Caroline Adderson
Caroline Adderson is the author of Very Serious Children (Scholastic 2007), a novel for middle readers about two brothers, the sons of clowns, who run away from the circus. I, Bruno (Orca 2007) and Bruno for Real are collections of stories for emergent readers featuring seven year-old Bruno and his true life adventures.
Caroline Adderson also writes for adults and has won two Ethel Wilson Fiction Prizes, three CBC Literary Awards, as well as the 2006 Marion Engel Award given annually to an outstanding female writer in mid-career. Her numerous nominations include the Scotiabank Giller Prize longlist, the Governor General's Literary Award, the Rogers' Trust Fiction Prize and the Commonwealth Writers' Prize. Most recently, Caroline was the Vancouver Public Library's 2008 Writer-in-Residence.
Her eight year-old son Patrick and his many friends inspire her children's writing. Caroline and her family live in Vancouver, British Columbia.
Bad Imaginings
In these ten short stories, Caroline Adderson adopts a brilliant array of perspectives ranging from that of a nineteenth-century prospector, to a chambermaid in WWI Victoria, to two long-time friends trying to sort out the eighties. The intensity of these deeply imagined stories is stunning.
Bruno for Real
Seven-year-old Bruno is back and tackling problems with his trademark originality. He defeats hiccups. He trades his mother for a new hat. He skillfully avoids math. And thanks to his special Flutter Kick, he easily advances to the next level—in swimming and in life! Bruno is ready for any challenge as he learns all there is to know about being a …
"Where did you get that funny hat?" Mom asked him.
"I swapped for it," Bruno told her.
Dad looked proud. "Did you? What did you swap?"
"I swapped Mom."
Mom put down her fork. Her face turned white.
"Don't worry," Bruno told her. "I got you back."
Dad said, "Thank goodness! I like your mother."
"Me too," said Bruno. "I like her so much I swapped my plastic teeth to get her back again."
Bruno for Real
"Seven-year-old Bruno is back and tackling problems with his trademark originality. He defeats hiccups. He trades his mother for a new hat. He skillfully avoids math. And thanks to his special Flutter Kick, he easily advances to the next level -- in swimming and in life! Bruno is ready for any challenge as he learns all there is to know about being …
Bruno for Real
Seven-year-old Bruno is back and tackling problems with his trademark originality. He defeats hiccups. He trades his mother for a new hat. He skillfully avoids math. And thanks to his special Flutter Kick, he easily advances to the next level--in swimming and in life! Bruno is ready for any challenge as he learns all there is to know about being a …
"Where did you get that funny hat?" Mom asked him.
"I swapped for it," Bruno told her.
Dad looked proud. "Did you? What did you swap?"
"I swapped Mom."
Mom put down her fork. Her face turned white.
"Don't worry," Bruno told her. "I got you back."
Dad said, "Thank goodness! I like your mother."
"Me too," said Bruno. "I like her so much I swapped my plastic teeth to get her back again."
Des enfants drôlement sérieux
Voici l'histoire de Nicky et Saggy, les deux enfants drôlement sérieux de M. et Mme Toots, des clowns pas du tout sérieux et même un peu folichons... Ce n'est pas que la vie dans un cirque ambulant soit dénuée d'avantages, mais n'importe quel enfant, à un moment ou à un autre, rêve d'une vie normale qui exclut les maisons mobiles bariolée …
Emergent Voices
edited by Robert Weaver
Michael Ondaatje, Carol Shields, and Gail Anderson-Dargatz are among the winners of the CBC Literary Award who have gone on to become some of the biggest names in Canadian literature. They and other past winners are included in Emergent Voices. For over twenty years, Robert Weaver has coordinated one of Canadas most important literary awards for …
Film Studies
In FILM STUDIES, 15-year-old Cass is so cool she’s cold. That’s what people think. But she struggles to decide what role to play in life — an act that swallows her whole. It’s her director father, long absent, who leaves her struggling for an identity. The one thing she knows for sure is that she’s fed up with her mother’s ever-changing …
History of Forgetting
Malcolm Firth is an aging hairdresser whose partner, Denis, is wasting away from memory loss. Malcolm works at a zany Vancouver hair salon where he trains Alison, a young ingenue from the suburbs, amidst a staff of eccentric urbanoid hair stylists. Their clients include a troop of old people, one of whom is a Holocaust survivor. It is this old woma …
I, Bruno
Bruno is a boy with particular tastes and ideas. He will not, for example, eat anything green. He spends one day as Sir Bruno and another as the Queen. He is an entrepreneur and he understands the language of Car. Bruno is a boy worth knowing.
