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Philosophy Ancient & Classical

Romancing Treason

The Literature of the Wars of Roses

by (author) Megan Leitch

Publisher
Oxford University Press
Initial publish date
Feb 2015
Category
Ancient & Classical
  • Hardback

    ISBN
    9780198724599
    Publish Date
    Feb 2015
    List Price
    $159.95

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Description

Romancing Treason addresses the scope and significance of the secular literary culture of the Wars of the Roses, and especially of the Middle English romances that were distinctively written in prose during this period. Megan Leitch argues that the pervasive textual presence of treason during the decades c.1437-c.1497 suggests a way of conceptualising the understudied space between the Lancastrian literary culture of the early fifteenth century and the Tudor literary cultures of the early and mid-sixteenth century.

Drawing upon theories of political discourse and interpellation, and of the power of language to shape social identities, this book explores the ways in which, in this textual culture, treason is both a source of anxieties about community and identity, and a way of responding to those concerns. Despite the context of decades of civil war, treason is an understudied theme even with regards to Thomas Malory's celebrated prose romance, the Morte Darthur. Leitch accordingly provides a double contribution to Malory criticism by addressing the Morte Darthur's engagement with treason, and by reading the Morte in the hitherto neglected context of the prose romances and other secular literature written by Malory's English contemporaries.

This book also offers new insights into the nature and possibilities of the medieval romance genre and sheds light on understudied texts such as the prose Siege of Thebes and Siege of Troy, and the romances William Caxton translated from French. More broadly, this book contributes to reconsiderations of the relationship between medieval and early modern culture by focusing on a comparatively neglected sixty-year interval - the interval that is customarily the dividing line, the "no man's land" between well - but separately - studied periods in English literary studies.

About the author

Contributor Notes

Megan G. Leitch is Lecturer in English Literature at Cardiff University. Her research focuses on Middle English romance, Arthurian and Ricardian literature, and the fifteenth century. Her work on these topics has recently appeared in Medium Aevum, The Chaucer Review, and Arthurian Literature, and in several collections of essays.