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About the Author

Richard Wagamese

Richard Wagamese is Ojibway and a member of the Sturgeon Clan. Separated from his people by foster care and adoption he effectively disappeared for twenty years. When he reconnected with his people, elders told him that his role was to be a storyteller. What resulted was an award-winning career of thirty-two years as a journalist in radio, television and newspapers and then beginning in 1994, as a published and award-winning author. He has published eight titles in non-fiction and fiction. He lives with his wife, Debra Powell, in the mountains outside of Kamloops.

Books by this Author
A Quality Of Light

A Quality Of Light

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My life as a Kane was lit in the Indigos, Aquamarines and Magentas of a home built on quiet faith and prayer.  But Johnny changed all that.  Where I had stood transfixed by the gloss on the surface of living, he called me forward from the pages of the books, away from the blinders that faith can surreptitiously place upon your eyes and out into a w …

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Dream Wheels

Dream Wheels

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From the acclaimed author of Keeper’n Me and For Joshua, Dream Wheels is a vital and unsparing novel from one of the most fascinating voices in Canadian writing.

Joe Willie Wolfchild is on the verge of becoming a World Champion rodeo cowboy when a legendary bull cripples him. At the same time, in the same city, Claire Hartley is brutally assaulted …

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The Old Ones say that fate has a smell, a feel, a presence, a tactile heft in the air. Animals know it. It’s what brings hunter and prey together. They recognize the ancient call and there’s a quickening in the blood that drives the senses into edginess, readiness: the wild spawned in the scent. It’s why a wolf pack will halt their dash across a white tumble of snow to look at a man. Stand there in the sudden timeless quiet and gaze at him, solemn amber eyes dilating, the threat leaned forward before whirling as one dark body to disappear into the trees. They do that to return him to the wild, to make all things even once again: to restore proper knowledge. The Old Ones say animals bless a man with those moments by returning him to the senses he surrendered when he claimed language, knowledge and invention as power.

The great bull sensed it and it shivered. The loose skin draped across its bulk belied the tough muscle and sinew that gave locomotive strength to its movement in the chute. The smell was in the air. The ancient smell. It gave a new and different air to the harsh light and dust of the arena. This was old, this scent, causing something to stir in its Indian and Spanish blood that it had never encountered before. Not death, not threat, not challenge because the bull had faced those many times. No, this was more than that. This was more a bidding than an urge, a call forward, an invitation to spectacle, a beckoning to an edge the bull had never approached before. The bull shifted its eighteen hundred pounds and there wasn’t much room to spare on either side of its ribs. It didn’t like the feel of the wood, the closeness, the thin prick of rough-sawn board along its sides. The rage of others was dribbled into the board against its nose, and the bull shivered again and stamped its heavy cloven feet into the dirt of the arena floor. The noise of the crowd beyond the chutes rose and fell awkwardly against the babble of the cowboys tugging and rubbing and plying leather in preparation amidst the jingle of metal, the snap and rub and crinkle of hard rope and the clomp of booted feet and the whinny and nicker of horses unsettled by the turn of the air, the high, sharp slice of the ancient order that called to them now too. A moment was coming, a confrontation. The bull bellowed once and banged the sides of the chute.

Man feet scraped on the boards at its side, the side facing away from the open ocean of the infield: the man side. Out there, in the packed brown dirt rectangle pressed together by high wooden fencing, was his world, the one the bull controlled, the one they entered with the smell of fear high in the air. The men talked, their voices strained, tight in their throats, and the bull felt the abrasive itch of rope start around its shoulders. Just as the dull clank of cowbell rang beside him the bull caught the flare of action between the boards of the chute as another bull and rider exploded into the arena. The noise of the crowd swelled incredibly and there came the bashing and buckling sounds of leather, rope, bell, skin and bone crashing against each other amplified by roiling clouds of dirt that held it, gave it the shape and tone and snap of electrified energy. It didn’t last long. A long, drawn-out sigh accompanied the rider suddenly slammed into the dirt, the sound rising again as bright-costumed men raced about attracting the bull’s anger, diverting it away from the rider who scrambled to his feet, eyes ablaze with a strange mix of indignation and fear, and leaped for the security of the fencing. The great bull bellowed to its cousin in the infield and shook the sides of the chute in celebration of another display of power. The men around it spoke bravely to each other but the bull felt the anxiety creeping just beneath their words. It enjoyed that and it bellowed again.

