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Fiction Psychological

A Cold Night for Alligators

by (author) Nick Crowe

Publisher
Knopf Canada
Initial publish date
Jun 2012
Category
Psychological, General, Literary
  • Hardback

    ISBN
    9780307399694
    Publish Date
    Feb 2011
    List Price
    $29.95
  • Paperback / softback

    ISBN
    9780307399700
    Publish Date
    Jun 2012
    List Price
    $17.95
  • CD-Audio

    ISBN
    9781978646346
    Publish Date
    May 2019
    List Price
    $29.99
  • CD-Audio

    ISBN
    9781522606871
    Publish Date
    May 2016
    List Price
    $14.99

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Description

A thrilling Knopf New Face of Fiction debut, A Cold Night for Alligators takes the reader on a breathtaking ride through the seedy, sensual Florida Everglades, unravelling a mystery at the heart of which lies a devastating family secret.

Twenty-six-year-old Jasper hasn't seen or heard from his older brother, Coleman, in over ten years. Not since Coleman walked through the back gate one morning, leaving behind a distraught family concerned by his increasingly outlandish behaviour. Now Jasper's life has come to an impasse — he has settled into a rather stultifying existence as a corporate drone, living with a girlfriend he doesn't quite know how to break up with. Until a freak accident and strange phone call change everything. With little more to go on than a random phone call, Jasper follows his brother's trail southward into the Florida Everglades where a family mystery from his childhood may hold the key to Coleman's disappearance. Accompanied by brawny, devout Donny and the extremely eccentric Duane, Jasper embarks on a series of misadventures involving a gorgeous swamp moll, an estranged aunt and alligator poachers as he gets deeper into his search for his brother. All roads seem to lead to Uncle Rolly Lee, a rock-and-rolling swamp rat whose rather rough exterior belies an even rougher interior. Can Jasper uncover the secrets of the past and find his brother before he gets mired in the swamp and the machinations of Rolly Lee?

Populated with unforgettable characters and a suspense-filled story at its heart, A Cold Night for Alligators is a first novel about loss, hope and the ties that bind family together.

About the author

NICK CROWE was born in Montreal and raised in Kingston, Ontario. He worked as a paperboy, dishwasher, psychiatric hospital janitor, laundry worker and guitar player before starting a career in television. He has been writing fiction since childhood but A Cold Night for Alligators is his first novel.

Nick Crowe's profile page

Excerpt: A Cold Night for Alligators (by (author) Nick Crowe)

1.


If I’d been paying any kind of attention, I might have recognized Ronnie Orsulak as he paced the subway platform that Friday afternoon, late in June. I’d seen Ronnie twice before, once in December, when I saw him mine deep into his left nostril with one skinny finger, and then again in May, when he asked me if I had change for a five. I didn’t. But in the daily blur of commuting, Ronnie’s face was just another in the grand mosaic of stress, heat and delay. So, his face didn’t mean anything to me that day in June as he walked across my line of vision while I stood talking with Phil Bothwell, a colleague from the office.

It had been another riveting day at the office. I spent most of the day aimlessly searching the internet, reading in turn about Scrotum Smasher, a punk rock band from Northern Ontario who released one classic record in 1986 then promptly disbanded, and Creutzfeldt-Jakob disease, an affliction caused by a slow-moving virus that destroys memory. I’d been having difficulty motivating myself to perform small, simple tasks, and I had been wondering if the problem was one of faulty internal wiring. When five o’clock rolled around, I was trying to get my head around the reproductive properties of protein molecules called prions. The sheer effort of it all made me think that CJD (as it’s known in short form) was probably not my problem. I went back to Scrotum Smasher, whom I had seen play in Timmins during a one-summer stint as a camp counsellor after high school. They were back together and doing a tour of Manitoba and Saskatchewan. Maybe there were more horrible ways to try and make a living than working in an office.

