Why do some of us learn to bend? Others break? How do we move from shame to being "enough"? How do we bounce back stronger after adversity and then embrace our own humanity with its flawed beauty? In her first full collection of poetry, Jane Byers explores her personal experience with resilience, beginning with her own difficult birth, which she describes as "inoculation against despair." As a young adult, the writer moves from complicity and its illusion of power to building a pliant self. Byers turns an unflinching eye to parenthood, as the mother of adopted twins, and examines the workplace through the eyes of a female safety specialist working alongside firefighters, transportation crews and heavy equipment purchasers. The author draws on the steeling effects of being queer to imbue her children and injured workers with suppleness. A late fall swim in an alpine lake; a woman in the twilight of life, risking delight. "Red thermometers of grass shed their glistening mercury" in a "fever of gratitude"; to tumble from the divine is to be alive in the pungent beauty that the so-called mundane has to offer. Steeling Effects asks whether what doesn't kill you makes you stronger and lives its way into the pliant beauty that gratitude affords.

Jane Byers has published two poetry collections, Acquired Community (Dagger Editions, 2016), a 2017 Goldie Award Winner for Poetry, Steeling Effects (Caitlin Press, 2014) and a chapbook, It Hurt, That's All I Know (Nose in Book Publishing, 2017). She has co-written two award-winning documentary films, Only In Nelson and Conceiving Family. She was the 2018 Writer-in-Residence for Simon Fraser University's Archives of Lesbian Oral Testimony (ALOT). She has had poems and essays published in anthologies and literary journals in Canada, the US and England, including Best Canadian Poetry 2014 (Tightrope Books). Her latest book is Small Courage: A Queer Memoir of Finding Love and Conceiving Family (Dagger Editions, 2020).

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“Throughout the book Byers uses just the right word, line break and space to let us follow her narrative. She is generous to those who people her poems: her grandmother as an audacious young woman; women and men struggling with dangerous work; immigration. And she is generous with herself: how that first conscious breath seems to have set her on a creative path–and opened the door to steeling effects. I’m sure I’m not the only one waiting for Byers’s second collection.”

—Barbara Herringer, The Coastal Spectator

“With graceful intelligence and deft play of language Jane Byers brings her entire life journey into view, from her own precarious birth through to witnessing the effects of injuries and indignities, to becoming a mother of adopted twins. Her poems are works of wonder at the resilience of the human spirit, at the fragility of recovery from trauma, at the steps of growing into love. This is a collection that takes breath as its starting metaphor and breathes the fire of excitement and admiration into the reader.”

—Maureen Hynes, author of Harm’s Way and Rough Skin, winner of the League of Canadian Poets’ 1995 Gerald Lampert Award

“Jane Byers’ poems are an incendiary experience of language, inflaming mind, heart, and embodiment. It’s a stunning debut collection of poetry, deeply queer, beautiful, and expansive.”

—Shannon Webb-Campbell, 2014 Critic-in-Residence, Canadian Women in the Literary Arts

“Jane Byers’ first collection of poetry is brave, blunt, breathtakingly rogue. Her language is precise and compelling, as are her poems, compelling as life, birth, fear, justice and strength. She is a fine poet, a poet who teaches us how to ‘breathe our way back.’”

—Arleen Paré, author of Paper Trail and Leaving Now