The movement around the chute increased. Men in front of it were pulling rope against the gate that would soon fling open and send the bull careening into the light and heat and dirt of the battle. The men over top of its back moved silently, deliberately now, and the bull stamped and rolled back and forth, side to side, front to back in the chute forcing them to agitation, their words harsher to each other. The rope about its shoulders was secured and the clank belt set in place. The heavy clink and rattle of the bell angered the bull. It dangled beneath it heavy as another testicle but irksome, foreign, and as its weight settled the bull smelled the ancient smell again and rolled its eyes in their sockets to look upward at the men, rolling its head while it did so and giving the topmost boards a solid thwack and shiver.

It watched the young man climb the fence. Saw the set of his face, determined, calm and strong beneath the fear and felt the firm slap of his gloved hand on its neck as he leaned over, feet straddled on each side of the chute. The man bore the smell too. The bull shifted in the chute, made a small bit of room to accommodate the legs of this man who smelled so richly of that ancient call. It felt the dull rounded rowel of spur against its flank as the man slid into place and it shivered, the loose skin unsettling the man, feeling him grip with his thighs searching for hold, finding it and relaxing again. The bull snorted and half rose on its hind feet, twisting its head side to side and trumpeting the acceptance of this challenge and hearing the buzz of the crowd rise in time with its huge head over the top of the chute. The men spoke quicker, shorter words snapped at each other, and the bull felt the waxed rope being pulled tighter and tighter about its girth.

From the Hardcover edition.

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For Joshua

For Joshua

An Ojibway Father Teaches His Son
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Celebrated Ojibway author Richard Wagamese shares the traditions and teachings of his people, entwining them with an account of his own life-long struggle for self-knowledge and self-respect.

Richard Wagamese stares the modern world in the eye and takes careful note of its snares and perils. He sees people coveting without knowing why, people lookin …

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I was created to be Anishanabe-niini -- Indian Man. Thus, I was born Ojibway. I emerged onto Mother Earth as a human being gifted with this identity -- male Ojibway human being. Since 1955, learning to be who I was created to be has been my journey, my trial, my ongoing process of creation.

This thing we call Native, Indian, First Nations, Aboriginal, Indigenous, or Original Peoples cannot be found in any one place. It is a cosmology, a belief, a way of being, unconstrained by geography, politics or even time itself. It is too immense to be contained in one simple definition. Only with the utmost simplification can one say, “This is what it means to be Indian.”

The lives of Native people in Canada are ones of endless toil, frustration and heartache. This they have borne with great good humour, grace, and dignity. To say that I am one of them is my greatest pride.

But I am only one -- and this is but the story of one Native life, as experienced against the flux and flow of Canada over forty-six years. If it teaches, that is grace. If it evokes empathy, that is blessing. Should it enable one person, Native or not, to step forward towards who they were created to be, that would be reward enough for one Native life.

R.W.

for Joshua

Once there was a lonely little boy. He had no idea where he belonged in the world. The boy had no knowledge about where his family was or where he’d come from. So he began to dream. He imagined a glorious life with a mother and father, sisters and brothers, grandfathers and grandmothers. He put his dreams down on paper and filled the pages with drawings, stories, poems, and songs of the people he missed so much but could not remember. But he always awoke, the stories and poems always ended, and the songs faded off into the night.

As he grew, the boy carried this emptiness around inside him. Everywhere he went, it was his constant companion. Many people took turns caring for the boy, and many people tried to fill that hole, but no one ever could. Through all the homes he drifted the boy began to realize that all that ever really changed about him were his clothes.

One day, the people around him said that he was old enough to go and find there. It was a magical place, this place called there, because everyone got to choose where there would be for them.

But finding there was difficult. The boy took many roads, many turns, many long lonely journeys trying to find it. He grew older. He lived in many places and with many different people. But inside himself he was still a lonely little boy who could only ever dream dreams, create stories and poems and songs about the kingdom of there.

Then one day he met a kind, gentle old man on one of the twisted, narrow roads he was travelling. This old man had been everywhere and seen many things. He was wise and liked the young man very much. As they sat together by the side of that long, narrow road, the old
man began to tell him stories about all of his travels, and especially about how good it felt to return from those journeys.