Phil came by at one minute to five, as he always did, a fact that had recently begun to annoy me. Phil had been living in the suburbs with his wife of two years, until he came home one night and found her in bed with a city employee who had been working on a storm drain outside the house. That the employee was a woman was small consolation to Phil, who was out on his ear within two weeks and had to move back to the city. He was compensating for his loss through compulsive organization, as if micro managing his own life could make him impervious to any potentially nasty surprises that might sneak up on him. I could see the potential in this approach—Phil spent so much time planning and making to-do lists that nothing very interesting was ever likely to happen to him again. But the problem was you couldn’t be in all places at all times, which left the door open to the random freak occurrences of this world, such as your heretofore straight wife ending up in bed making squeally with a strapping municipal worker named Terri. I didn’t want to be the one to make this point, so I did my best to play my part: public transit companion and coffee mate during working hours. It was the least I could do. Smile and nod.

“Well, there’s another day put in.” While I don’t really remember Phil saying this, I’d bet anything he did. He did every night.

A train came in on the opposite platform, and a sweaty, urgent horde flooded out and up the stairs toward the northbound train. There was a cheerful bing-bing-bing, the subway doors closed, and the train disappeared into the blackness. These inevitable interruptions were like godsends on days when I didn’t manage to make it to the subway alone.

“She called last night,” Phil said. “Says she’s not sure she’s a dyke. Well, not in those words exactly, but you know what I mean.”

“Right.”

“Wonders if it’s just something she needs to experiment with. At least that’s what she’s saying now.” He squeezed the bridge of his nose between his thumb and index finger. “I don’t know, Jasper, what do you think?”

This was the part I dreaded most. “Not sure,” I said. “Maybe it’s just something she needs to get out of her system. Like jumping out of an airplane or getting a tattoo.”

Phil kicked at a scrap of paper on the platform. “Yeah. It’s fucked,” he said. “Someone had told me when I was sixteen I’d marry a lesbian, I’d have thought it was pretty cool. Goes to show how baffling life can be when you get right down to it.”

This was beyond a response, so I shook my head slowly and soulfully and kicked at my own scrap of paper, this one imaginary. People pushed behind me, moving further up the platform. I stepped closer to the track and looked up the line for a light. A sign of reprieve. Mercy.

“I don’t know, what do you think?”

Another train roared in on the other side of the platform.

“How many trains are they going to get?” a man behind me said, exasperated.

“What do you think?” Phil repeated.

“I don’t know,” I started. “Maybe you need to blow off some steam. Go out, see a movie. Something violent. Go check out the strippers. Get drunk. Rent a porno.” He’d introduced the sixteen-year-old motif, and I was running with it. I wasn’t sure if my suggestions would help him de-stress or trigger a killing spree.

“Yeah,” Phil said, as a train rumbled overhead and people began to pour down the escalator. “I’m just thinking too much. I can’t let this screw with my head anymore. Good idea, Jasper. You want to come over? We can throw a couple of burgers on the barbecue, grab some beers. Rent a porno, if you want . . .”

“Sorry, Phil. Got plans.” It was true. Kim and I had been fighting again and I had promised to take her out to dinner. Given the way things had been travelling, it was a breakable engagement, but the alternative wasn’t that attractive. Better to sit and deal with my own problems than Phil’s.

“Shit,” he said, crestfallen. “I may as well just head to bed early. Drinking isn’t going to solve anything.”

“Don’t be so sure about that,” I said. “Booze can be a clarifying force. At least the hangovers are.” I’d suffered through enough of them to know this for a straight-up, genuine fact. In the cool distance deep in the tunnel, a light went on. Thank God for that, I thought. Salvation. A couple of mice scattered in the dark, pebbly spaces between the tracks. Run, mouse, run, I thought. Behind me, the crowd surged and pushed, whipped on by the sweltering humidity, hell-bent on getting home. I could wait.

