"whatever words meant/has filligreed & transmutated" writes Phil Hall; his new Brick book marks an important shift in his writing. The fascinating leaps of Hall's language in Hearthedral may be a surprise to readers familiar with his other work, but his uncompromising honesty, his willingness to face sorrow and self remain constant. What emerges is profound and beautiful, difficult and homely: a "folk-hermetic."
Phil Hall’s first small book, Eighteen Poems, was published by Cyanamid, the Canadian mining company, in Mexico City, in 1973. Among his many titles are: Old Enemy Juice (1988), The Unsaid (1992), and Hearthedral – A Folk-Hermetic (1996). In the early 80s, Phil was a member of the Vancouver Industrial Writers’ Union, & also a member of the Vancouver Men Against Rape Collective. He has taught writing at York University, Ryerson University, Seneca College, George Brown College, and is currently the Writer in Residence at Queen's University. He has been poet-in-residence at Sage Hill Writing Experience (Sask.), The Pierre Berton House (Dawson City, Yukon), & elsewhere. In 2007, BookThug published Phil’s long poem, White Porcupine. Also in 2007. he and his wife, Ann, walked the Camino de Santiago de Compostela. He is a member of the Writers’ Union of Canada, and lives near Perth, Ontario. Recent books include An Oak Hunch and The Little Seamstress. In 2011, he won Canada’s Governor General’s Award for Poetry for his most recent collection, Killdeer, a work the jury called “a masterly modulation of the elegiac through poetic time.” Killdeer was also nominated for the 2012 Griffin Poetry Prize, and won the 2012 Trillium Book Prize.