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About the Author

Mary Dalton

Edited by Mary Dalton, Sean O'Brien, Chase Twichell, Niyi Osundare et al.

Mary Daltpon is the author of five books of poetry including Merrybegot winner of the 2005 E.J. Pratt Poetry Award. Her new collection Hooking was published Spring 2013. She is a Professor of English at Memorial University, St. John’s Newfoundland.

Sean O’Brien is a UK poet, critic, broadcaster, anthologist and editor. He is Professor of Creative Writing at Newcastle University. His poetry collection November was shortlisted for the 2011 T. S. Eliot Prize and the 2012 International Griffin Poetry Prize.

Chase Twichell is the winner of the prestigious Kingsley and Kate Tufts Poetry Award (2011) and the Alice Fay Di Castagnola Award (1997). She has received numerous fellowships for her seven books of poetry.

Niyi Osundare Osundare is a Nigerian poet, playwright, essayist and scholar. He has authored 18 books of poetry. His many prizes include the Commonwealth Poetry Prize. He is currently Distinguished Professor of English at the University of New Orleans.

Books by this Author
Allowing the Light

Allowing the Light

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The word allow has roots in the Latin verb laudare, to praise. These poems seek to allow the music of that which is muted in a world of bellowing. In Section I light plays on the veined ways of vegetation, of poetry, of eros. Section II illuminates states of alienation and longing. The fierce light of Swift bu s in Section IV; these poems lament Ne …

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Coastlines

Coastlines

The Poetry of Atlantic Canada
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Atlantic Canada is enjoying a renaissance unknown since the days of Alden Nowlan, Milton Acorn, and John Thompson. Coastlines: The Poetry of Atlantic Canada features work by 60 of the region’s finest poets in a volume that will whet appetites for more. The earlier poetry renaissance began in 1945, with the establishment of The Fiddlehead magazine …

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Global Poetry Anthology 2013

Global Poetry Anthology 2013

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The Global Poetry Anthology is a one-of-a-kind collection of contemporary previously-unpublished poems gathered from all corners of the English speaking world. An international editorial board ensures the present volume's cosmopolitan palette, and the "blind" selection process guarantees that choices have been made according to poetic calibre alone …

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Hooking

Hooking

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Mary Dalton’s fifth collection, Hooking, is a series of centos that, on one level, draw inspiration from a traditional Newfoundland craft. Like a hooked rug made up of strips of fabric cut from old clothes, the cento is stitched together from lines scissored out of other poems. Dalton’s cento variants, however, range across continents and epoch …

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Merrybegot

Merrybegot

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Call them prayers or curses. Fictions or true stories. Mary Dalton's new poems are voices caught in print, fashioned from the vigorous idioms and cadences of Newfoundland speech. Readers will, likely for the first time, encounter words like "conkerbells", "drite", "mollyfoostering", "mawmouth" and "elt"—potent words rich with the music of their …

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Red Ledger

Red Ledger

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Red Ledger is Mary Dalton's fourth book of poems, and follows the success of her highly praised and prize-winning collection Merrybegot. In Red Ledger, Dalton's wit leaps forward to create yet another series of pressure-packed, tough-minded poems inseparable from their Atlantic source. The immediacy and precision of her diction and the large scope …

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The Breakwater Book of Contemporary Newfoundland Poetry

The Breakwater Book of Contemporary Newfoundland Poetry

contributions by Sue Sinclair
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Gathering the strongest poetry published by Newfoundlanders since the death of E.J. Pratt in 1964, The Breakwater Book of Contemporary Newfoundland Poetry features selections from twelve of the province’s most impressive poets, including Al Pittman, Tom Dawe, Mary Dalton, John Steffler, Patrick Warner, and Ken Babstock. This groundbreaking anthol …

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The Time of Icicles

The Time of Icicles

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A collection of lyric pieces, The Time of Icicles is anchored in the author's experience of Newfoundland, but these poems are of a continent, a century. An underlying preoccupation of the volume is with states of struggle-of people, cultures, vegetation, of language itself. Moving from moods of sly irony to haunting sadness, this music of dissoluti …

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