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About the Author

Mark Kingwell

 

Mark Kingwell is a professor of philosophy at the University of Toronto and a contributing editor of Harper’s Magazine. He is the author of eleven books of political and cultural theory, including most recently, Concrete Reveries: Consciousness and the City (2008) and Opening Gambits: Essays on Art and Philosophy (2008). He is the recipient of the Spitz Prize in political theory, National Magazine Awards for both essays and columns, and in 2000 was awarded an honorary DFA from the Nova Scotia College of Art & Design for contributions to theory and criticism.

Patrick Turmel is an assistant professor of philosophy at Université Laval. His main research interests are in moral and political philosophy. He has published articles in ethics and on issues pertaining to cities and justice. He is also co-editor of Penser les institutions (Presses de l’Université Laval).

 

Books by this Author
Better Living In The Pursuit Of Happiness From Plato To Prozac

Better Living In The Pursuit Of Happiness From Plato To Prozac

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Catch And Release

Catch And Release

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Catch and Release

Catch and Release

Trout Fishing and the Meaning of Life
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Classic Cocktails

Classic Cocktails

A Modern Shake
by Mark Kingwell
designed by Seth
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A literary guide to classic mixed drinks, riffing on their place in culture, art, film, and literature. Instructions included.

For over a decade Mark Kingwell has been one of Canada’s wisest and wittiest commentators on everything from political philosophy to The Simpsons. When he turns his lively mind to the gentlemanly subject of cocktails, he n …

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Excerpt

The Theory and Practice of Drink, in Five Parts

“My dear, this is a fashionable London parish, so called,” said Randolph. He carved the saddle of mutton savagely, as if he were rending his parishioners. “What hope is there for them this Lent? I suppose they can give up drinking cocktails.”
— Barbara Pym, An Unsuitable Attachment (1982)

A few years ago Conan O’Brien, the former television host and comedy producer, was asked to give a Class Day speech at Harvard University, his alma mater. He was a hit. Among other things, he described the lifelong burden of having attended the famous Ivy League finishing school in Cambridge, Mass. “You see,” O’Brien told the long rows of smiling grads, “you’re in for a lifetime of ‘and you went to Harvard?’ Accidentally give the wrong amount of change in a transaction and it’s, ‘and you went to Harvard?’ Ask the guy at the hardware store how these jumper cables work and hear, ‘and you went to Harvard?’ Forget just once that your underwear goes inside your pants and it’s ‘and you went to Harvard?’ Get your head stuck in your niece’s dollhouse because you wanted to see what it was like to be a giant and it’s ‘Uncle Conan, and you went to Harvard!?’”

Now, I ­didn’t go to Harvard myself. I went to Yale, where nobody expects anything of you except the occasional presidency. Still, I think I understand what O’Brien was telling the happy one-­percenters as they got set to venture out into the world beyond the high-­percentile security fence. I may not have gone to Harvard, but I am a philosopher.

For reasons that remain unclear, people outside the academic walls balk at the label “philosopher” in a manner not applied to “historian,” “political scientist,” or “physicist.” At the same time, curiously, everyone from defensive coordinators and garage mechanics to graphic designers and cooks speaks regularly about their “philosophy” of this or that: the nickel defence, fuel injection systems, white space, fusion spicing. As a result of this curious combination of normative escalation and commonplace lowering, mere philosophers — by which I just mean those of us whose lucky profession it is to teach the great traditions of human inquiry — are caught in a weird judgmental vertigo. We are not supposed to admit interests that fail some notional standard of intellectual seriousness; instead we are supposed to behave as if (in the great Vulcan inversion) we were dead from the neck down. Nobody knows who commands this standard, or why, but its dicta are clear.

Admit you watch kung fu movies or The Simpsons and it’s, “and you’re a philosopher?” Let slip your interest in college football or nascar and it’s, “and you’re a philosopher?” Con­fess a casual liking for suede sneakers or Cary Grant’s suits and it’s, “and you’re a philosopher?” Cocktails? A fatal lack of seriousness. This sort of judgment is distinct from those standard expressions of wonderment that a philosopher cannot change a tire, put up drywall, or find coordinates on a map. Whereas unworldliness confirms philosophical status, but only negatively, as a joke, worldliness disconfirms it as “serious.” Gotcha, and double gotcha!

Some people, obviously, have an interest in the subject of cocktails. For most of us, it is hardly an overpowering or obsessional calling. This interest is not merely theoretical, in that we like drinking drinks as well as writing about them. It is likewise not theoretical in another sense, because, despite the title of this introduction, we do not have, nor do we believe there to be, some Big Theory of cocktails. There is no philosophy of mixology.

One could of course subject cocktails to moral or sociological analysis, or both. One could, for example, place them in the same frame of “taste” and “production of consumption” as analyzed by Thorstein Veblen in his classic study The Theory of the Leisure Class (1899). The gentleman of leisure, Veblen says, “becomes a connoisseur in creditable viands of various degrees of merit, in manly beverages and trinkets, in seemly apparel and architecture, in weapons, games, dances, and narcotics. This cultivation of the aesthetic faculty requires time and application, and the demands made upon the gentleman in this direction therefore tend to change his life of leisure into a more or less arduous application to the business of learning how to live a life of ostensible leisure in a becoming way.”

