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Recommended Reading List 9780887847783_cover

Reading New Motherhood (by Heather Birrell)

Created by 49thShelf on March 10, 2012
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Heather Birrell's latest book is Mad Hope. She also works as a high school teacher and a creative writing instructor. She does all of this – barely – in Toronto, where she lives with her husband, Charles Checketts, and their two daughters. www.heatherbirrell.com
Great Expectations

Great Expectations

Twenty-Four True Stories about Childbirth
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also available: eBook
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Edited by master storyteller Dede Crane and award-winning author Lisa Moore, both of whom contribute their own stories, Great Expectations is a must-have collection for parents and parents-to-be.Uniquely honest and transformative, Great Expectations takes the reader on an emotional and physical journey like no other: Lynn Coady relates the painful …

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A truly wonderful compilation of birth stories from some of Canada’s finest writers, among them Christine Pountney, Lynn Coady, Afua Cooper, and Michael Redhill. I tore through these personal essays when I first bought the anthology – mere months after the birth of my first child – and felt a real sense of solidarity and companionship with its storytellers, despite the diversity of our experiences. Since then, I have re-read pieces in the book several times and always find something new and resonant.
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Pathologies

Pathologies

A Life in Essays
edition:Paperback
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"In simple terms, pathology is the scientific study of the way things go wrong."In these fifteen searingly honest personal essays, debut author Susan Olding takes us on an unforgettable journey into the complex heart of being human. Each essay dissects an aspect of Olding's life experience—from her vexed relationship with her father to her tricky …

