The postmodern novel was a surprisingly and often poorly understood phenomenon of the 1980s and 1990s, in which many artists explored issues of how art represents the world. These works are characterized by a certain self-reflexivity, a determination to foreground the process of artistic creation, and the previously often backgrounded role played by the artist. Linda Hutcheon's groundbreaking exploration of postmodernism in Canadian fiction, first published in 1988, provides a clear and fascinating explanation of this tendency towards self-consciousness and self-parody in many of the novels of this period. Her original choice of a cover design by artist Nigel Scott is a clue to the self-reflexive nature of postmodern art, and is reproduced again in this new edition of Hutcheon's excellent study.
The Canadian Postmodern examines the theory and practice of postmodernism as seen through both contemporary cultural theory and the writings of Audrey Thomas, Michael Ondaatje, Robert Kroetsch, Margaret Atwood, Timothy Findley, Jack Hodgins, Aritha Van Herk, Leonard Cohen, Susan Swan, Clark Blaise, George Bowering, and others.
A new preface by Aritha van Herk looks back on Hutcheon's key contributions to the field of postmodern fiction in Canada - and how this phenomenon looks some twenty years later.
About the author
Linda Hutcheon holds the rank of University Professor of English and Comparative Literature at the University of Toronto. A specialist in postmodernist culture and in critical theory, on which she has published nine books, she has also worked collaboratively in large projects involving hundreds of scholars.
"Hutcheon has produced an impressive criticism which withstands the toll of time."
--The Prairie Journal
Other titles by Linda Hutcheon
Comparative Literature for the New Century
Greening the Maple
Canadian Ecocriticism in Context
Trends in Canadian Art, 1970-1990
The Postwar Novel in Canada
Narrative Patterns and Reader Response
Rethinking Literary History
A Dialogue on Theory
George Woodcock's Introduction to Canadian Fiction
Essays on Verbal and Visual Ironies in Canadian Contemporary Art and Literature
Leonard Cohen and His Works
The Metafictional Paradox