Helen Humphreys
HELEN HUMPHREYS is an award-winning author of five acclaimed novels. Her last novel, Coventry, was a finalist for the Trillium Book Award, a New York Times Editors’ Choice and a Globe and Mail Best Book of the Year. The Lost Garden was a Canada Reads selection. Afterimage won the Rogers Writers’ Trust Fiction Prize; Leaving Earth received the Toronto Book Award; and The Frozen Thames was a #1 bestseller. In 2009, Humphreys was awarded the Harbourfront Festival Prize for literary excellence. Visit her online at www.hhumphreys.com.
Afterimage
Inspired by the photographs of Julia Margaret Cameron, Afterimage is a provocative, passionate, yet delicate Victorian novel. When the young Irish maid Annie Phelan arrives at the country home of Isobelle and Eldon Dashell, she is swept into a world of artistic ambitions and hidden passions. But she also discovers a marriage that has grown distant …
Anthem
Physical and fiercely lyric, Helen Humphreys' Anthem is a litany of want. A song of poverty and of desire, of the reach forward and the relentless backward glance. With stark images and subtle, tensile strength, her poems touch that rare interval between presence and absence, echo and answer, between wall and window and sky-that gap in which we liv …
Coventry
A stunning novel of love, loss and redemption, Coventry was published to rave reviews and became an instant bestseller in 2008. The Gazette (Montreal) called it “a small gem. . . . A beautifully sculpted, meticulously researched work.” The novel opens on the fateful evening of November 14, 1940, when from her post as a firewatcher on the roof o …
Coventry
On the evening of November 14, 1940, Harriet stands on the roof of the cathedral in the British town of Coventry and marvels at the magnificence of frost glittering beneath a full moon. But it is a bomber’s moon. The Germans are coming to unleash destruction. For Harriet, Jeremy, the young man who shares her duties as a firewatcher, and his free …
Gods and Other Mortals
Precisely etched meditations on public and private experience, charged landscapes and reconceived Greek myths. "Words are signals, flares sent up in desperation, a cryptic language of longing." - Leslie McAllister, Toronto Star
Lost Garden
In spring 1941, when London is under attack, Gwen Davis escapes the city for Devon, where she will instruct young girls in growing crops for the Home Front. There, she meets two people who will change her life forever: Raley, a Canadian officer awaiting posting to the Front with his men; and Jane, a frail but free spirit whose fiancé is missing in …
Nocturne
Helen Humphreys’ younger brother was gone before she could come to terms with the fact that he had terminal cancer. Diagnosed with stage 4B pancreatic cancer at the age of forty-five, he died four months later, leaving behind a grieving family. Martin was an extraordinary pianist who debuted at the Royal Festival Hall in London at the age of twen …
Nuns Looking Anxious, Listening to Radios
Nuns Looking Anxious, Listening to Radios is a work in the hazard of retrieval. What sticks in retrospect? Seldom what you would expect, not always the happiness. Otherwise you could train for life, you could actually learn from grandmothers, mothers; poems-those bodies of lines and spaces -would not appear unbidden bearing news you hold your breat …
Perils of Geography, The
In her third book of poetry The Perils of Geography, Helen Humphreys charts a world that opens under the prodding and promise of language. With the wit and eye for evocative detail which gained readers for both Gods and Other Mortals and Nuns Looking Anxious, Listening to Radios, Humphreys probes the immediacy of now, the intensity of this, the res …
Reinvention Of Love
When Charles Sainte-Beuve, an ambitious French journalist, meets Victor Hugo, a young writer on the verge of fame, he finds himself in a world of great passions, a world where words can become swords. But, to his surprise, he is more attracted to Victor’s long-suffering wife, Adèle. When the two lovers create a scandale in Paris, Victor exacts h …
The Frozen Thames
A groundbreaking, genre-bending new work from one of Canada’s most respected writers.
In its long history, the River Thames has frozen solid forty times. These are the stories of that frozen river.
And so opens one of the most breathtaking and original works being published this season. The Frozen Thames contains forty vignettes based on events tha …
In its long history, the river Thames has frozen solid forty times.
These are the stories of that frozen river.
1363
I look for you along the banks of the river, where the great fires have been laid. Each fire a pyramid of coal, taller than the tallest man, and blazing with a fierceness that seems to match my need to find you.