“What is return?” the young man asked.

“Why, it’s to get back to where you started, where you belong,” the old man said.

“What does it mean to belong?”

The old man smiled kindly and said, “To belong is to feel right. It’s a place where everything fits.”

“How do you get there?” the young man asked.

“Well, getting anywhere means you have to make a journey. But on this journey, to find where you belong, you really only have to travel one direction,” the old man said.

“What direction is that?”

“The toughest direction of all,” the old man said. “You have to travel inside yourself, not down long, narrow roads like this one.”

“Does it hurt?” the young man asked.

“Sometimes. But anyone who makes that journey finds out that no matter how hard the journey is, getting there is the biggest comfort of all.”

The young man thought about the old man’s words. They were mysterious and strange. In fact, they weren’t answers to his questions at all, just more and more questions lined up one behind the other as far as he allowed his mind to wander. But there was something in the gentle way the old man had of talking that made him feel safe -- a trust that everything he said was true. Even if he couldn’t understand it all.

“Can I get there from here?” he asked finally.

The old man smiled at him and patted him on the shoulder. “Here is the only place you can start from.”

I was that lonely little boy, Joshua, and I was the lonely young man who tried so hard to belong. Like him, I have travelled a lot of hard roads searching for the one thing that would allow me to feel safe, secure, and welcome. Some of them led to prison, poverty, drunkenness, drugs, depression, isolation, and thoughts of suicide. But many were glorious roads to travel -- the ones that led to sobriety, friendship, music, writing, and the empowering traditional ways of the Ojibway people to whom you and I belong.

There were many teachers on those roads. Always there was someone somewhere who offered things meant to teach me how to see the world and my place in it. But like most of us, I only ever trusted my mind-- and my mind always needed proof. The sad thing is that when you spend all your time in a search for proof, you miss the magic of the journey, and I was on those roads a long, long time before I learned the most important lesson of all: that the journey is the teaching, and the proof of the truthfulness of all things comes secretly, mysteriously, when you find yourself smiling when you used to cry, and staying staunchly in place when you used to run away.

I spent many years afraid of the questions. I was afraid of the questions because I was afraid of the answers, and that fear kept me on narrow, twisted roads deep into my life. My greatest fear was that after the search, after the most arduous of journeys, I would discover, at the end, a me I didn’t like, the me that I was always convinced I was: an unlovable, inadequate, weak, unworthy human being. And at that point of discovery I would be alone. Alone with myself. Alone with my fears. Alone with the one person I had spent so much time and energy trying to run away from.

From the Hardcover edition.

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Him Standing

Him Standing

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When Lucas Smoke learns the Ojibway art of carving from his grandfather, he proves to be a natural. He can literally make people come to life in wood. Then Lucas's growing reputation attracts a mysterious stranger, who offers him a large advance to carve a spirit mask.

This mask is to represent the master, but Lucas must find its face in his dreams …

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Indian Horse

Indian Horse

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"An unforgettable work of art." -- National Post

"Richard Wagamese's writing is exceptional not only for its sensitivity but for a warmth that extends beyond the page. With a finely calibrated hand, he explores heritage, identity, nature, salvation, and gratitude in works that quietly celebrate storytelling's vitality and power to transcend." -- Geo …

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Keeper'n Me

Keeper'n Me

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When Garnet Raven was three years old, he was taken from his home on an Ojibway Indian reserve and placed in a series of foster homes. Having reached his mid-teens, he escapes at the first available opportunity, only to find himself cast adrift on the streets of the big city.

Having skirted the urban underbelly once too often by age 20, he finds him …

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One Native Life

One Native Life

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In 2005, award-winning writer Richard Wagamese moved with his partner to a cabin outside Kamloops, B.C. In the crisp mountain air Wagamese felt a peace he'd seldom known before. Abused and abandoned as a kid, he'd grown up feeling there was nowhere he belonged. For years, only alcohol and moves from town to town seemed to ease the pain.

In One Nativ …

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One Story, One Song

One Story, One Song

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WINNER OF THE 2011 GEORGE RYGA AWARD FOR SOCIAL AWARENESS.

A new collection of warm, wise and inspiring stories from the author of the bestselling One Native Life.