I could wait because there was nothing to look forward to. An argument at home, perhaps, a conversation about why Pam Anderson should make a comeback, or the benefits of the new, cheaper line of makeup she had found at Kmart. Listening, feeling guilty for being judgmental, feeling annoyed for having to sit and listen. In a best-case scenario, an evening of avoidance, escape in the form of a baseball game or a book I’d read before. Then off to bed to rest up for another day of the same thing. I’d been thinking about a change, all the while knowing I didn’t have the strength to make it happen. The fear that I’d put too much time into it, time I could never get back, loomed over me. This was of course cut through with the question of what I’d rather be doing with my time. I honestly didn’t know.

I needed to make a break, switch things up, get going on a new path, fear and dread be damned. But in the meantime, I could wait to get home.

I needn’t have worried about getting home. Because at 6:15, as the train finally barrelled down the line toward the station, Ronnie Orsulak, having recognized me as the man-devil who would not change his five-dollar bill weeks earlier, walked up and pushed me off the platform and onto the tracks. I fell into the swell of approaching lights. There was a scream behind me, then a whole chorus of them, and then blackness.

A change was upon me whether I liked it or not.

Editorial Reviews

“Full of incident, ambitiously plotted, Nick Crowe’s debut novel is an engaging, entertaining read. . . . Crowe’s prose is both lively and colloquial. . . . A Cold Night For Alligators is an impressive, memorable debut.”
— Devon Code, National Post
“First-timer Nick Crowe hits the ground running with the wildly entertaining A Cold Night for Alligators. This book is a hoot, a rambling and raucous road trip––equal parts Hiaasen and Kerouac, with Lynyrd Skynyrd playing loudly in the background. Crowe is a talent, a writer on his way.”
— Brad Smith, author of Big Man Coming Down the Road

“A hugely entertaining and ultimately poignant story. . . . The characters are expertly drawn [and] it’s an absolute page-turner. . . . [Nick Crowe has an] authentic, wonderful, original voice.”
— Lori Lansens, author of The Girls and The Wife’s Tale

“An excellent debut. . . . The action of A Cold Night for Alligators ticks along nicely, the dialogue and characters are interesting, funny and believable, and the story is suspenseful. Nick Crowe is to be commended – this new writer has come out with an old-fashioned page-turner.”
— Edmonton Journal

“Impressive debut novel.”
— NOW (Toronto)

“I really do love A Cold Night for Alligators. I think [Crowe has] done something quite remarkable. . . . [His] voice truly is unique. There is some bloody funny stuff in the book, but it’s also tender and suspenseful. . . . A fine, fine book.”
— Julie Wilson, Book Madam

User Reviews

Bizarre, but steady, like a drunken bar tale

http://www.cozylittlebookjournal.com/2012/06/cold-night-for-alligators-by-nick-crowe.html
Reading Nick Crowe's debut novel, A Cold Night for Alligators, is a little like being in a bar after midnight, six beers in, sitting at a table with a stranger who has just beaten you at darts and leans in to tell you a tall tale. At first the story seems so bizarre you want to giggle or turn away, but the man is staring you down, looking you right in the eye while he tells you a story that is either crazy or bone chilling--but you're a little too drunk to figure out which--until finally he finishes and you're left wondering what the hell just happened.
The novel certainly has elements of a quirky, even crazy, tale that would make it seem like a dark comedy. The main character, Jasper, wakes up from a seven-month coma after being pushed in front of a Toronto subway train, only to embark on a road trip to the Florida everglades in search of his long lost mentally ill brother, Coleman. But Nick Crowe holds steady, not allowing the bizarre story to veer too far into the comedic, though it is dark at times. It's like Heart of Darkness but with characters named Skeeter and Rolly and way more alligators.

For more reviews, please visit my blog, CozyLittleBookJournal.

Disclaimer: I received a digital galley of this book free from the publisher from NetGalley.com. I was not obliged to write a favourable review, or even any review at all. The opinions expressed are strictly my own.