History & Criticism

The oral traditions surrounding the application of sharps and flats to 16th century vocal music are documented in relation to theoretical literature, vocal sources, and intabulations of vocal music. Special reference is made to the motets of Josquin Desprez, Clemens non Papa, and Alexander Agricola.

Set in the framework of Beethoven's life, William Kinderman's detailed examination of the music traces the composer's intellectual and musical development, from the early works written in Bonn to the Ninth Symphony and the late quartets. Beethoven's innovations in form and style, his musicalsymbolism and narrative structures are illustrated in anal …

Beethoven's Thirty-Three Variations on a Waltz by Diabelli, his longest and most complex piece for piano, stands beside the Ninth Symphony, the Missa Solemnis, and the late quartets as one of the monumental achievements of his last period. In this first extended study of these variationsWilliam Kinderman investigates their compositional origins and …

Camille Saint-Saens (1835-1921): A Thematic Catalogue of His Complete Works ensures an objective knowledge of the total musical creation of this extraordinary French musician. The catalogue, classified by genre chronologically, encompasses unpublished compositions, incomplete pieces, andposthumous publications among the c. 600 works listed. An intr …

This volume contains both reprints of articles and new essays about specific aspects of the social history of Canadian music. Designed for courses in Canadian music history, it brings together a body of interdisciplinary research that students often overlook within their specific foci of the individual areas. Studies of Euro-Canadian classical mus …

This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919–2012) György Kurtág (1926?) and Sándor Veress (1907–92). Although all three composers are of Hungarian origin, their careers followed radically diffe …

Fantasy Pieces examines from several vantage points a vital life-force of Robert Schumann's music, namely metrical conflict. Harald Krebs's imaginative yet rigorous study makes use of Schumann's fascinating projections of his own personality--the characters Florestan and Eusebius--as one meansof addressing the biographical and aesthetic context of …