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list price: $80.00
edition:Hardcover
category: Art
published: May 2017
ISBN:9781897141823
publisher: Pedlar Press

Gerald Squires

by (artist) Gerald Squires, text by Michael Crummey & Stan Dragland

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canadian, essays
5 of 5
1 rating
rated!
rated!
list price: $80.00
edition:Hardcover
category: Art
published: May 2017
ISBN:9781897141823
publisher: Pedlar Press
Description

Gerald Squires, an art-career retrospective of the Newfoundland artist Gerald Squires, who died in October 2015, examines lesser-known aspects of this beloved artist's creative journey. The book is set to be released in May 2017 during the opening of a Squires retrospective at The Rooms Provincial Art Gallery in St John's. Featuring full colour reproductions of some of Squires' most renowned works as well as lesser-known illustrations of exemplary works, plus a complete chronology of his career, including a selected list of solo and group exhibitions, the book is augmented with a long essay by acclaimed Canadian literary critic Stan Dragland, and an appreciation by writer and poet Michael Crummey.

About the Authors
Gerald Squires was born in Change Islands, Newfoundland, in 1937. He obtained much of his early training in art in Toronto, where his mother, a Salvation Army officer, was stationed when Squires was twelve. In 1969 he returned to live in Newfoundland with his wife Gail and daughters Meranda and Esther, settling in 1971 at the Ferryland lighthouse residence and then moving to Holyrood in 1983. Squires received the Newfoundland and Labrador Arts Council’s Ted Drover Award for Achievement in the Visual Arts in 1984 and an Honorary Doctorate from Memorial University in 1992. In 1999 he was elected to the Royal Canadian Academy of Art and was also appointed Member of the Order of Canada. He received the Golden Jubilee Award from Her Majesty Queen Elizabeth in 2003, and in 2008 he was inducted into the Newfoundland and Labrador Arts Council’s Arts Hall of Honour. Major exhibitions have traveled across Canada, and his works have been included in more than 300 group exhibitions in Newfoundland, Canada, the United States, Great Britain, France and India. Squires received the Newfoundland and Labrador Arts Council’s Ted Drover Award for Achievement in the Visual Arts in 1984 and an Honorary Doctorate from Memorial University in 1992. In 1999 he was elected to the Royal Canadian Academy of Art and was also appointed Member of the Order of Canada. He received the Golden Jubilee Award from Her Majesty Queen Elizabeth in 2003, and in 2008 he was inducted into the Newfoundland and Labrador Arts Council’s Arts Hall of Honour. Major exhibitions have traveled across Canada, and his works have been included in more than 300 group exhibitions in Newfoundland, Canada, the United States, Great Britain, France and India.
Author profile page >

Gerald Squires was born in Change Islands, Newfoundland, in 1937. He obtained much of his early training in art in Toronto, where his mother, a Salvation Army officer, was stationed when Squires was twelve. In 1969 he returned to live in Newfoundland with his wife Gail and daughters Meranda and Esther, settling in 1971 at the Ferryland lighthouse residence and then moving to Holyrood in 1983. Squires received the Newfoundland and Labrador Arts Council’s Ted Drover Award for Achievement in the Visual Arts in 1984 and an Honorary Doctorate from Memorial University in 1992. In 1999 he was elected to the Royal Canadian Academy of Art and was also appointed Member of the Order of Canada. He received the Golden Jubilee Award from Her Majesty Queen Elizabeth in 2003, and in 2008 he was inducted into the Newfoundland and Labrador Arts Council’s Arts Hall of Honour. Major exhibitions have traveled across Canada, and his works have been included in more than 300 group exhibitions in Newfoundland, Canada, the United States, Great Britain, France and India. Squires received the Newfoundland and Labrador Arts Council’s Ted Drover Award for Achievement in the Visual Arts in 1984 and an Honorary Doctorate from Memorial University in 1992. In 1999 he was elected to the Royal Canadian Academy of Art and was also appointed Member of the Order of Canada. He received the Golden Jubilee Award from Her Majesty Queen Elizabeth in 2003, and in 2008 he was inducted into the Newfoundland and Labrador Arts Council’s Arts Hall of Honour. Major exhibitions have traveled across Canada, and his works have been included in more than 300 group exhibitions in Newfoundland, Canada, the United States, Great Britain, France and India.
Author profile page >

