In her debut collection of short fiction, Amanda Peters describes the Indigenous experience from an astonishingly wide spectrum in time and place—from contact with the first European settlers, to the forced removal of Indigenous children, to the present-day fight for the right to clean water.

These intimate stories meld traditional storytelling with beautiful, spare prose that portray the dignity of the traditional way of life, the humiliations of systemic racism, and the resilient power to endure. A young man returns from residential school only to realize he can no longer communicate with his own parents. A young woman finds purpose and healing on the front lines as a water protector. An old man remembers his life as he patiently waits for death. And a young girl nervously dances in her first Mawi’omi.

At times sad, sometimes disturbing, but always redemptive, the stories in Waiting for the Long Night Moon will remind you that where there is grief there is also joy, where there is trauma there is resilience and, most importantly, there is power.

AMANDA PETERS is a writer of Mi'kmaq and settler ancestry. Her debut novel, The Berry Pickers, was a critically acclaimed bestseller in Canada. Her work has appeared in the Antigonish Review, Grain, the Alaska Quarterly Review, the Dalhousie Review and Filling Station. She is the winner of the 2021 Indigenous Voices Award for unpublished prose and a participant in the 2021 Writers’ Trust Rising Stars Program. Peters has a certificate in creative writing from the University of Toronto, and she is a graduate of the master of fine arts program at the Institute of American Indian Arts in Santa Fe, New Mexico. Amanda Peters lives and writes in the Annapolis Valley, Nova Scotia, with her fur babies, Holly and Pook.

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“Amanda Peters masterfully takes on complex and challenging subjects such as grief, loss, love, rage and resistance with a range of confident prose, from the subtle and understated to the poetic and resonant." — Michelle Good, author of Five Little Indians

“A sharp and compassionate collection that navigates the topographies of loss and resistance, never losing sight of how the land returns our senses, and heals.” — Carleigh Baker, author of Last Woman

“Amanda Peters establishes herself as an essential new voice in Canadian Literature.” — Alexander MacLeod, author of Animal Person