This book does not take “manly beverages” seriously in that sense, and does not have much time for people who do. Such seriousness is, among other things, boring. The relevant other things include self-­defeating, and tautological: first leisure becomes work, and then all judgments are reduced to claims of status. Note also the meta-­irony first remarked by the late John Kenneth Galbraith, that only the scholarly, which is to say those who enjoy either private or state-­sponsored leisure, have time to read Veblen! We will not bother to argue here the obvious truth that all scales of value have their own fatal self-­contradictory blind spots, usually just about exactly where their holder is standing. Baseball games, no; art openings, yes. A cufflink collection, bad; a power tool collection, good. Video games, nasty; foreign films, uplifting. Every puritan is a dandy of his own convictions — and, of course, vice versa.

For what it’s worth, philosophers have long had an abiding interest in drink, if not always as served shaken and strained into a chilled glass. For anthropological and historical reasons, they tend to prefer wine. Everyone knows that Plato’s most appealing dialogue, Symposium, is a record of a drinking party where the vinous talk turned to love. Alcibiades, who comes late and drunk to the party, notes that one of Socrates’ many virtues is that he can drink anybody under the table. This famous capacity is just one reason Socrates has got under the Athenian golden boy’s skin.

Drink and other mood-­altering substances have figured in many other corners of the tradition. Thomas Aquinas enjoyed his wine and his food with such unbridled gusto that a special table had to be fashioned for him, with an arc carved out to accommodate his ample paunch. Immanuel Kant, despite his reputation for deadly seriousness and strict insistence on moral duty, was a dedicated dandy and dinner-­party bon vivant for most of his life. David Hume, who warned against the dangers of self-­medication when in the throes of skeptical vertigo, nevertheless enjoyed a healthy and bibulous social life. His broad red Scottish face got redder still, we are told, when he was deep in his cups.

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Concrete Reveries

Concrete Reveries

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In Concrete Reveries, acclaimed philosopher and cultural critic Mark Kingwell offers a thoughtful answer to Socrates' injunction about the life worth living, using the urban experience to illustrate the dynamic between concreteness and abstraction that operates within us.Witty and authoritative, the book is an exhilarating journey through unexpecte …

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Dreams of the Millennium

Dreams of the Millennium

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In this brilliantly conceived exploration of doomsaying and revelation, Mark Kingwell argues that the brink tendencies manifested by contemporary popular culture—the popularity of body piercing, for example, or the proliferation of miracles—are, in fact, inextricably linked to the impending fin de siècle.

One of Maclean's top ten non- …

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Extraordinary Canadians Glenn Gould

Extraordinary Canadians Glenn Gould

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Idler's Glossary, The

Idler's Glossary, The

by Joshua Glenn
introduction by Mark Kingwell
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Dawdler. "Layabout. Shit-heel. Loser. For as long as mankind has had to work for a living, which is to say ever since the expulsion of Adam and Eve from the Garden of Eden, people who work have disparaged those who prefer not to. This glossary, which closely examines the etymology and history of hundreds of idler-specific terms and phrases (whether …

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Living by Design

Living by Design

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Nothing for Granted

Nothing for Granted

National Post Columns 2002-2003
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An eloquent look at the first few years of the twenty-first century from acute social critic Mark Kingwell

In this collection of his columns published in the National Post from 2000 to 2003, philosopher and critic Mark Kingwell turns his attention to world issues from September 11 to soccer violence, from God to the Gulf War, and from private space …

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Opening Gambits

Opening Gambits

Essays on Art and Philosophy
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What is the role of art in modern society? Is it made to entertain us, to teach us? Both? And what of philosophy? What relevance does it have to how we think and live? In Opening Gambits, cultural critic and philosopher Mark Kingwell puts forth an argument for the similarity between art and philosophy as forms of play, working at the margins of me …

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Practical Judgments

Practical Judgments

Essays in Culture, Politics, and Interpretation
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What does it mean to be both a professor of philosophy and a public intellectual in an age when every CEO is hailed as an intellectual, every adman a visionary? When the opinions of TV pundits and 'fast thinkers' seem to carry the day? When academics bemoan the loss of critical engagement and dialogue?

The essays and book reviews collected in Practi …

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Rites of Way

Rites of Way

The Politics and Poetics of Public Space
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There are many ways to approach the subject of public space: the threats posed to it by surveillance and visual pollution; the joys it offers of stimulation and excitement, of anonymity and transformation; its importance to urban variety or democratic politics. But public space remains an evanescent and multidimensional concept that too often esca …

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The World We Want

The World We Want

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More and more, as the globe turns into a billboard for corporate propagation, the nature of citizenship is becoming skewed. For the cellphone-brandishing inhabitants of a world carved up into markets and territories determined by production and consumption, transcending the traditional boundaries of nation-states, what does it mean to be a citizen?

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Toronto

Toronto

photographs by Geoffrey James
by Mark Kingwell
edition:Hardcover
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Finally, a book worthy of the new urban Toronto -- a must have photographic portrait of the city we see but do not notice, featuring more than a hundred exquisite images from one of Canada's greatest photographers of place. For the last three years, Geoffrey James has stalked the parks and laneways of Canada's largest metropolis with his wide-angle …

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Unruly Voices

Unruly Voices

Essays on Democracy, Civility and the Human Imagination
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"Mark Kingwell is a beautiful writer, a lucid thinker and a patient teacher ... His insights are intellectual anchors in a fast-changing world." -Naomi Klein, author of No LogoMeet the "fast zombie" citizen of the current world. He is a rapid, brainless carrier of preference-driven consumption. His Facebook-style elikes' replace complex notions of …

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Wage Slave's Glossary, The

Wage Slave's Glossary, The

by Joshua Glenn
drawings by Seth
introduction by Mark Kingwell
edition:Paperback
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