Bruno gobbled up Mom's macaroni. It tasted so good! Then he saw something in the bottom of the bowl. Something was hidden in the cheese. "Ah!" he screamed. "There's green in my macaroni!""It's just zucchini," Mom said. "Just a tiny little bit.""It's green!" Bruno put down his spoon. He wasn't hungry anymore.
Jasper John Dooley: Left Behind
Jasper John Dooley's beloved Nan is leaving on a cruise for a whole week! He feels so pththth. All he can think about is Nan missing out on their Wednesday card game, and whether it's raining where she is, too, and if she will ever come back. But each day something happens, from a stapling mishap to a hamster escape, and Jasper realizes that waitin …
Jasper John Dooley: Star of the Week
At last, it's Jasper John Dooley's turn to be Star of the Week at school. Unfortunately, nothing turns out as planned. His Show and Tell falls flat. A new baby at his friend Ori's house steals his spotlight. And worst of all, the new baby has only-child Jasper wondering if his own family is too small. When Jasper decides to build himself a brother …
Margaret Atwood Presents
narrator Genevieve Steele; Liisa Repo-Martell; Mary Lewis; Chapelle Jaffe; Mag Ruffman; Juno Mills-Cockell & Sandra Oh
edited by Margaret Atwood
Seven stories by seven up-and-coming Canadian women writers, handpicked by Canadas leading lady of fiction and read by noted women actors this is the idea behind a compelling audio compilation of the best new short fiction. Margaret Atwood Presents features stories by Annabel Lyon, Caroline Adderson, Nancy Lee, Elise Levine, Lisa Moore, Kristi …
Middle of Nowhere
At first Curtis isn't that worried when his mother doesn't come home from her all-night job at the local gas bar. She'll be back, he's ten out of ten positive. After all, she promised she would never leave him again.
Besides, Curtis is used to looking after himself and his five-year-old brother, Artie, and for a time he manages things on his own, ke …
Middle of Nowhere
At first Curtis isn't that worried when his mother doesn't come home from her all-night job at the local gas bar. She'll be back, he's ten out of ten positive. After all, she promised she would never leave him again.
Besides, Curtis is used to looking after himself and his five-year-old brother, Artie, and for a time he manages things on his own, ke …
Middle of Nowhere
At first Curtis isn't that worried when his mother doesn't come home from her all-night job at the local gas bar. She'll be back, he's ten out of ten positive. After all, she promised she would never leave him again.
Besides, Curtis is used to looking after himself and his five-year-old brother, Artie, and for a time he manages things on his own, ke …
Pleased to Meet You
These nine razor-sharp stories herald the return of one of Canada’s most accomplished writers to the short story form. Stylistically varied and linguistically confident, here are compulsively readable stories that plumb the complexities of the human heart. A dying Finn, a philandering photographer recovering from an emergency splenectomy, a young …
Sitting Practice
Three and a half weeks after his wedding, Ross Alexander is driving home from a tennis game with his new bride when a wayward tennis ball rolls under his feet. As his wife Iliana removes her seatbelt to retrieve the ball, a truck slams into the car, and she ends up paralyzed and in a coma.So begins this extraordinary portrait of a fated marriage.Ro …
The Journey Prize Stories 19
For almost two decades, The Journey Prize Stories has been taking the pulse of Canada’s literary scene, presenting the best stories published each year by some of our most exciting up-and-coming writers.
Among the stories this year: A holdup marks the beginning of a spectacularly ill-fated romance between a free spirit and a man with the heart an …
The Sky Is Falling
From the winner of the 2006 Marian Engel Award comes a funny, absorbing and timely novel about fear in our time.
On a spring day in 2004, Jane Z. a physician’s wife and mother of a teenage son, opens her morning newspaper and is shocked to see a familiar face on the front page. Sonia, a lost friend accused of terrorism, has just been released af …
The Trouble With Marlene and Film Studies
Parents have a lingering impact on their teen children.
If you act like Marlene, you end up like Marlene -- messed up, lonely and broke. No wonder Samantha rejects her mother's lifestyle. In The Trouble with Marlene, mother and daughter share one thing -- thoughts of suicide. Marlene never stops talking about it, but for Samantha, it's a private aff …
The Trouble With Marlene and Film Studies
Parents have a lingering impact on their teen children.
If you act like Marlene, you end up like Marlene -- messed up, lonely and broke. No wonder Samantha rejects her mother's lifestyle. In The Trouble with Marlene, mother and daughter share one thing -- thoughts of suicide. Marlene never stops talking about it, but for Samantha, it's a private aff …
Very Serious Children
Nicky (Nickelodeon Ha Ha Grant) is not feeling too ha ha. Maybe because he's on the road again with Mr. Fudge's Fantastic Flyers, trundling through the prairies in a camper covered with glued-on trinkets and beside a little brother who keeps crying. Maybe because he's sick of being carsick, and of eating rollmops for breakfast every day. Maybe beca …
Woodsmen of the West
When Woodsmen of the West first appeared in 1908, most readers could not relate to its rendering of the rough edges of logging-camp life. M. Allerdale Grainger refused to sentimentalize the West – he drew from life. While his dramatic and loosely structured tale is at heart a love story, it also tells of what happens when the novel’s British na …
In Vancouver
As you walk down Cordova Street in the city of Vancouver you notice a gradual change in the appearance of the shop windows. The shoe stores, drug stores, clothing stores, phonograph stores cease to bother you with their blinding light. You see fewer goods fit for a bank clerk or man in business; you leave “high tone” behind you.