Since its publication in 2008, readers and reviewers have embraced Richard Wagamese's One Native Life. "In quiet tones and luminous language," wrote the Winnipeg Free Press, "Wagamese shar …

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Ragged Company

Ragged Company

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Four chronically homeless people–Amelia One Sky, Timber, Double Dick and Digger–seek refuge in a warm movie theatre when a severe Arctic Front descends on the city. During what is supposed to be a one-time event, this temporary refuge transfixes them. They fall in love with this new world, and once the weather clears, continue their trips to th …

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Is it you?
Yes.
Where have you been?
Travelling.
Yes. Of course. Where did you get to?
Everywhere. Everywhere I always wanted to go, everywhere I ever heard about.
Did you like it?
I loved it. I never knew the world was so big or that it held so much.
Yes. It’s an incredible thing.
Absolutely.
What did you think about all that time?
Everything. I guess I thought about everything. But I thought about one thing the most.
What was that?
A movie. Actually, a line from a movie.
Really?
Yes. Funny, isn’t it? Out of all the things I could have thought about over and over, I thought about a line from a movie.
Which one?
Casablanca. When Bogie says to Bergman, “The world don’t amount to a hill of beans to two small people like us?” Remember that?
Yes. I remember. Why?
Because that’s what I think it’s all about in the end.
What?
Well, you live, you experience, you become, and sometimes, at the end of things, maybe you feel deprived, like maybe you missed out somehow, like maybe there was more you could have–­should have–­had. You know?
Yes. Yes, I do.
But the thing is, at least you get to finger the beans.
Yes. I like that–­you get to finger the beans.
Do you ever do that?
All the time.
Me too.
Let’s do that now. Let’s hear all of it all over again.
Okay. Do you remember it?
All of it. Everything. Every moment.
Then that’s all we need.
The beans.
Yes. The beans.

Book One
Shelter

One For The ­Dead

It was Irwin that started all the dying. He was my eldest brother, and when I was a little girl he was my hero, the one whose shoulders I was always carried on and whose funny faces made me smile even when I didn’t want to. There were five of us. We lived on an Ojibway reserve called Big River and our family, the One Sky family, went back as far in tribal history as anyone could recall. I was named Amelia, after my grandmother. We were a known ­family–­respected, ­honoured–­and Irwin was our shining hope. I was the only girl, and Irwin made me feel special, like I was his hero. Love is such a simple word, so limited, that I never use it when I think of him, never consider it when I remember what I ­lost.

He was a swimmer. A great one. That’s not surprising when you consider that our tribal clan was the Fish Clan. But Irwin swam like an otter. Like he loved it. Like the water was a second skin. No one ever beat my brother in a race, though there were many who tried. Even grown ­men–­bigger, stronger ­kickers–­would never see anything but the flashing bottoms of my brother’s feet. He was a ­legend.

The cost of a tribal life is high and our family paid in frequent times of hunger. Often the gill net came up empty, the moose wouldn’t move to the marshes, and the snares stayed set. The oldest boys left school for work, to make enough to get us through those times. They hired themselves out to a local farmer to clear bush and break new ground. It was man’s work, really, and Irwin and John were only boys, so the work took its ­toll.

It was hot that day. Hot as it ever got in those summers of my girlhood, and even the farmer couldn’t bear up under the heat. He let my brothers go midway through the afternoon and they walked the three miles back to our place. Tired as they were, all Irwin could think about was a swim in the river. So a big group of us kids headed toward the broad, flat stretch below the rapids where we’d all learned to swim. I was allowed to go because there were so many of ­us.

There was a boy named Ferlin Axe who had challenged my brother to race hundreds of times and had even come close a few of those times. That day, he figured Irwin would be so tired from the heat and the work that he could win in one of two ways. First, he could beat Irwin because he was so tired, or second, Irwin could decline the challenge. Either way was a victory, because no Indian boy ever turned down a ­race.

“One Sky,” Ferlin said when we got to the river, “today’s the day you lose.”

“Axe,” Irwin said, “you’ll never chop me down.”