You’re not there, by any of the fires, nor at any of the tables that have been set upon the ice for this enormous feast. You promised you would come, and yet you haven’t, and so I cannot settle, walk along one bank to the end of the coal fires, and then back along the other bank.
Here at Reading, the Thames has frozen so thickly that it will hold up the pyramids of burning coal without a quiver. It will hold up the long tables laden with food, at which sit all the poor and weak in the town. For one night only, for this night, we are to be treated to a great feast by the Abbot and the Grey Friar monks. The brothers themselves are acting in our service for the evening, fetching us food and drink when we so desire it.
I would be enjoying this, but I am too worried about whether or not you will arrive as promised. I know your family have been ill. You might have stayed to tend to them.
I am standing on the ice, a little way out from the fires so that I am not blinded by the flames, so that I can still see you if you come walking from the north end of the river. I am wearing a new black cloak I have fashioned from a blanket. It is not the green cloak you are used to seeing me in, and I worry that you will not recognize me, so I am determined to recognize you first. I don’t like the new law that has been passed this year, decreeing that only the nobility are permitted to wear coloured clothing, and that each of the colours is coded with meaning. As the lower orders, we are only allowed black or grey. They can have red to signify their superior position, blue to show their fidelity, yellow to flash hostility, pale grey for sorrow, and green for love.
It seems an impossible law to enforce, and yet I have complied, and in my acceptance I show my fear of disobeying.
All around me, at all the tables set upon the frozen river, there is great merriment. The monks have provided each table with a hogshead of ale, and some of the merriment is caused by the generous taking of this ale.
And suddenly, there you are. You walk towards me over the ice, the fires throwing you into shadow, lighting you boldly with each surge and ebb of flame. You have recognized me, even in the new cloak. You walk towards me without hesitation, and my body feels suddenly weightless, as though I could float up like a bird, look down upon this little stretch of ice with the orange puddles of light bleeding at the edges, and the black lines of the tables laid out in the centre of the river.
When you are almost upon me, I move forward so that I may clasp you in my arms, but you hold out your hands to stop me. You are also wearing a black cloak, and there is frost decorating the ends of your hair where it touches your face. Not frost, I realize with a start, not frost but frozen tears.
“What?” I say, and my breath unknots in the cold night air, drifts off into threads of smoke.
You pull back the sleeve of your cloak and hold your bare arm out for me to see the black boils that are pockmarked over your flesh.
The Black Death.
It seemed as though the plague had passed. For more than ten years people died. Every second house in London seemed affected. There were so many dead that they were just tossed into massive pits, piled one on top of the other with no ceremony or marker. The nobility fled to the country, and then, when it all seemed to be over, they came back and passed this law about the clothes. This is to keep us in our place because, with so many dead, the poor have become less so, have inherited money and property from those who have died.
You hold out your arm and I see the black spots, know that you probably already have the fever, that you will be dead in two or three days, and I cannot bear it.
All around us I can hear the sounds of people being happy — laughter and talking. I cannot remember this kind of happiness, not ever, and it seems so wrong that a moment so good could lie peacefully alongside a moment so bad.
If I touch you, I will be infected. You probably shouldn’t have come here, because you now carry the disease, and because it has most likely taken all your strength just to get here. But I am glad you kept your promise, and I am more than glad to see you. I don’t know how I can live without you, or if I will. It was only days ago that I last saw you, that I touched you. The plague could be bubbling under my skin as we stand here.
I lift my cloak so that you can see the lining, so that you can see what I’ve wanted to tell you. I have sewn pieces of my green cloak into the lining of this black one. Green for love, under the new law.
It seems strange that this is the end of the world, this scene of feasting and happiness, something that is so outside my usual days. But perhaps that is good, perhaps if I had to leave a world that was my own it would be harder.
You lower your arm and smile. You have understood. I step forward into your embrace and kiss you.
The Frozen Thames
A groundbreaking, genre-bending new work from one of Canada’s most respected writers.
In its long history, the River Thames has frozen solid forty times. These are the stories of that frozen river.
And so opens one of the most breathtaking and original works being published this season. The Frozen Thames contains forty vignettes based on events tha …
In its long history, the river Thames has frozen solid forty times.
These are the stories of that frozen river.
1363
I look for you along the banks of the river, where the great fires have been laid. Each fire a pyramid of coal, taller than the tallest man, and blazing with a fierceness that seems to match my need to find you.
