Part detective novel, part psychological thriller, Surfacing is the story of a young woman who returns to northern Quebec, to the remote island of her childhood, with her lover and two friends, to investigate the mysterious disappearance of her father. Flooded with memories, she begins to realize that going home means entering not only another place, but another time. As the wild island exerts its elemental hold and she is submerged in the language of the wilderness, she discovers that what she is really searching for is her own past. Permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose, Surfacing has grown in reputation as a novel unique in modern literature for its mythic exploration of one woman’s spiritual pilgrimage.
Margaret Atwood is the author of more than forty volumes of poetry, children’s literature, fiction, and non-fiction, but is best known for her novels, which include The Edible Woman (1969), The Handmaid’s Tale (1985), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. A book of short stories called Stone Mattress: Nine Tales was published in 2014. Her novel, MaddAddam (2013), is the final volume in a three-book series that began with the Man-Booker prize-nominated Oryx and Crake (2003) and continued with The Year of the Flood (2009). The Tent (mini-fictions) and Moral Disorder (short fiction) both appeared in 2006. A volume of poetry, The Door, was published in 2007. In Other Worlds: SF and the Human Imagination, a collection of non-fiction essays appeared in 2011. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth was adapted for the screen in 2012. Ms. Atwood’s work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian.
Margaret Atwood lives in Toronto with writer Graeme Gibson.
“One of the most important novels of the twentieth century…utterly remarkable.” New York Times Book Review
“Atwood probes emotions with X-ray precision. All in all, it’s an exhilarating performance.” Globe and Mail
“A brilliant tour-de-force.” Winnipeg Free Press
“Atwood’s powers of observation are disconcertingly acute, combining an ear for the vernacular with an eye for the jugular.” Time
“Quite simply superb.” Maclean’s