Now, the thing about ­races–­Indian races, ­anyway–­is that anyone’s allowed to join. So when they stepped to the edge of the river there were six of them. At the count of three they took off, knees pumping high, water splashing up in front of them, and when they dove, they dove as one. No one was surprised when Irwin’s head popped up first and his arms started pulling against the river’s muscle. He swam effortlessly. Watching him go, it seemed like he was riding the water, skimming across the surface while the others clawed their way through it. He reached the other side a good thirty seconds ahead of Ferlin ­Axe.

The rules were that everyone could rest on the other side. There was a long log to sit on, and when each of those boys plopped down beside Irwin he slapped them on the arm. I’ll never forget that sight: six of them, young, vibrant, glistening in the sun and laughing, teasing each other, the sun framing all of them with the metallic glint off the river. But for me, right then, it seemed like the sun shone only on my brother, like he was a holy object, a saint perhaps, blessed by the power of the open water. We all have our sacred moments, those we carry in our spirit always, and my brother, strong and brown and laughing, shining beside that river, is ­mine.

After about five minutes they rose together and moved to the water’s edge, still pushing, shoving, teasing. My brother raised an arm, waved to me, and I could see him counting down. When his arm dropped they all took off. Ferlin Axe surfaced first and we all gasped. But once Irwin’s head broke the surface of the water you could see him gain with every stroke. He was so fast it was startling. When he seemed to glide past the flailing Ferlin Axe, we all knew it was over. Then, about halfway across, at the river’s deepest point where the pull of the current was strongest, his head bobbed under. We all laughed. Everyone thought that Irwin was going to try to beat Ferlin by swimming underwater the rest of the way. But when Ferlin suddenly stopped and stared wildly around before diving under himself, we all stood up. Soon all five boys were diving under and I remember that it seemed like an hour before I realized that Irwin hadn’t come back up. Time after time they dove and we could hear them yelling back and forth to each other, voices high and breathless and ­scared.

The river claimed my brother that day. His body was never found and if you believe as I do, then you know that the river needed his spirit back. But that’s the woman talking. The little girl didn’t know what to make of it. I went to the river every day that summer and fall to sit and wait for my brother. I was sure that it was just a joke, a tease, and he’d emerge laughing from the water, lift me to his shoulders, and carry me home in celebration of another really good one. But there was just the river, broad and flat and deep with secrets. The sun no longer shone on that log across the water, and if I’d known on the day he sat there, when it seemed to shine only on him, that it was really calling him away, I’d have yelled something. I love you, maybe. But more like, I need you. It was only later, when the first chill of winter lent the water a slippery sort of blackness, like a hole into another world, that I allowed the river its triumph and let it be. But it’s become a part of my blood now, my living, the river of my veins, and Irwin courses through me even ­now.

My parents died that winter. Those cheap government houses were dry as tinder, heated by one central stove that threw an ember through the grate one night and burned our house to the ground. Those who saw it say it looked like a flare popping off. I hope so. I hope my parents slept right through it, that there was no terror or desperation for either of them. We kids were with my Uncle Jack and Aunt Elizabeth at a winter powwow that night. Standing beside my uncle’s truck the next day looking at the burnt and bubbled timbers piled atop each other, I felt a coldness start to build inside me. A numbing cold like you feel in the dentist’s chair, the kind you’re powerless to stop. I couldn’t cry. I could feel the tears dammed inside my chest but there was no channel to my ­eyes.

We lived with Uncle Jack for a while but he was a drinker and it wasn’t long before the social workers came and moved us all to the missionary school fifty miles away. I was six and the last sight I ever had of Big River was through the back window of the yellow bus they loaded us into. We moved from a world of bush and rock and river to one of brick and fences and fields. There we were made to speak English, to forget the sacred ways of our people, and to learn to kneel before a cross we were told would save us. It didn’t.