You’re not there, by any of the fires, nor at any of the tables that have been set upon the ice for this enormous feast. You promised you would come, and yet you haven’t, and so I cannot settle, walk along one bank to the end of the coal fires, and then back along the other bank.
Here at Reading, the Thames has frozen so thickly that it will hold up the pyramids of burning coal without a quiver. It will hold up the long tables laden with food, at which sit all the poor and weak in the town. For one night only, for this night, we are to be treated to a great feast by the Abbot and the Grey Friar monks. The brothers themselves are acting in our service for the evening, fetching us food and drink when we so desire it.
I would be enjoying this, but I am too worried about whether or not you will arrive as promised. I know your family have been ill. You might have stayed to tend to them.
I am standing on the ice, a little way out from the fires so that I am not blinded by the flames, so that I can still see you if you come walking from the north end of the river. I am wearing a new black cloak I have fashioned from a blanket. It is not the green cloak you are used to seeing me in, and I worry that you will not recognize me, so I am determined to recognize you first. I don’t like the new law that has been passed this year, decreeing that only the nobility are permitted to wear coloured clothing, and that each of the colours is coded with meaning. As the lower orders, we are only allowed black or grey. They can have red to signify their superior position, blue to show their fidelity, yellow to flash hostility, pale grey for sorrow, and green for love.
It seems an impossible law to enforce, and yet I have complied, and in my acceptance I show my fear of disobeying.
All around me, at all the tables set upon the frozen river, there is great merriment. The monks have provided each table with a hogshead of ale, and some of the merriment is caused by the generous taking of this ale.
And suddenly, there you are. You walk towards me over the ice, the fires throwing you into shadow, lighting you boldly with each surge and ebb of flame. You have recognized me, even in the new cloak. You walk towards me without hesitation, and my body feels suddenly weightless, as though I could float up like a bird, look down upon this little stretch of ice with the orange puddles of light bleeding at the edges, and the black lines of the tables laid out in the centre of the river.
When you are almost upon me, I move forward so that I may clasp you in my arms, but you hold out your hands to stop me. You are also wearing a black cloak, and there is frost decorating the ends of your hair where it touches your face. Not frost, I realize with a start, not frost but frozen tears.
“What?” I say, and my breath unknots in the cold night air, drifts off into threads of smoke.
You pull back the sleeve of your cloak and hold your bare arm out for me to see the black boils that are pockmarked over your flesh.
The Black Death.
It seemed as though the plague had passed. For more than ten years people died. Every second house in London seemed affected. There were so many dead that they were just tossed into massive pits, piled one on top of the other with no ceremony or marker. The nobility fled to the country, and then, when it all seemed to be over, they came back and passed this law about the clothes. This is to keep us in our place because, with so many dead, the poor have become less so, have inherited money and property from those who have died.
You hold out your arm and I see the black spots, know that you probably already have the fever, that you will be dead in two or three days, and I cannot bear it.
All around us I can hear the sounds of people being happy — laughter and talking. I cannot remember this kind of happiness, not ever, and it seems so wrong that a moment so good could lie peacefully alongside a moment so bad.
If I touch you, I will be infected. You probably shouldn’t have come here, because you now carry the disease, and because it has most likely taken all your strength just to get here. But I am glad you kept your promise, and I am more than glad to see you. I don’t know how I can live without you, or if I will. It was only days ago that I last saw you, that I touched you. The plague could be bubbling under my skin as we stand here.
I lift my cloak so that you can see the lining, so that you can see what I’ve wanted to tell you. I have sewn pieces of my green cloak into the lining of this black one. Green for love, under the new law.
It seems strange that this is the end of the world, this scene of feasting and happiness, something that is so outside my usual days. But perhaps that is good, perhaps if I had to leave a world that was my own it would be harder.
You lower your arm and smile. You have understood. I step forward into your embrace and kiss you.
From the Hardcover edition.
The Reinvention Of Love
When Charles Sainte-Beuve, an ambitious French journalist, meets Victor Hugo, a young writer on the verge of fame, he finds himself in a world of great passions, a world in which words can become swords. But, to Charles’ surprise, he is more attracted to Victor’s long-suffering wife, Adèle. When the two lovers create a scandale in Paris, Victo …
