Check out the entire Giller Longlist here!

*****

Away from the Dead, by David Bergen

About the book: From Giller Prize-winning novelist David Bergen, an electrifying novel set in Ukraine amidst the chaos of war and revolution.

Violence is the domain of both the rich and poor. Or so it seems in early 20th-century Ukraine during the tumult of the Russian Revolution.

As anarchists, Bolsheviks, and the White Army all come and go, each claiming freedom and justice, David Bergen embeds his readers into the lives of characters connected through love, family, and loyalty. Lehn, a bookseller south of Kiev, deserts the army and writes poetry to his love back home; Sablin, an adopted Mennonite-Ukrainian stableboy, runs with the anarchists only to discover that love and the planting of crops is preferable to killing; Inna, a beautiful young peasant, tries to stop a Mennonite landowner from stealing her child. In a world of violence, Sablin, Lehn, and Inna learn to love and hate and love again, hoping, against all odds, that one can turn away from the dead.

In this beautifully crafted novel, David Bergen takes us to a place where chaos reigns, where answers come from everywhere and nowhere, and where both the beauty and horror of humanity are on full display.

*

The Clarion, by Nina Dunic

About the book: “We all lined up for our whipping by the shouting beauty and tender traumas of life. All of us so sensitive, and now this beautiful girl, with soft brown hair that was shot with gold in the sun. Another one of us starting to stumble.”

Peter plays the trumpet and works in a kitchen; Stasi tries to climb the corporate ladder and lands in therapy. These sensitive siblings struggle to find their place in the world, seeking intimacy and belonging—or trying to escape it.

A promising audition, a lost promotion, intriguing strangers and a silent lover—in rich, sensual scenes and moody brilliance, The Clarion explores rituals of connection and belonging, themes of intimacy and performance, and how far we wander to find, or lose, our sense of self.

Following the literary realist traditions of Mavis Gallant and Alice Munro, Dunic’s debut novel captures the vague if hopeful melancholy of any generation that believes it was never “called” to something great.

*

We Meant Well, by Erum Shazia Hasan

About the book: A propulsive debut that grapples with timely questions about what it means to be charitable, who deserves what, and who gets the power to decide

It’s the middle of the night in Los Angeles when Maya, a married mother of one, receives the phone call. Her colleague Marc has been accused of assaulting a local girl in Likanni, where they operate a charitable orphanage. Can she get on the next flight?

When Maya arrives, protesters surround the compound. The accuser is Lele, her former protégé and the chief’s daughter. There are no witnesses, no proof of any crime.

What happened that night? And what will happen to the orphanage if this becomes a scandal? Caught between Marc and Lele, the charity and the villagers, her marriage and new temptations, and between worlds, Maya lives the secret contradictions of the aid worker: there to serve the most deprived, but ultimately there to govern.

As Maya feels the pleasures, freedoms, and humanity of life in Likanni, she recognizes that her American life is inextricably woven into this violent reality — and that dishonesty in one place affects the realities in another.

*

Wait Softly Brother, by Kathryn Kuitenbrouwer

About the book: From lost siblings to the horrors of war to tales of selkie wives, Wait Softly Brother is filled with questions about memory, reality and the truths hidden in family lore.

After twenty years of looping frustrations Kathryn walks out of her marriage and washes up in her childhood home determined to write her way to a new life. There she is put to work by her aging parents sorting generations of memories and mementos as biblical rains fall steadily and the house is slowly cut off from the rest of the world. Lured away from the story she is determined to write—that of her stillborn brother, Wulf—by her mother’s gift of crumbling letters, Kathryn instead begins to piece together the strange tale of an earlier ancestor, Russell Boyt, who fought as a substitute soldier in the American Civil War. As the water rises, and more truths come to the surface, the two stories begin to mingle in unexpected and beautiful ways. In this elegantly written novel Kuitenbrouwer deftly unravels the stories we are told to believe by society and shows the reader how to weave new tales of hope and possibility.

*

The Rooftop Garden, by Menaka Raman-Wilms

About the book: The Rooftop Garden is a novel about Nabila, a researcher who studies seaweed in warming oceans, and her childhood friend Matthew. Now both in their twenties, Matthew has disappeared from his Toronto home, and Nabila travels to Berlin to find him and try to bring him back.

The story is interspersed with scenes from their childhood, when Nabila, obsessed with how the climate crisis will cause oceans to rise, created an elaborate imaginary world where much of the land has flooded. She and Matthew would play their game on her rooftop garden, the only oasis in an abandoned city being claimed by water.

Their childhood experiences reveal how their lives are on different trajectories, even at an early stage: Nabila comes from an educated, middle-class family, while Matthew had been abandoned by his father and was often left to deal with things on his own.

As an adult, Matthew’s dissatisfaction with life leads him to join a group of young men who are angry at society. He eventually finds himself on a violent suicide mission, but Nabila isn’t aware of the extent of his radicalization until they finally meet on a street in Berlin.

*

We Have Never Lived On Earth, by Kasia Van Schaik

About the book: Kasia Van Schaik’s debut story collection follows the journey of Charlotte Ferrier, a child of divorce raised by a single mother in a small town in British Columbia after moving from South Africa. Mother and daughter wait out the end of a bad year in a Mexican hotel; a friendship is tested as forest fires demolish Charlotte’s town; a childhood friend disappears while travelling through Europe; and a girl on the beach examines the memories of dying jellyfish. The stories traverse the most intimate and transforming moments of female experience in a world threatened by ecological crisis.