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Excerpt

From “Push Me Pull You” (Pathologies):A holiday weekend, and I am walking with my daughter to the park. She is not quite five. She sniffs the air like a young filly and canters into a pile of leaves. “Hello!” she whinnies to every stranger we pass. “Happy Thanksgiving!” And even, “You look beautiful today!”I set my face in what I hope is some semblance of a smile. This smile is my shield for what I know will come next: “How adorable!” “What a sweetheart!” “How old is she?” And of course, the inevitable “You are so lucky!”When we reach the park, Maia wants me to push her on the swings. Her hair streams out behind, a black banner glinting with red highlights. “Now you get on, and I’ll push you,” she commands. She is strong enough to do it, too, though she forgets to get out of the swing’s path on its return, and I have to stick my legs out and drag my boots in the sand so I don’t slam into her. She laughs. “You stay sitting and I’ll come join you,” she says. She clambers up and positions herself face to face, astride my lap. Snuggling closer, she rests her head against my shoulder. “Swing, please. Rock me.” This is an old ritual of ours, one begun when she was still a baby. I croon her favourite lullaby. When she looks up into my eyes, her own eyes shine with the purest trust and affection. “You’re the best mum in the whole universe,” she whispers. “I love you to infinity and beyond.”I am so lucky.That night, after I’ve read stories to her, brushed her teeth, cuddled under the blankets and banished the monsters from the closet, I tuck her into bed and lean across for a goodnight kiss. But instead of the soft pressure of her lips or the butterfly’s brush of her eyelashes, I feel her small hands come up around my neck. Her thumbs are at my windpipe. She squeezes. Hard. I wonder if I am imagining this, if she’s really just trying to hug me in some new and original fashion. She’s creative and dramatic and physical and she likes to invent all kinds of games. Surely she’s just fooling around. She doesn’t really know what she is doing.But she does know; she knows exactly what she is doing. She wants to choke me. To choke me.Maia is the human embodiment of Dr. Doolittle’s Push-Me-Pull-You. Dr. Doolittle is what I privately name each of the so-called experts whom I consult in search of explanations and help. These are the labels they try on and cast aside, for none of them fits exactly or covers completely:Difficult temperamentRegulatory disorderSensory processing disorderAttention deficit hyperactivity disorderNon-verbal learning disabilityGifted, with asynchronous developmentUnresolved grief or lossOppositional defiant disorderPost-traumatic stress disorderReactive attachment disorderMany, if not most, of her more challenging behaviours can probably be traced in one way or another to her early abandonment. In public, she plays two roles. At times, she’s the poorly governed wild child. At others, she’s the beautiful, exuberant charmer, perhaps a shade too friendly with strangers, perhaps a bit too “busy”—but precocious and delightful, just the same. Meanwhile, at home, we see the complicated self beneath the masks.Living with Maia is like living in a hurricane zone. You can’t relax because you’re always scanning the sky for signs of trouble. Winds are generally high, and it’s hard work at the best of times to clean up the falling debris. And when the storm breaks, it’s all you can do to keep yourself intact in the face of its fury. Unless, of course, you find yourself within its calm, still centre. The hurricane’s eye surprises even the weariest with hope.Her first year with us was relatively easy. She was active, yes—unusually so—but just as the orphanage’s paperwork had noted, she liked to cuddle, loved to laugh, and made good eye contact. Encouraging signs, and we felt encouraged by them. Even during her second year, warnings of trouble were subtle, mutable, and easily missed. All two-year-olds throw tantrums. Most four-year-olds don’t, though, or not often. And if they do, their fury stops somewhere short of compelling them to fling chairs across the room.She spins, hangs upside down, jumps down hard onto harder surfaces, and shows other evidence of early deprivation to her proprioceptive and vestibular systems—those subtle but all-important senses that tell us where our bodies are in space and help us to maintain our balance. She suffers from subtle developmental delays; she did not establish hand dominance until she was nearly five. She struggles to sit still; she chatters and asks countless nonsense questions. Driven by impulse, she grabs and interrupts. She resists or defies almost every parental instruction, and can be so peremptory with us that we have nicknamed her “Miss Bossypants.” Yet at the same time she demands our constant attention. Until she reached the age of four, she could not bear to be in a separate room from me if we were in the same house. Our recent move across the country has thrown her back to that emotional territory, and if I happen to leave her side now without repeated warnings, she screams.And often, in the guise of seeking closeness, she aims to harm. “I’m sorry,” she will say, after landing an elbow in my stomach, after leaping headlong and unannounced into my arms, after cutting me off and tripping me up on the sidewalk. “Ouch,” I shout, as she plonks herself into my lap and the top of her head hits my jaw. “Oops,” she says. I can’t tell if that’s a smirk on her face or a smile. She doesn’t, yet does, want to hurt me.And why shouldn’t she? The person she was closest to in all the world deserted her shortly after she was born. The fact that her birth mother may have made that decision under enormous social or economic pressure, at great personal cost, and with only her baby’s interests at heart is irrelevant to Maia. Deep in her cells, she knows only this—at the age of one week, she was left, helpless and alone. Then she was institutionalized, where, despite the best intentions of the harried staff, she was neglected and unloved for ten long months. Finally, she was handed off to a pair of weird-looking, strange-smelling strangers and taken a whole world away from everything known and familiar. And all this without explanation and entirely without choice. She was powerless, and being powerless felt bad, and now that she has finally gained some small measure of security and safety in our family, she never wants to feel powerless again.Hence her constant jockeying for control. She hones her considerable charm, sharpens her wits, and strengthens her will for violence. Far below consciousness, in the primitive part of her brain, she knows her survival is at stake. And her anger—the anger that should rightfully be aimed at her birth mother or her birth-father or the nannies at the orphanage; at a sexist culture or oppressive family-planning laws or long-standing customs militating against domestic adoption in China; or, perhaps most of all, at the vast global network that permits middle-class westerners like me to whisk children like her away from their countries of origin—all that anger, the full, fierce force of it—she points directly at me. At the person who, however guilty of participating in an ethically questionable system, is also the one who feeds her, bathes her, diapers her, teaches her how to walk, teaches her how to read, sings to her, plays with her, holds her, comforts her. And loves her. Loves her. Loves her.I live with a level of uncertainty about my mothering that is unusual even among the other adoptive parents I know. I am never entirely sure where I stand.Around age two and a half, Maia went through a phase of aggression towards other children. Or, more precisely, towards babies. At her preschool, at our kinder-gym, at the park, even in our own house—whenever she saw a crawling infant, she would stomp over to him, loom above him menacingly, and then, with a glazed, cold, almost inhuman expression on her face, shove him to the ground. Snatching up the latest victim and rocking him, his mother might scold, “You need to set firmer limits. Give her some consequences!”“There, there,” others would sigh. “It’s all because you are too strict with her. She needs you to be more nurturing.”“Never mind,” counselled a third group. “All kids do that.”Or, in its nastier form, “What are you worrying about? She’s normal. You’re the one with a problem!”Any way you look at it, I’m to blame.I’ve seen those baby books in which proud parents are supposed to record developmental milestones. First tooth, first step, first word. The milestones I should have recorded, but didn’t:First kiss not flinched fromFirst time she played for more than two minutes on her ownFirst adult conversation she allowed to proceed uninterruptedFirst time she did not shriek in fury when I left the roomFirst time she could play quietly on her own beside meFirst time she co-operated immediately with a parental requestFirst time she did not explode when a parent refused a demandFirst time she truly relaxedThen again, maybe it’s better we didn’t record these. The first step and the first word are assumed to lead naturally to the next and the next and the next. A simple, reassuring linear progression. But just because Maia did not explode when I disciplined her last week is no reason to think that she won’t explode today. Just because she has accepted a kiss in the past is no reason to believe she won’t brush it off tonight.At the age of four, Maia told me, “I had a nightmare about a mean mummy with mustard teeth. And she was always mean to me. And I sang a happy song and put her in jail and then my nice mummy came back. But the mean mummy looked just like you except she had mustard teeth.”With Maia, normal parenting does not work, or does not work reliably. Although Maia understands the relationship between cause and effect, between her actions and their repercussions, she often cannot stop herself from doing what she knows she should not. Mark and I must become a species of super-parent, the “therapeutic” parent. We’re not just here to raise her, we’re here to heal her. The Drs. Doolittle agree that what children like Maia need is “high structure/high nurture” parenting; sadly, they agree less on the precise meaning of that term. Consistent consequences, or paradoxical reactions? Time-in or time-out? Love and Logic or 1, 2, 3 Magic? Boot camp with bottle-feeding, is what it sometimes feels like. What it doesn’t feel is natural. The learning curve is steep and I don’t have my climbing equipment.I know we are not perfect. No parent is. But I know our parenting is at least as good as that of the smug know-nothings who sneer as I drag Maia kicking and screaming out of the park. Because I am Caucasian and Maia is Chinese, people don’t always recognise immediately that I’m her mother. In the face of what the good doctors would call her “negative persistence” and the seeming absence of a parent, people sometimes feel free to treat her rudely. “Stop that,” they say, in tones I know they would never use with their own children. In tones they would never need to use with their own children. When they learn that I’m her mother, they can barely contain their contempt. I want to scream at them. “Do you think you could do better? Go ahead. Give it a try. Be my guest.”Copyright © Susan Olding, 2008