You come to shops that show faller’s axes, swamper’s axes – single-bitted, double-bitted; screw jacks and pump jacks, wedges, sledge-hammers, and great seven-foot saws with enormous shark teeth, and huge augers for boring boomsticks, looking like properties from a pantomime workshop.
Leckie calls attention to his logging boot, whose bristling spikes are guaranteed to stay in. Clarke exhibits his Wet Proof Peccary Hogskin gloves, that will save your hands when you work with wire ropes. Dungaree trousers are shown to be copper-riveted at the places where a man strains them in working. Then there are oilskins and blankets and rough suits of frieze for winter wear, and woollen mitts.
Outside the shop windows, on the pavement in the street, there is a change in the people too. You see few women. Men look into the windows; men drift up and down the street; men lounge in groups upon the curb. Your eye is struck at once by the unusual proportion of big men in the crowd, men that look powerful even in their town clothes.
Many of these fellows are faultlessly dressed: very new boots, new black clothes of quality, superfine black shirt, black felt hat. A few wear collars.
Others are in rumpled clothes that have been slept in; others, again, in old suits and sweaters; here and there one in dungarees and working boots. You are among loggers.
They are passing time, passing the hours of the days of their trip to town. They chew tobacco, and chew and chew and expectorate, and look across the street and watch any moving thing. At intervals they will exchange remarks impassively; or stand grouped, hands in pockets, two or three men together in gentle, long-drawn-out conversations. They seem to feel the day is passing slowly; they have the air of ocean passengers who watch the lagging clock from meal-time to meal-time with weary effort. For comfort it seems they have divided the long day into reasonable short periods; at the end of each ’tis “time to comeanava-drink.” You overhear the invitations as you pass.
Now, as you walk down street, you see how shops are giving place to saloons and restaurants, and the price of beer decorates each building’s front. And you pass the blackboards of employment offices and read chalked thereon: –
“50 axemen wanted at Alberni
5 rigging slingers $4
buckers $3½, swampers $3.”
And you look into the public rooms of hotels that are flush with the street as they were shop windows; and men sit there watching the passing crowd, chairs tipped back, feet on window-frame, spittoons handy.
You hear a shout or two and noisy laughter, and walk awhile outside the kerb, giving wide berth to a group of men scuffling with one another in alcohol-inspired play. They show activity.
Then your eye catches the name-board of a saloon, and you remember a paragraph in the morning’s paper –
“In a row last night at the Terminus Saloon several men . . .”
and it occurs to you that the chucker-out of a loggers’ saloon must be a man “highly qualified.”
The Cassiar sails from the wharf across the railway yard Mondays and Thursdays 8 p.m. It’s only a short step from the Gold House and the Terminus and the other hotels, and a big bunch of the boys generally comes down to see the boat off.
You attend a sort of social function. You make a pleasing break in the monotony of drifting up the street to the Terminus and down the street to the Eureka, and having a drink with the crowd in the Columbia bar, and standing drinks to the girls at number so-and-so Dupont Street – the monotony that makes up your holiday in Vancouver. Besides, if you are a woodsman you will see fellow aristocrats who are going north to jobs: you maintain your elaborate knowledge of what is going on in the woods and where every one is; and, further, you know that in many a hotel and logging-camp up the coast new arrivals from town will shortly be mentioning, casual-like: “Jimmy Jones was down to the wharf night before last. Been blowing-her-in in great shape has Jimmy, round them saloons. Guess he’ll be broke and hunting a job in about another week, the pace he’s goin’ now.”
You have informed the Morning Post!
If logging is but the chief among your twenty trades and professions – if you are just the ordinary western logger – still the north-going Cassiar has great interest for you. Even your friend Tennessee, who would hesitate whether to say telegraph operator or carpenter if you asked him his business suddenly – even he may want to keep watch over the way things are going in the logging world.
So you all hang around on the wharf and see who goes on board, and where they’re going to, and what wages they hired on at. And perhaps you’ll help a perfect stranger to get himself and two bottles of whisky (by way of baggage) up the gang-plank; and help throw Mike M‘Curdy into the cargoroom, and his blankets after him.
