A Like Vision
The Group of Seven and Tom Thomson
- Publisher
- Goose Lane Editions
- Initial publish date
- Nov 2020
- Category
- Canadian, Landscapes, Modern (late 19th Century to 1945)
-
Hardback
- ISBN
- 9781773102054
- Publish Date
- Nov 2020
- List Price
- $65.00
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Description
Winner, Canadian Museums Association’s Outstanding Achievement in Research Award and IPPY Awards Silver Medal (Fine Art)
A Toronto Star Holiday Gift Guide Selection
A Like Vision is a lavish celebration of the legacy of Tom Thomson and the Group of Seven, Canada’s canonical landscape painters. The Group’s depiction of the rugged beauty of the Canadian landscape — from the coastal mountains of British Columbia to the north shore of Lake Superior, the villages of rural Quebec, and the rocky, windswept coves of Newfoundland — charged Canadians to experience their country in a bold new light and changed the face of Canadian art forever. Through their vigorous and expressive painterly style and vibrant colours, the Group of Seven significantly contributed to Canada’s sense of autonomy and identity as a modern state in the aftermath of the First World War.
Featuring three hundred full-colour images, A Like Vision includes a lead essay by Ian A.C. Dejardin, Executive Director of the McMichael Canadian Art Collection, and contributions by a host of artists, curators, and writers. Among them are Indigenous art historian and curator Gerald McMaster, filmmaker Jennifer Baichwal, novelists David Macfarlane and Jane Urquhart, painters John Hartman and Robert Houle, and Inuk writer Tarralik Duffy.
One hundred years on from the Group’s first exhibition in 1920, A Like Vision is both a chance to review the Group’s legacy and a tribute to these giants of Canadian art and culture.
About the authors
Ian A.C. Dejardin is an art historian and executive director of the McMichael Canadian Art Collection.
Ian A.C. Dejardin's profile page
Sarah Milroy is a Toronto writer and art critic. She served as editor and publisher of Canadian Art magazine (1991-96) and as art critic of the Globe and Mail (2001-10). Milroy has contributed to publications on the work of Gathie Falk, Jack Chambers, Greg Curnoe and Fred Herzog, and is a regular contributor to Canadian Art, Border Crossings and The Walrus.
Awards
- Winner, IPPY Awards Silver Medal — Fine Art Category
- Winner, Canadian Museums Association’s Outstanding Achievement in Research Award
Editorial Reviews
“A gorgeous book featuring the art of the Group of Seven, yes, but also an examination of how their painting fits into a longer history of this land that includes — and excludes — Indigenous peoples. Beautiful and thought-provoking.”
<i>Toronto Star</i>'s “Book Gift Guide”
"This beautifully produced book with full colour reproductions ... looks at the paintings through the eyes of immigrants or Indigenous people. As Milroy writes in her introduction, ‘These are either the least political paintings ever made (just trees, please, we’re Canadian) or the most — in what they leave out.’"
<i>Toronto Star</i>
"Exceptionally informative as a collective enterprise expertly showcasing the life and art of Tom Thomson."
<i>Midwest Book Review</i>
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