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Why it's on the list ...
In this clear-eyed collection of essays, Susan Olding illuminates the ways in which family shapes and shifts our perception of ourselves. Here are frank self-reckonings and gentle rants on the nature of the familial ties we choose and the ones that are foisted upon us. Everyone finds their way into motherhood differently, but Olding understands intimately that adopting a child offers unique joys and challenges not always acknowledged by the rest of the world. But one of my favourite essays here, ‘Push-Me-Pull-You’(mostly because I have already had my share of ‘mean witch with mustard teeth’ moments) is a recounting (and accounting) of parenting a difficult child -- and the ways in which these parenting challenges can test the limits of a person’s endurance and sense of capability
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Fortress of Chairs, A

Fortress of Chairs, A

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Astonishing poetry that moves between conversational simplicity and dense metaphor by the author of the story collections If Only We Could Drive Like This Forever (Penguin) and Our Lady of All the Distances (HarperCollins). Readers who know Elisabeth Harvor as an accomplished writer of fiction will experience the thrill of discovery with The Fortre …

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Elisabeth Harvor’s poems are notable for their moody sense of the physical; I love how she finds sensuality in the everyday and explores the female body in a way that is both wanton and careful. The poem ‘Madame Abundance’ is a gorgeous, unsettling, sleepy meditation on what it means to nourish a baby – and how closely this action hews to the baby’s beginnings.
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Joy Is So Exhausting

Joy Is So Exhausting

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tagged : canadian

Shortlisted for the 2010 Trillium Book Award for Poetry! Joyfully melding knowing humour and torqued-up wordplay, Holbrook's second collection is a comic fusion of the experimental and the experiential, the procedural and the lyric. Punch lines become sucker punches, line breaks slip into breakdowns, the serious plays comical and the comical turns …