Then the Cassiar pulls out amid cheers and shouted messages, and you return up town to make a round of the bars, and you laugh once in a while to find some paralysed passenger whom friends had forgotten to put aboard. . . . And so to bed.
The first thing a fellow needs when he hits Vancouver is a clean-up: hair cut, shave, and perhaps a bath. Then he’ll want a new hat for sure. The suit of town clothes that, stuffed into the bottom of a canvas bag, has travelled around with him for weeks or months – sometimes wetted in rowboats, sometimes crumpled in a seat or pillow – the suit may be too shabby. So a fellow will feel the wad of bills in his pocket and decide whether it’s worth getting a new suit or not.
The next thing is to fix on a stopping-place. Some men take a fifty-cent room in a rooming house and feed in the restaurants. The great objection to that is the uncertainty of getting home at night. In boom times I have known men of a romantic disposition who took lodgings in those houses where champagne is kept on the premises and where there is a certain society. But that means frenzied finance, and this time you and I are not going to play the fool and blow in our little stake same as we did last visit to Vancouver.
So a fellow can’t do better than go to a good, respectable hotel where he knows the proprietor and the bar-tenders, and where there are some decent men stopping. Then he knows he will be looked after when he is drunk; and getting drunk, he will not be distressed by spasms of anxiety lest some one should go through his pockets and leave him broke. There are some shady characters in a town like Vancouver, and persons of the under-world.
Of course, the first two days in town a man will get good-and-drunk. That is all right, as any doctor will tell you; that is good for a fellow after hard days and weeks of work in the woods.
But you and I are no drinking men, and we stop there and sober up. We sit round the stove in the hotel and read the news papers, and discuss Roosevelt, and the Trusts, and Socialism, and Japanese immigration; and we tell yarns and talk logs. We sit at the window and watch the street. The hotel bar is in the next room, and we rise once in a while and take a party in to “haveadrink.” The bar-tender is a good fellow, one of the boys: he puts up the drinks himself, and we feel the hospitality of it. We make a genial group. Conversation will be about loggers and logs, of course, but in light anecdotal vein, with loud bursts of laughter. . . .
Now one or two of the friends you meet are on the bust; ceaselessly setting-up the drinks, insisting that everybody drink with them. I am not “drinking” myself: I take a cigar and fade away. But you stay; politeness and good fellowship demand that you should join each wave that goes up to the bar, and when good men are spending money you would be mean not to spend yours too. . . .
Pretty soon you feel the sweet reasonableness of it all. A hard-working man should indemnify himself for past hardships. He owes it to himself to have a hobby of some kind. You indulge a hobby for whisky.
About this time it is as well to hand over your roll of bills to Jimmy Ross, the proprietor. Then you don’t have to bother with money any more: you just wave your hand each time to the bar-tender. He will keep track of what you spend. . . .
Now you are fairly on the bust: friends all round you, good boys all. Some are hard up, and you tell Jimmy to give them five or ten dollars; and “Gimme ten or twenty,” you’ll say, “I want to take a look round the saloons” – which you do with a retinue.
The great point now is never to let yourself get sober. You’ll feel awful sick if you do. By keeping good-and-drunk you keep joyous. “Look bad but feel good” is sound sentiment. Even suppose you were so drunk last night that Bob Doherty knocked the stuffing out of you in the Eureka bar, and you have a rankling feeling that your reputation as a fighting man has suffered somewhat – still, never mind, line up, boys; whisky for mine: let her whoop, and to hell with care! Yah-hurrup and smash the glass!!
If you are “acquainted” with Jimmy Ross – that is to say, if you have blown in one or two cheques before at his place, and if he knows you as a competent woodsman – Jimmy will just reach down in his pocket and lend you fives and tens after your own money is all gone. In this way you can keep on the bust a little longer, and ease off gradually – keeping pace with Jimmy’s growing disinclination to lend. But sooner or later you’ve got to face the fact that the time has come to hunt another job.
There will be some boss loggers in town; you may have been drinking with them. Some of them perhaps will be sobering up and beginning to remember the business that brought them to Vancouver, and to think of their neglected camps up-coast.
Boss loggers generally want men; here are chances for you. Again, Jimmy Ross may be acting as a sort of agent for some of the northern logging-camps: if you’re any good Jimmy may send you up to a camp. Employment offices, of course, are below contempt – they are for men strange to the country, incompetents, labourers, farm hands, and the like.
You make inquiries round the saloons. In the Eureka some one introduces you to Wallace Campbell. He wants a riggin’ slinger: you are a riggin’ slinger. Wallace eyes the bleary wreck you look. Long practice tells him what sort of a man you probably are when you’re in health. He stands the drinks, hires you at four and a half, and that night you find yourself, singing drunk, in the Cassiar’s saloon – on your way north to work.

