ormsby Review

"A Match Made for Murder is not just a double murder investigation; it’s a double romance. But what really makes the Lane Winslow mysteries so compelling is that Whishaw gets the tone and mood of the time and place exactly right. Her eclectic mix of remittance men, Imperial refugees and small-town Canadians—all suffering from wounds or moral crises as a result of the recent war—should provide her with plots and characters for many novels still to come." —BC BookLook

“An intriguing mix of character, plot, time, and place. Highly recommended.” —Ian Hamilton, author of the bestselling Ava Lee novels

“A treat. Richly conjured and deftly plotted—this series just keeps getting better.” —Catriona McPherson, author of the Dandy Gilver Mysteries

Praise for the Lane Winslow Mysteries

"The ‘find of the year’, Iona Whishaw’s Lane Winslow series is a real treat. Set after WWII, Lane has left England for Canada . . . settling in the small village of King’s Cove. With a quaint cast of characters and the feel of Louise Penny’s Three Pines, the independence and quick wit of Kerry Greenwood’s Phryne Fisher and the intelligence of Jacqueline Winspear’s Maisie Dobbs, this mystery series has it all!" —Murder by the Book, Texas

"Relentlessly exciting from start to finish." —Kirkus Reviews

"Whishaw deftly intertwines plot and psychology, giving readers insight not only into Lane's crime-solving strategies, but the perspectives and lives of her neighbors. The series also follows Lane's inner journey, from complicated family history to postwar trauma to the beginning of new love. Well plotted and laced with dry wit, Lane's adventures are entirely satisfying summer reading." —Shelf Awareness

"Iona Whishaw is a writer to watch." —Globe and Mail

"There’s no question you should read it—it’s excellent." —Toronto Star

“Iona Whishaw’s writing is worthy of taking its place alongside the works of Agatha Christie and Dorothy L Sayers. . . deftly crafted and briskly paced.” —Fiona Valpy, author of The Dressmaker’s Gift

"Another fantastic entry in the unique and compelling Lane Winslow series!" —Anna Lee Huber, author of the Lady Darby Mysteries

"I absolutely love the modern sensibility of these novels, of their feminism, sense of justice, their anti-racism, their progressiveness, which somehow never seems out of place in a tiny BC hamlet in 1948. . . But it’s never preachy or pedantic, and Whishaw continues to use her murder mysteries to explore the limitations on women’s lives and freedom that were contemporary to the period, and which are not yet so far away in the rear view mirror." —Kerry Clare, author of Mitzi Bytes and Waiting for a Star to Fall

"Complex, suspenseful, and deeply felt, this is a smart series for the ages." —Francine Mathews, author of the Nantucket Mysteries

"Exquisitely written, psychologically deft." —Linda Svendsen, author of Sussex Drive

"Iona Whishaw has again raised the bar . . . This is seriously good storytelling." —Don Graves, Canadian Mystery Reviews

"In the vein of Louise Penny . . . a compelling series that combines a cozy setting, spy intrigue storylines, and police procedural elements—not an easy task, but one that Whishaw pulls off." —Reviewing the Evidence

"The setting is fresh and the cast endearing." —CrimeReads

"An enthralling mystery." —Historical Novel Society

"This series . . . continues to get better and better." —Reviewing the Evidence

"A simply riveting read by a master of the genre." —Wisconsin Bookwatch

"A series that’s guaranteed to please." —Mercer Island Books, Washington

"Full of history, mystery, and a glorious BC setting . . . a wonderful series." —Sleuth of Baker Street, Ontario

"Exquisitely written, psychologically deft." —Linda Svendsen, author of Sussex Drive

"Iona Whishaw has again raised the bar . . . This is seriously good storytelling." —Don Graves, Canadian Mystery Reviews

"In the vein of Louise Penny . . . a compelling series that combines a cozy setting, spy intrigue storylines, and police procedural elements—not an easy task, but one that Whishaw pulls off." —Reviewing the Evidence

"The setting is fresh and the cast endearing." —CrimeReads

"An enthralling mystery." —Historical Novel Society

"This series . . . continues to get better and better." —Reviewing the Evidence

"A simply riveting read by a master of the genre." —Wisconsin Bookwatch

"A series that’s guaranteed to please." —Mercer Island Books, Washington

"Full of history, mystery, and a glorious BC setting . . . a wonderful series." —Sleuth of Baker Street, Ontario

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