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This collection was a revelation to me. It’s a book whose tongue is out waggling at the world when not firmly planted in cheek. I adore its intelligent play and the way it worships words and excavates essential truths through mischievous humour. But in the context of this list, it is the prose poem ‘Nursery’ that shines. Structured around the back-and-forthing of a feed, and addressed to the narrator’s baby, the poem is an unpretentious meditation on what it means to be so essential, so connected, so literally and figuratively drained that your story becomes inextricably twined (and twinned) with your baby’s rhythms. And it’s funny!
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The Love of a Good Woman

The Love of a Good Woman

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With an Introduction by A.S. Byatt

Winner of the Scotiabank Giller Prize, the National Book Critics’ Circle Award, the Trillium Book Award, and the O. Henry Award, and A 2004 CBC Canada Reads selection

In The Love of a Good Woman, Alice Munro looks back to the beginning of the sixties and provides nothing less than a portrait of a generation.

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One of my favourite short stories of all time is ‘My Mother’s Dream’ by Alice Munro, from her excellent 1998 story collection The Love of a Good Woman. Munro is, of course, expert at plumbing the dark depths of a woman’s sense of duty. I admired the story for its complexity and nuance before I became a mother, but I love it even more now that I understand the all-consuming nature of raising children. It’s a long, gripping, multi-layered story that explores the tensions between caring for a child and nurturing artistic ambitions. There’s a reason reviewers always remark on the compression and density of Munro’s stories -- this feels like the best of novels. If you haven’t read it yet, read it now! And if you’ve already read it, read it again! It is a mark of Munro’s particular, subtle genius that every time I re-read one of her stories I find something surprising and smart. See for yourself:
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Double Lives

Double Lives

Writing and Motherhood
edition:Paperback
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As a companion to ‘My Mother’s Dream’ (see above), I’d recommend this rich, diverse anthology. These illuminating, complex, at times difficult essays describe and dissect the ongoing frustrations and deep satisfactions that accompany the mother/writer. And, not surprisingly, they are exquisitely written. They made me feel less alone, but also shocked me and challenged my notions about what it means to mother and write in tandem.
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Open

Open

edition:Paperback
also available: Hardcover eBook
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Lisa Moore's Open makes you believe three things unequivocally: that St. John's is the centre of the universe, that these stories are about absolutely everything, that the only certainty in life comes from the accumulation of moments which refuse to be contained. Love, mistakes, loss — the fear of all of these, the joy of all of these. The interc …

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This fantastic collection of stories is so redolent with the particulars of life with family and friends -- there are real crowds here, but also hazy twilight moments of introspection. Moore’s writing is so shiny and smelly and spiky and I love that it dares to address the tensions that arise when a kid (or kids) arrive to horn in on a couple’s intimacy. Here is one of my favourite passages, from the story ‘Natural Parents’, which nimbly moves between a mother’s and a father’s perspective (70-71):

Last night, at two-thirty, Pete started to cry and Lyle threw off the blankets and just sat on the edge of the bed, his elbows resting on his knees, his hands covering his face. Anna waited for Lyle to move but he didn’t.
I wanted to be doing other things at this stage of my life, he said.
What other things?
Sleeping, for one.
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Bed Timing

Bed Timing

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tagged : child rearing

Why when is more important than how

Teaching your baby or toddler to sleep through the night can be a bewildering and frustrating experience. Should you let your child “cry it out” or follow a “no-cry” solution? Are you tired of endless hours of rocking your baby to sleep? Why won’t your baby stay asleep? And why is last month’s no-fail …

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I am, in principle, anti- sleep books. This, however, has not stopped me from ordering them via the internet at 3 am, convinced there is a secret strategy or solution to ending my little one’s maddening (and extremely inconvenient) wakefulness. This here is a pretty darn good sleep book. Written by two developmental psychologists and parents to twins, the book’s premise is that sleep training (for want of a better term) is less a matter of how than when. In clearly laid out sections and charts (perfect when time and logic are at a premium), the writers list the various sleep training methods available to parents and explain when, developmentally, it might be a good idea to start showing baby who’s boss, and when it’s a better idea to bow to baby’s whims. The writing is clear, non-judgmental, and backed up by science and experience. It’s one of the few of its kind that didn’t make me question myself as a mother.
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