The boys and girls were kept apart except for meals and worship. I never got to speak to my brothers at all except in mouthed whispers, waves, and the occasional letters all the kids learned to sneak across to each other. It was hard. Our world had become strange and foreign and we all suffered. But it was hardest on my brother Harley. He was eight and, out of all of us, had been the one closest to our parents. He’d stayed close to the house while the rest of us tore around the reserve. He’d cooked with our mother and set snares with our father. Quiet, gentle, and thinner even than me, we always treated Harley like a little bird out of its nest, sheltering him, protecting him, warming him. In the tribal way, change is a constant and our ways teach you how to deal with it. But we were torn away from that and nothing we were given in the missionary school offered us any comfort for the ripping away of the fabric of our lives. Harley wept. Constantly. And when he disappeared over the fence one February night, I wasn’t surprised. From across the chapel the next morning, John and Frank nodded solemnly at me. We all knew where he’d gone. I still remember watching from the dormitory window as the men on horses came back that evening, shaking their heads, muttering, cold. If they couldn’t figure out how an ­eight-­year-­old could vanish and elude them, then they forgot that they were chasing an Indian boy whose first steps were taken in the bush and who’d learned to run and hide as his first childhood game. They looked for three days. Uncle Jack found him huddled against the blackened metal of that ­burnt-­out stove in the remains of our house, frozen solid. Dead. All he’d had on was a thin wool coat and ­slippery-­soled white man shoes but he’d made it fifty miles in three days. Uncle Jack told me years later in a downtown bar that Harley’s eyes were frozen shut with tears and large beads of them were strung along the crossed arms he clutched himself with. When I heard that I got ­drunk–­real ­drunk–­for a long ­time.

Life settled into a flatness after we lost Harley. But all three of us rebelled in our own ways. Me, I retreated into silence. The nuns all thought me slow and backward because of my silence but they had no idea how well I was learning their ways and their language. I did everything they asked of me in a slow, methodical way, uncomplaining and silent. I gave them nothing back because all I knew was the vast amount they had taken from me, robbed me of, cheated me out of, all in the name of a God whose son bore the long hair none of us were allowed to wear anymore. The coldness inside me was complete after Harley died, and what I had left of my life, of me, I was unwilling to offer up to anyone.
I drifted through the next four years as silent as a bank of snow. A February ­snow.

John and Frank made up for my absence. They were twelve and ten that first year, and when they refused to sit through classes they were sent to the barns and fields. John rejected everything about that school and his rebellion led to strappings that he took with ­hard-­eyed silence. The coldness in me was a furnace in him and he burned with rage and resentment. Every strapping, every punishment only stoked it higher. He fought everyone. By the time he was sixteen and old enough to leave on his own, the farm work had made him strong and tough. It was common knowledge that John One Sky could outwork any of the men. He threw bales of hay effortlessly onto the highest part of the wagons and he forked manure from the stalls so quickly he’d come out robed in sweat, eyes ablaze and ready for whatever else they wanted to throw at him. It was his eyes that everyone came to fear. They threw the heat in his soul outward at everyone. Except for me. In the chapel, he’d look across at me and his eyes would glow just like Irwin’s used to. He’d raise a hand to make the smallest wave and I would wonder how anyone could fear hands that could move so softly through the air. But they did. When he told them he was leaving there was no argument. And when he told them that he would see me before he left there was no argument ­either.

We met in the front hallway. He was big. Tall and broad and so obviously strong. But the hand he laid against my cheek was tame, loving. “Be strong,” he told me. “I’m going to get you out of here, Amelia. You and Frankie. Just as soon as I can. I promise.” Then he hugged me for a long time, weaving back and forth, and when he looked at me I felt like I was looking into Irwin’s eyes. Then he was ­gone.

Frank tried to be another John. But he wasn’t built of the same stuff, physically or mentally, and he only succeeded in getting himself into trouble. No one ever feared my brother Frank. In those schools you learned to tell the difference between courage and bravado, toughness and a pose, and no one believed in Frank’s imitation of his brother. That knowledge just made him angrier. Made him act out more. Made him separate from all of us. He sulked and his surliness made him even more of a caricature and made him try even harder to live up to what he thought a One Sky man should be. He got mean instead of tough and, watching him through those years, I knew that the river, the fire, and the cold ran through him, drove him, sent him searching for a peg to hang his life on. It was a cold, hard peg he ­chose–­vindictive as a nail through the ­palms.

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Runaway Dreams

Runaway Dreams

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The Next Sure Thing

The Next Sure Thing

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Cree Thunderboy wants nothing less than to be the next great blues man. But, playing to tiny audiences in shabby rooms like Shelly's Crab Shack, his career is stalled. Then at the race track he meets Win Hardy, a seemingly charming rogue who spots Cree's knack for picking winning horses. He offers to record his first CD and send him on tour, as lon …

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