Stan Dragland is originally from Alberta and now lives in St. John's, Newfoundland. He is Professor Emeritus, Department of English, Western University. He has taught creative writing at the Banff Centre and at Los Parronales, Chile. He was founder of Brick magazine and Brick Books, a poetry publishing house. Between 1994 and 1997, he was poetry editor for McClelland & Stewart. Peckertracks (1979) was shortlisted for the Books in Canada First Novel Award; Floating Voice: Duncan Campbell Scott and the Literature of Treaty 9 (1994) won the Gabrielle Roy Prize for Canadian literary criticism: 12 Bars (2002) was co-winner of the bp Nichol Chapbook Award; Apocrypha: Further Journeys (2003) won the Newfoundland and Labrador Rogers Cable Award for nonfiction; Stormy Weather: Foursomes (2005) was shortlisted for the E.J. Pratt Poetry Award. Strangers & Others: Newfoundland Essays (2015) was shortlisted for the BMO Winterset Award). SD has also published Journeys Through Bookland and other Passages (1984) and The Bees of the Invisible: Essays in Contemporary English Canadian Writing (1991). 2008 saw the publication of The Drowned Lands, a novel. Deep Too, a prose oddity, appeared in 2013. The Bricoleur and His Sentences was published in 2014, Strangers & Others 2: The Great Eastern in 2016, and Gerald Squires in 2017.
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Awards
  • Short-listed, APMA Best Atlantic Published Book Award
  • Short-listed, NL Heritage and History Book Award
Editorial Review

Crummey's concluding pieces hit a perfect note. Crummey met Squires's at divergent times and places: a dinner party on Bond Street decades ago; the Bliss Murphy Cancer Clinic at the Health Sciences Centre a few months before Squires' death. To me, Crummey responds to Squires as we all did: he thought Squires was handsome; he just liked him; he knew it was always good to find yourself in Gerry and Gail's company. It could be simply the position of a fan, but once Squires' saw you were truly attentive, he engaged you at a level beyond that. And Crummey also writes of seeing Squires' painting installed at the St. John's International Airport, hung behind the luggage carts. This is how we all see him now, through the work he has left us, a portal into what he perceived. --Joan Sullivan, The Telegram

Reader Reviews

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GERALD SQUIRES (Pedlar 2017)

The rationale for publishing the book:

During a lull one day at the 2014 St John’s Christmas Craft Fair, my friend and master Newfoundland artist Gerry Squires casually asked me if Pedlar would take on an art book project to coincide with a retrospective exhibition of his works being planned for 2017 at The Rooms Provincial Art Gallery. After very little time to consider his proposal, I gave him my promise that the press would make him a beautiful art book, one that would surpass all other books about him to date. Gerry, who had spent a lifetime giving so much to Newfoundland and Labrador artists and culture, without doubt had earned a beautiful and dignified homage.

In October 2015 we lost Gerry Squires to cancer, but the exhibition and book planning continued, thanks to the utter devotion of his wife Gail Squires, his daughters Esther and Meranda, and others who love him. On May 12th, 2017 the retrospective opened at The Rooms, and the book, called simply Gerald Squires, with a long essay by writer Stan Dragland and a short appreciation by poet and novelist Michael Crummey, was launched. Everyone involved, from writer to designer to images processor to editor to publisher, knew Gerry intimately. The book is a magnificent tribute to this very important NL artist, and is beautiful, just as I promised Gerry it would be.

Editorial development:

I asked Gerry who he would like to write the book’s accompanying essay, and without hesitation he replied, Stan Dragland. I suggested to Gerry that Michael Crummey should provide a short text as well, to focus Newfoundlanders who love most especially to see their own included in important books. (While Stan Dragland is well respected in Newfoundland and Labrador (NL), he is Come From Away.) Gerry and I agreed that Beth Oberholtzer would design the book, and Ray Fennelly would perform all image processing tasks. Both Ray and Beth worked on the beautiful Breakwater title Where Genesis Begins, a collaboration between Tom Dawe, NL senior poet, and Gerry: we knew their credentials to be impeccable. Same for Stan and Michael. A stellar team.

Stan Dragland is Professor Emeritus from the English Department at Western University, London ON. He moved to St John’s in 1999, captivated by the cultural renaissance taking place here. This renaissance continues. For over eighteen years Stan has been focusing his writerly energies and attention on NL artists, creating some very important essays in which he examines this burgeoning culture in the greater NL context of 500 years of isolation, degradation, and misapprehension. The value of his celebration of the NL psychic resistance to this years-long misapprehension cannot be overstated.

I’d like to say here that as I run Pedlar Press single-handedly I am always intimately involved in the development of every book at every stage. I had a very strong vision for this book. Gail Squires opened her home and its archives to Stan, saying as she did, Feel free to peruse any journal, any file, to read anything. This allowed Stan eventually to find the essential question for the essay: what internal darkness pushed the artist Gerald Squires to produce as he did?

Stan and I worked together to develop the text and to choose images that would best support his developing essay. When he had finished his first polished draft, Gail and Esther Squires, Michael Crummey, Don McKay, and Caroline Stone (curator for The Rooms show), vetted the text.

The importance of this book cannot be overstated. Gerry Squires played a pivotal role in arts development in Newfoundland and Labrador, from the 1960s forward. All younger NL artists have been touched by his courage, his methods, his excellence, his devotion to NL culture. As Michael Crummey says in his text, Gerry changed the way Newfoundlanders see their landscape.

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